Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Michael William Sharp, 1776 – 1840

      Michael William Sharp: De 10 bekendste schilderijen

      Van alle schilderijen van Michael William Sharp is Landing at Dover from the steam packet (1826) het bekendst; het hangt in het National Maritime Museum in Londen. Direct daarna volgen Man Eating (1813) en John Crome (1768–1821) (1813). Van de 10 werken van Michael William Sharp in onze catalogus zijn dit de 10 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Michael William Sharp
      Michael William Sharp · 1776 – 1840
      Geboren · overleden
      1776 – 1840, London
      Werken in onze catalogus
      10
      Meest bekend
      Landing at Dover from the steam packet (1826)
      Meeste werken in
      National Maritime Museum

      De 10 meest gevierde schilderijen van Michael William Sharp

      Benjamin Jesty (1805) door Michael William Sharp
      9

      Benjamin Jesty

      1805 · Wellcome Collection, City of Westminster

      The Benjamin Jesty painting, created by Michael William Sharp in 1805, is a remarkable work of art that showcases the artist's skill and attention to detail. This oil on canvas painting measures 143 x 113 cm and is currently housed at the Wellcome Library in the United Kingdom. The Artist and His Work Michael William Sharp was a British painter known for his portraits, which often featured prominent figures of…

      Handgeschilderde olieverfreproductie vanaf $178 28 × 35 cm Zelfde formaat als het origineel $636 113 × 143 cm Bestel in de originele afmetingen →

      Waar de doeken van Michael William Sharp hangen

      De 5 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Michael William Sharp Schilderijen uit deze lijst
      National Maritime Museum, LondenNational Maritime Museum Londen 1 Landing at Dover from the steam packet
      Norwich Castle Museum And Art Gallery, NorwichNorwich Castle Museum And Art Gallery Norwich 1 Portrait of a Young Lady
      Het Koninklijk Hospitaal Chelsea, LondenHet Koninklijk Hospitaal Chelsea Londen 1 A Chelsea Pensioner Sipping Tea out of a Saucer
      Wellcome Collection, City of WestminsterWellcome Collection City of Westminster 1 Benjamin Jesty
      Museum of Gloucester, GloucesterMuseum of Gloucester Gloucester 1 Jemmy Wood (1756–1836)

      Decennium voor decennium: het meest gevierde canvas van Michael William Sharp

      1. 1800s
        Benjamin Jesty (1805) door Michael William Sharp
        Op nummer 9 van 10

        Benjamin Jesty

        Leeftijd 24 – 33 · Wellcome Collection

        The Benjamin Jesty painting, created by Michael William Sharp in 1805, is a remarkable work of art that showcases the artist's skill and attention to detail. This oil…

      2. 1810s
      3. 1820s
      4. 1830s

      Uw vragen over de schilderijen van Michael William Sharp beantwoord

      Wat is het meest gevierde schilderij van Michael William Sharp?Lees het antwoord

      Landing at Dover from the steam packet (1826), National Maritime Museum, Londen. Man Eating (1813) en John Crome (1768–1821) (1813) volgen.

      Hoe oud was Michael William Sharp op het moment van Landing at Dover from the steam packet?Lees het antwoord

      Michael William Sharp, geboren in 1776, was 50 jaar oud: Landing at Dover from the steam packet dateert uit 1826.

      Waar is Michael William Sharp het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      Landing at Dover from the steam packet, Man Eating, John Crome (1768–1821), Mrs John Crome Seated at a Table by an Open Work Box, Samuel Marsh, Maria Rebecca Davison (1783–1858), as Juliana in 'The Honeymoon' by John Tobin, Portrait of a Young Lady, A Chelsea Pensioner Sipping Tea out of a Saucer, Benjamin Jesty en Jemmy Wood (1756–1836). Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Michael William Sharp zijn er bekend?Lees het antwoord

      10 werken van Michael William Sharp zijn opgenomen in onze catalogus, gedateerd van 1805 tot 1837.

      In welke musea bevinden zich de bekendste doeken van Michael William Sharp?Lees het antwoord

      Voornamelijk in National Maritime Museum (Londen), Norwich Castle Museum And Art Gallery (Norwich) en Het Koninklijk Hospitaal Chelsea (Londen); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Michael William Sharp zijn/haar meest gevierde doeken?Lees het antwoord

      In 1810s, die 3 van de 10 werken op deze pagina vertegenwoordigt, waaronder Man Eating.

      Wat zijn de eerste en de laatste van de beroemde doeken van Michael William Sharp?Lees het antwoord

      Het oudste canvas hier is Benjamin Jesty (1805); het nieuwste is Portrait of a Young Lady (1837).

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Michael William Sharp?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Michael William Sharp: het verhaal van de schilder

      Michael William Sharp: A Norwich School Pioneer of Domestic Charm

      Michael William Sharp (1776? – 1840) emerges from the burgeoning artistic landscape of early 19th-century England as a significant, though often overlooked, figure within the Norwich School. Born in London and nurtured by a lineage steeped in artistic pursuits—his father was an oboe player—Sharp’s journey led him to establish himself as a painter renowned for his intimate depictions of domestic life, imbued with a subtle humor and remarkable realism. His work offers a poignant glimpse into the social customs and everyday routines of his era, reflecting both the burgeoning spirit of observation within British art and the enduring appeal of accessible, relatable subjects.

      Early Life and Artistic Training

      Sharp’s formative years were spent in London, where he received instruction from Sir William Beechey, a prominent portraitist of the Royal Academy, and benefited from the artistic atmosphere fostered by the Academy itself. This early training provided him with a solid foundation in technique and composition, but it was his relocation to Norwich around 1813 that truly shaped his distinctive style. He found lodging with John Crome, a celebrated landscape painter and a former teacher, forging a connection that profoundly influenced his artistic sensibilities. The proximity to Crome’s studio and the vibrant artistic community of Norwich provided Sharp with invaluable experience and fostered a collaborative spirit—a key characteristic of the Norwich School. Notably, Crome was also godfather to one of Sharp's sons, cementing a familial bond intertwined with artistic practice.

      A Style Defined by Domesticity and Humor

      Sharp’s artistic signature lies in his captivating portrayals of everyday scenes—a Sunday morning breakfast, a family gathering, a moment of quiet contemplation. Unlike the grand historical or mythological subjects favored by many of his contemporaries, Sharp focused on the familiar: the pleasures and complexities of domestic life. His paintings are characterized by a remarkable attention to detail, capturing the nuances of human expression and the subtle textures of everyday objects. A key element of his style is the infusion of gentle humor—a wry observation of human foibles and social interactions. Works like “The Connoisseur,” depicting a group of wealthy patrons admiring antiquities, exemplify this playful approach, offering a satirical commentary on the tastes and pretensions of the upper classes. Sharp’s use of light and shadow, reminiscent of Baroque painting, adds depth and drama to his scenes, elevating the mundane into something visually arresting.

      Notable Works and Commissions

      Sharp's career produced a substantial body of work, encompassing portraits, genre scenes, and theatrical commissions. He gained recognition for “The Music Master,” exhibited at the British Institution in 1809, which secured him a premium and was subsequently purchased by Thomas Hope—a testament to its quality and appeal. He frequently undertook portrait commissions, capturing the likenesses of prominent figures from London society, including members of the Drury Lane theater company. His theatrical portraits, such as “The Shakespeare Jubilee,” are particularly noteworthy for their lively depictions of performers in costume, offering a glimpse into the vibrant world of Victorian entertainment. The "Chelsea Pensioner" is another iconic piece, showcasing his ability to capture character and emotion with remarkable precision.

      Legacy and Historical Significance

      While Sharp’s name may not be as widely celebrated as some of his Norwich School peers—such as John Crome or Richard Debrett—his contribution to the development of British painting is undeniable. He represents a crucial link between the formal training of the Royal Academy and the more informal, populist approach of the Norwich School. His focus on accessible subjects, combined with his skillful technique and subtle humor, resonated deeply with audiences of his time and continues to appeal to viewers today. Sharp’s work provides valuable insights into the social customs and cultural values of early 19th-century England, offering a charming and insightful window onto a bygone era. His legacy endures through his paintings, which are now housed in museums and private collections around the world, ensuring that this talented artist is remembered as a significant figure in British art history.