Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Master E. S., 1420 – 1467

      Master E. S.: De 4 bekendste schilderijen

      Van alle schilderijen van Master E. S. is Saint Sebastian on the tree (1460) het bekendst; het hangt in het Rijksmuseum in Amsterdam. Direct daarna volgen Saint Antony Abbot (1460) en Madonna with Angel Giving Roses (1468). Van de 4 werken van Master E. S. in onze catalogus zijn dit de 4 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Master E. S.
      Master E. S. · 1420 – 1467
      Geboren · overleden
      1420 – 1467
      Werken in onze catalogus
      4
      Meest bekend
      Saint Sebastian on the tree (1460)
      Meeste werken in
      Rijksmuseum

      De 10 meest gevierde schilderijen van Master E. S.

      Madonna and Child door Master E. S.
      4

      Madonna and Child

      · Kupferstichkabinett, Berlijn

      The Berlin museum owns the only existing print of this small-format, historically hand-coloured engraving by the Master E. S., which shows the mother of God with the baby Jesus; both of them appear to the viewer in a fully mortal, almost intimate form. The brocade curtain behind Mary is a traditional honorific motif. The chapel space symbolically refers to the idea of Mary as the Church, the house in which…

      Handgeschilderde olieverfreproductie vanaf $178 27 × 37 cm

      Waar de doeken van Master E. S. hangen

      De 3 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Master E. S. Schilderijen uit deze lijst
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Saint Sebastian on the tree, Saint Antony Abbot
      Kupferstich-Kabinett, LondenKupferstich-Kabinett Londen 1 Madonna with Angel Giving Roses
      Kupferstichkabinett, BerlijnKupferstichkabinett Berlijn 1 Madonna and Child

      Jaar voor jaar: de meest gevierde doeken van Master E. S.

      Eén jaar, 1460, bevat elk gedateerd canvas van Master E. S. op deze pagina: hier zijn ze, de beroemdste eerst.

      1. 1460
      2. 1460

      Uw vragen over de schilderijen van Master E. S. beantwoord

      Wat is het meest gevierde schilderij van Master E. S.?Lees het antwoord

      Saint Sebastian on the tree (1460), Rijksmuseum, Amsterdam. Saint Antony Abbot (1460) en Madonna with Angel Giving Roses (1468) volgen.

      Hoe oud was Master E. S. op het moment van Saint Sebastian on the tree?Lees het antwoord

      Master E. S., geboren in 1420, was 40 jaar oud: Saint Sebastian on the tree dateert uit 1460.

      Hoeveel schilderijen van Master E. S. zijn er bekend?Lees het antwoord

      4 werken van Master E. S. staan in onze catalogus.

      In welke musea bevinden zich de bekendste doeken van Master E. S.?Lees het antwoord

      Voornamelijk in Rijksmuseum (Amsterdam), Kupferstich-Kabinett (Londen) en Kupferstichkabinett (Berlijn); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Master E. S. zijn/haar meest gevierde doeken?Lees het antwoord

      In 1460, die 2 van de 4 werken op deze pagina vertegenwoordigt, waaronder Saint Sebastian on the tree.

      Wat kan ik zien van Master E. S. in het Rijksmuseum?Lees het antwoord

      Het Rijksmuseum, Amsterdam herbergt 2 van de werken op deze pagina, waaronder Saint Sebastian on the tree en Saint Antony Abbot.

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Master E. S.?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Master E. S.: het verhaal van de schilder

      The Enigma of the Monogram: The Legacy of Master E. S.

      In the shadowy corridors of late Gothic art history, few figures possess the haunting allure of Master E. S. An unidentified German engraver, goldsmith, and printmaker, this elusive creator left behind a trail of exquisite marks that continue to captivate scholars and art lovers alike. Though his true identity remains shrouded in mystery, his presence is felt through the enigmatic monogram E. S., which adorns eighteen of his most significant prints. This distinctive signature suggests a revolutionary spirit—a pioneer who was likely the first printmaker to claim his work with such personal branding, signaling a profound shift toward the individualistic expression that would eventually define the Renaissance.

      Active primarily between 1450 and 1467, the artist emerged during a transformative era in Europe. While his exact origins are debated, stylistic evidence points toward southwestern Germany or Switzerland, with much of his most influential work centered in the Upper Rhine region. There is a strong scholarly consensus that his foundational training lay not in the fluid strokes of a painter, but in the precise, disciplined world of the goldsmith. This metallurgical background is etched into every line he produced; his prints often exhibit a structural rigor and a meticulous attention to detail that mirror the delicate work of metal engraving. He even utilized goldsmith punches to create intricate patterns within his compositions, bridging the gap between decorative craft and fine art.

      A Revolution in Line and Light

      The true genius of Master E. S. lies in his mastery of the burin, through which he transformed simple copper plates into windows of profound depth and texture. Before the arrival of later masters like Martin Schongauer, this artist was already pushing the boundaries of what printmaking could achieve. He moved beyond the flat, decorative aesthetics of his contemporaries to embrace a complex language of hatching and cross-hatching. This technique allowed him to simulate the weight of heavy drapery, the soft curvature of human anatomy, and the dramatic interplay of light and shadow, creating a sense of three-dimensional realism that was unprecedented in German engraving.

      His oeuvre, comprising approximately sixty known prints, serves as a testament to his technical prowess and narrative ambition. His works often feature deeply emotive biblical scenes and striking portraits that resonate with a quiet, intense gravity. Some of his most celebrated achievements include:

      • St. Barbara Directing The Construction Of A Third Window In Her Tower: A masterpiece of architectural detail and spiritual devotion, where the precision of his goldsmith training meets narrative storytelling.
      • The Death Of The Virgin: A poignant exploration of mortality and grace, showcasing an advanced understanding of anatomical form and the heavy, rhythmic folds of cloth.
      • Samson and Delilah: A work that demonstrates his ability to capture dramatic tension and the intricate textures of hair and fabric through masterful linework.

      Historical Significance and Artistic Influence

      The historical importance of Master E. S. cannot be overstated. He acted as a vital bridge between the late Gothic tradition and the burgeoning humanism of the Renaissance. By elevating the medium of printmaking from a secondary craft to a primary vehicle for artistic innovation, he laid the groundwork for the great German printmakers who followed him. His ability to disseminate complex imagery across borders through reproducible prints meant that his stylistic innovations—his specific way of rendering light and volume—could influence artists far beyond the Rhine.

      Though we may never know the name behind the initials, the impact of his hand remains indelible. He was a master of transition, an artist who took the rigid precision of the goldsmith's workshop and infused it with the expressive potential of the fine arts. In every meticulously engraved line, we find the heartbeat of a creator who helped redefine the visual language of Europe, ensuring that while his identity might be lost to time, his artistic vision would endure for centuries.