Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken

      Peter Roström: De 1 bekendste schilderijen

      Van alle schilderijen van Peter Roström is Jonas Gren (1715-1765), orgelbyggare, gift med Catharina Margareta Branting het bekendst; het hangt in het Nationalmuseum in Stockholm. Van de 1 werken van Peter Roström in onze catalogus zijn dit de 1 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026.

      Portret van Peter Roström
      Peter Roström
      Werken in onze catalogus
      1
      Meest bekend
      Jonas Gren (1715-1765), orgelbyggare, gift med Catharina Margareta Branting
      Meeste werken in
      Nationalmuseum

      De 10 meest gevierde schilderijen van Peter Roström

      Waar de doeken van Peter Roström hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Peter Roström Schilderijen uit deze lijst
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Jonas Gren (1715-1765), orgelbyggare, gift med Catharina Margareta Branting

      Uw vragen over de schilderijen van Peter Roström beantwoord

      Wat is het meest gevierde schilderij van Peter Roström?Lees het antwoord

      Jonas Gren (1715-1765), orgelbyggare, gift med Catharina Margareta Branting

      Hoeveel schilderijen van Peter Roström zijn er bekend?Lees het antwoord

      1 werken van Peter Roström staan in onze catalogus.

      In welke musea bevinden zich de bekendste doeken van Peter Roström?Lees het antwoord

      Voornamelijk in Nationalmuseum (Stockholm); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Peter Roström: het verhaal van de schilder

      The Mid-Eighteenth Century Portraitist

      Peter Roström operated within the specific social and artistic confines of mid-18th century Sweden. He was a portrait painter whose presence in the historical record is defined by the individuals he captured on canvas. While much of his personal biography remains obscured by time, his technical lineage is discernible through the brushwork of his surviving works. He likely trained under Johan Henrik Scheffel, a connection suggested by the stylistic execution of his portraits. This apprenticeship provided him with the necessary foundation to navigate the professional landscape of Stockholm during a period of shifting aesthetic preferences.

      His career was marked by a focus on the likeness of the Swedish social and professional classes. In 1756, official records show he held a passport for travel between Stockholm and the regions of Småland and Skåne. This movement suggests a professional life spent traveling to meet patrons or seeking new commissions beyond the capital. His work is not a collection of abstract experiments but a series of direct observations of the people of his era.

      Documented Subjects and Works

      Roström’s output is characterized by a commitment to the formal portraiture required by his clientele. His ability to render specific identities is confirmed by the inclusion of his works in major Swedish institutions. The following subjects represent the documented individuals he painted:

      • Anna Fredrika Didron
      • Peter Broman
      • Anders Lohman
      • C:M: Gren, née de Branting

      The portrait of C:M: Gren, painted in Stockholm in May 1755, provides a concrete example of his method. This oil on canvas work, measuring 79 x 66 cm, demonstrates the technical precision expected of a professional painter in the mid-1700s. Such works were not merely art; they were essential tools for social documentation and the preservation of family lineage.

      Historical Presence and Legacy

      The significance of Roström lies in his role as a visual chronicler of Swedish life during the 1750s. His paintings are held in the collections of the Nationalmuseum and the Nordiska museet in Stockholm, ensuring his technical contribution remains part of the national record. He did not seek to redefine the boundaries of art but to master the specific demands of his profession. His work remains a factual point of reference for the study of 18th-century Swedish portraiture.