Van alle schilderijen van Kees Baard is Nijenburg Estate in Heiloo het bekendst; het hangt in het Stedelijk Museum in Alkmaar. Van de 2 werken van Kees Baard in onze catalogus zijn dit de 2 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Kees Baard | Schilderijen uit deze lijst |
|---|---|---|---|
| Alkmaar | 2 | Nijenburg Estate in Heiloo, Plucked Geese |
Nijenburg Estate in Heiloo
2 werken van Kees Baard staan in onze catalogus.
Voornamelijk in Stedelijk Museum (Alkmaar); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.
Het Stedelijk Museum, Alkmaar herbergt 2 van de werken op deze pagina, waaronder Nijenburg Estate in Heiloo en Plucked Geese.
Cornelis Wilhelmus Marinus Baard, widely known as Kees Baard, was a Dutch painter, architect, muralist, and art collector. Born in Amsterdam, Netherlands, his professional life was marked by a variety of roles, including serving as a substituut-officier, a legal official at the beginning of a career within the public prosecution service. His creative journey saw him working in Amsterdam until 1943, followed by a period in Alkmaar that lasted until 1962. Later in life, between 1961 and 1964, he resided in Schaesberg, in the province of Zuid-Limburg.
The artistic output of Kees Baard included floral still lifes and religious art. His notable works held in the Stedelijk Museum, Alkmaar, include:
In the early 1960s, specifically during 1962/1963, Baard executed three tableaux featuring geometric motifs for the Barbara Kerk in Kakert, located in the Gemeente Landgraaf. Created at the request of the pastor to serve as pulpit cladding, these tableaux included the names of the four evangelists on one and the Christ monogram on another. His work in this setting also encompassed the consecration crosses and a portion of the Maria altar.