Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Peter Monamy, 1681 – 1749

      De 71 beroemdste schilderijen van Peter Monamy, gerangschikt

      Het meest geliefde schilderij van Peter Monamy is The Opening of the First Eddystone Lighthouse in 1698 (1703), dat hangt in het Yale Center for British Art, New Haven. Shipping in a Calm (1712) en Royal Yacht Becalmed at Anchor (1720) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 72 werken van Peter Monamy: hier zijn de 71 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Peter Monamy
      Peter Monamy · 1681 – 1749
      Geboren · overleden
      1681 – 1749, Londen
      Stroming
      Neoclassicism
      Werken in onze catalogus
      72
      Meest bekend
      The Opening of the First Eddystone Lighthouse in 1698 (1703)
      Meeste werken in
      National Maritime Museum

      Top 10 schilderijen van Peter Monamy: de doeken die iedereen kent

      Meer canvassen van Peter Monamy, van 11 tot 71

      De doeken van Peter Monamy, periode voor periode

      Wat Peter Monamy het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Peter Monamy hangen

      De 8 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Peter Monamy Schilderijen uit deze lijst
      National Maritime Museum, LondenNational Maritime Museum Londen 19 Three English Flagships Becalmed, The Capture of Louisburg, 28 June 1745, The Burning of HMS Royal James at the Battle of Solebay, 28 May 1672
      Yale Center for British Art, New HavenYale Center for British Art New Haven 6 The Opening of the First Eddystone Lighthouse in 1698, Shipping in a Calm, Royal Yacht Becalmed at Anchor
      Felbrigg Hall, NorwichFelbrigg Hall Norwich 1 Four British Warships and a Fishing-smack in a Strong Wind
      Ardress HouseArdress House 1 Stormy Seascape
      Royal Collection, LondenRoyal Collection Londen 1 A Calm with a Royal Yacht Firing a Salute
      Antony HouseAntony House 1 A Naval Engagement between an English Ship and Barbary Ships
      Nationaal Museum in Warschau, WarschauNationaal Museum in Warschau Warschau 1 Ships on the sea
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Harbor Scene: An English Ship with Sails Loosened Firing a Gun

      De meest geliefde canvas van Peter Monamy uit elk decennium

      1. 1700s
      2. 1710s
      3. 1720s
      4. 1730s

      Over de doeken van Peter Monamy: uw vragen beantwoord

      Wat is het bekendste schilderij van Peter Monamy?Lees het antwoord

      The Opening of the First Eddystone Lighthouse in 1698 (1703), Yale Center for British Art, New Haven. Shipping in a Calm (1712) en Royal Yacht Becalmed at Anchor (1720) volgen.

      Hoe oud was Peter Monamy toen The Opening of the First Eddystone Lighthouse in 1698 werd geschilderd?Lees het antwoord

      Peter Monamy, geboren in 1681, was 22 jaar oud: The Opening of the First Eddystone Lighthouse in 1698 dateert uit 1703.

      Wat zijn de 10 bekendste schilderijen van Peter Monamy?Lees het antwoord

      The Opening of the First Eddystone Lighthouse in 1698, Shipping in a Calm, Royal Yacht Becalmed at Anchor, An Evening Calm, Four British Warships and a Fishing-smack in a Strong Wind, Stormy Seascape, Three English Flagships Becalmed, A Calm with a Royal Yacht Firing a Salute, An English Royal Yacht Standing Offshore in a Calm en British Men-of-War and a Sloop. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Peter Monamy in totaal geschilderd?Lees het antwoord

      72 werken van Peter Monamy zijn opgenomen in onze catalogus, gedateerd van 1703 tot 1730.

      Waar kan ik de beroemdste doeken van Peter Monamy bekijken?Lees het antwoord

      Voornamelijk in National Maritime Museum (Londen), Yale Center for British Art (New Haven) en Felbrigg Hall (Norwich); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Peter Monamy deze geliefde doeken?Lees het antwoord

      In 1720s, die 7 van de 71 werken op deze pagina vertegenwoordigt, waaronder Royal Yacht Becalmed at Anchor.

      Wat zijn de vroegste en laatste beroemde doeken van Peter Monamy?Lees het antwoord

      Het oudste canvas hier is The Opening of the First Eddystone Lighthouse in 1698 (1703); het nieuwste is An English Royal Yacht Standing Offshore in a Calm (1730).

      Wat schilderde Peter Monamy het vaakst?Lees het antwoord

      Wars (15), Men (13) en 18th century (9), verspreid over de 71 werken op deze pagina.

      Bij welke stroming behoort het schilderij van Peter Monamy?Lees het antwoord

      Neoclassicism, zoals de doeken op deze pagina laten zien.

      Welke doeken van Peter Monamy hangen in het National Maritime Museum?Lees het antwoord

      Het National Maritime Museum, Londen herbergt 19 van de werken op deze pagina, waaronder Three English Flagships Becalmed, The Capture of Louisburg, 28 June 1745 en The Burning of HMS Royal James at the Battle of Solebay, 28 May 1672.

      Kan ik een reproductie van een Peter Monamy canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Peter Monamy: een leven in verf

      A Life Immersed in the Maritime World

      Peter Monamy, born in London in 1681, occupies a pivotal position in the development of English marine painting. He wasn’t merely a recorder of ships and seascapes; he was a chronicler of an era—an age defined by Britain's burgeoning naval power and its expanding global reach. His life, deeply intertwined with the maritime world through familial connections to Guernsey in the Channel Islands, instilled within him a lifelong fascination with all things nautical. This wasn’t simply aesthetic appreciation; it was an intimate understanding born from heritage and observation. Monamy didn’t just paint ships, he understood them—their construction, their function, and the lives of those who sailed upon them.

      From Decorative Arts to Masterful Seascapes

      Monamy's artistic journey began with a solid grounding in the decorative arts. At fifteen years old, he was apprenticed to William Clark, a master painter-stainer specializing in interior decoration and ornamental painting. This apprenticeship wasn’t confined to narrow specialization; it encompassed overdoor paintings, overmantels, and even large-scale house murals—a broad education that honed his technical skills and exposed him to diverse artistic challenges. Significantly, he shared this workshop with James Thornhill, who would later achieve renown as a historical painter, indicating the high caliber of Clark’s tutelage. This early experience in decorative painting likely informed Monamy's meticulous attention to detail and his ability to create visually compelling compositions. It provided him with a foundation upon which he could build his unique style, moving beyond mere ornamentation towards capturing the dynamism and drama of life at sea. The influence of earlier Dutch masters, particularly the Van de Veldes—renowned for their realistic maritime depictions—is evident in Monamy’s work, but he wasn't simply an imitator; he synthesized these influences with his own keen observation and artistic sensibilities.

      Capturing the Essence of Naval Life

      Monamy’s style is characterized by a remarkable realism and an unwavering focus on detail, particularly in his renderings of ships. He possessed an exceptional ability to depict rigging, sails, and hull construction with accuracy, demonstrating a profound understanding of shipbuilding techniques. However, his paintings weren’t merely technical exercises; they were imbued with a sense of movement and atmosphere. He frequently depicted scenes of action—naval battles, turbulent storms, and the everyday bustle of port life—conveying a palpable sense of drama and excitement. Sovereign of the Seas, for example, stands as a testament to his skill in portraying large warships with meticulous precision, while The Capture of Porto Bello by Admiral Edward Vernon showcases his ability to document significant historical events with both artistic flair and factual accuracy. These weren’t just paintings; they were visual records of Britain's naval triumphs and its growing maritime dominance. His works resonated deeply with a public eager for depictions of national pride and military prowess, securing commissions from both private collectors and government officials.

      Notable Achievements & Influences

      Monamy’s dedication to portraying the sea resulted in five monumental canvases commissioned by Lord Torrington—a bold undertaking that cemented his reputation as one of Britain's foremost marine artists. These paintings weren’t merely aesthetically pleasing; they served as invaluable records of naval victories and demonstrated Monamy’s mastery of composition and technique. He skillfully employed chiaroscuro—the dramatic interplay of light and shadow—to heighten the emotional impact of his scenes, creating a sense of immediacy and realism that captivated audiences. Furthermore, Monamy's artistic development was profoundly shaped by the legacy of Dutch masters like Rembrandt and Jacob van Ruysdael, whose meticulous attention to detail and expressive brushwork served as inspiration for his own work. He embraced the Baroque aesthetic—characterized by grandeur, emotion, and theatrical presentation—but he tempered it with a distinctly English sensibility, forging a path that distinguished him from his contemporaries.

      A Lasting Legacy

      Peter Monamy’s contribution to English art extends beyond his individual paintings. He played a crucial role in establishing a distinct British tradition within marine painting, bridging the gap between earlier Dutch influences and a uniquely English style. His detailed and realistic depictions of ships and naval life helped define the genre for generations to come. He wasn’t simply copying what had been done before; he was adapting it, refining it, and imbuing it with a distinctly British sensibility. He died in 1749, leaving behind a body of work that continues to be appreciated by art historians and enthusiasts alike. His legacy isn’t just about technical skill—it's about his ability to capture the spirit of an era, to convey the power and majesty of the sea, and to immortalize the ships and sailors who navigated its treacherous waters. His paintings remain invaluable historical documents as well as enduring artistic achievements, offering a glimpse into a pivotal period in British history and the lives of those who shaped it.