Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      John Mare, 1739 – 1803

      De 3 bekendste schilderijen van John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) is het schilderij waar John Mare het meest om bekendstaat; het maakt deel uit van de collectie van het New York Historical Society, New York City. John Keteltas (1739-1766) (1767) en Jeremiah Platt (1767) maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 3 werken van John Mare. Hier zijn de 3 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van John Mare
      John Mare · 1739 – 1803
      Geboren · overleden
      1739 – 1803, New York City
      Werken in onze catalogus
      3
      Meest bekend
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Meeste werken in
      New York Historical Society

      De tien meest geliefde schilderijen van John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) door John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York City

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Handgeschilderde olieverfreproductie vanaf $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) door John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York City

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Handgeschilderde olieverfreproductie vanaf $178 29 × 35 cm
      Jeremiah Platt (1767) door John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Handgeschilderde olieverfreproductie vanaf $178 28 × 36 cm Zelfde formaat als het origineel $513 98 × 123 cm Bestel in de originele afmetingen →

      Wat John Mare het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van John Mare hangen

      De 2 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van John Mare Schilderijen uit deze lijst
      New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

      De beroemdste doeken van John Mare, jaar na jaar

      Ongeveer een decennium aan het ezel, van 1767 tot 1774: de gedateerde doeken van John Mare, jaar na jaar.

      1. 1767
        John Keteltas (1739-1766) (1767) door John Mare
        2 van 3

        John Keteltas (1739-1766)

        Leeftijd 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) door John Mare
        Canvas 3 van 3

        Jeremiah Platt

        Leeftijd 28 · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) door John Mare
        Canvas 1 van 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Leeftijd 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      De doeken van John Mare, vraag voor vraag

      Waarom wordt John Mare het meest herinnerd om welk canvas?Lees het antwoord

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. John Keteltas (1739-1766) (1767) en Jeremiah Platt (1767) volgen.

      Dr. Benjamin Youngs Prime (1733-1791): hoe oud was John Mare toen dit werd geschilderd?Lees het antwoord

      John Mare, geboren in 1739, was 35 jaar oud: Dr. Benjamin Youngs Prime (1733-1791) dateert uit 1774.

      Hoeveel schilderijen heeft John Mare gemaakt?Lees het antwoord

      3 werken van John Mare zijn opgenomen in onze catalogus, gedateerd van 1767 tot 1774.

      Waar hangen de beroemdste doeken van John Mare tegenwoordig?Lees het antwoord

      Voornamelijk in New York Historical Society (New York City) en Metropolitan Museum of Art (New York); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde John Mare de beroemdste doeken?Lees het antwoord

      In 1767, die 2 van de 3 werken op deze pagina vertegenwoordigt, waaronder John Keteltas (1739-1766).

      Welk beroemd canvas van John Mare was het eerst, en welke was het laatst?Lees het antwoord

      Het oudste canvas hier is John Keteltas (1739-1766) (1767); het nieuwste is Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Welke onderwerpen schilderde John Mare het meest?Lees het antwoord

      Man (2), Wig (2) en Cravat (2), verspreid over de 3 werken op deze pagina.

      Welke schilderijen van John Mare zijn in de collectie van het New York Historical Society?Lees het antwoord

      Het New York Historical Society, New York City herbergt 2 van de werken op deze pagina, waaronder Dr. Benjamin Youngs Prime (1733-1791) en John Keteltas (1739-1766).

      Waar kan ik een reproductie van een schilderij van John Mare kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Maak kennis met de schilder: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.