Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Peter Wichmann, 1706 – 1769

      De 5 beroemdste schilderijen van Peter Wichmann, gerangschikt

      Het meest geliefde schilderij van Peter Wichmann is Nicolai Frederik Reichwein (1734). Juliane Marie, Frederik V's anden dronning (1745) en Christopher Friderich Ingenhaeff (1752) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 5 werken van Peter Wichmann: hier zijn de 5 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Peter Wichmann
      Peter Wichmann · 1706 – 1769
      Geboren · overleden
      1706 – 1769, Copenhagen
      Werken in onze catalogus
      5
      Meest bekend
      Nicolai Frederik Reichwein (1734)
      Meeste werken in
      Statens Museum for Kunst

      Top 10 schilderijen van Peter Wichmann: de doeken die iedereen kent

      Waar de doeken van Peter Wichmann hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Peter Wichmann Schilderijen uit deze lijst
      Statens Museum for Kunst, KopenhagenStatens Museum for Kunst Kopenhagen 1 Juliane Marie, Frederik V's anden dronning

      De meest geliefde canvas van Peter Wichmann uit elk decennium

      1. 1730s
      2. 1740s
      3. 1750s

      Over de doeken van Peter Wichmann: uw vragen beantwoord

      Wat is het bekendste schilderij van Peter Wichmann?Lees het antwoord

      Nicolai Frederik Reichwein (1734), gevolgd door Juliane Marie, Frederik V's anden dronning (1745) en Christopher Friderich Ingenhaeff (1752).

      Hoe oud was Peter Wichmann toen Nicolai Frederik Reichwein werd geschilderd?Lees het antwoord

      Peter Wichmann, geboren in 1706, was 28 jaar oud: Nicolai Frederik Reichwein dateert uit 1734.

      Hoeveel werken heeft Peter Wichmann in totaal geschilderd?Lees het antwoord

      5 werken van Peter Wichmann zijn opgenomen in onze catalogus, gedateerd van 1734 tot 1759.

      Waar kan ik de beroemdste doeken van Peter Wichmann bekijken?Lees het antwoord

      Voornamelijk in Statens Museum for Kunst (Kopenhagen); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Peter Wichmann deze geliefde doeken?Lees het antwoord

      In 1750s, die 3 van de 5 werken op deze pagina vertegenwoordigt, waaronder Christopher Friderich Ingenhaeff.

      Wat zijn de vroegste en laatste beroemde doeken van Peter Wichmann?Lees het antwoord

      Het oudste canvas hier is Nicolai Frederik Reichwein (1734); het nieuwste is Gudlov Mølmann (1759).

      Kan ik een reproductie van een Peter Wichmann canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Peter Wichmann: een leven in verf

      The Legacy of Peter Wichmann

      In the golden era of Danish portraiture, few names resonate with the quiet dignity and technical mastery of Peter Wichmann. Born in Copenhagen in 1706, Wichmann was a child of artistic lineage, the son of Sara Jensdatter Foght and Nicolai Wichmann, a man who had already secured his place in history as a court painter to Queen Louise. Growing up within the vibrant, creative atmosphere of a household dedicated to the fine arts, Peter was destined for a life defined by the brush and the canvas. His early years were steeped in the traditions of his father’s craft, yet he possessed an individual spark that would eventually lead him far beyond the borders of his native Denmark.

      The year 1730 marked a pivotal turning point in Wichmann's burgeoning career. With a royal passport in hand, he embarked on a transformative journey across Europe to refine his skills and absorb the evolving aesthetics of the continent. This period of travel was not merely an educational excursion but a profound immersion into the diverse artistic currents of the eighteenth century. By wandering through the great art centers of Europe, Wichmann integrated foreign influences with his Danish roots, developing a sophisticated style that blended classical precision with a burgeoning sense of character and life.

      Mastery of the Portrait

      Upon his return to Copenhagen, Wichmann established himself as a premier specialist in portraiture. His work is characterized by an exquisite ability to capture not only the physical likeness of his subjects but also their inner essence and social standing. To look upon a Wichmann portrait is to witness a delicate dance of light and shadow, where every fold of silk, every glint of jewelry, and every subtle expression is rendered with meticulous care. He possessed a rare talent for conveying the dignity of the aristocracy while maintaining a sense of human warmth that prevented his subjects from appearing as mere statues.

      His technical prowess was deeply rooted in the traditions of his upbringing, yet he moved with the grace of an artist who understood the changing tides of taste. His compositions often utilized a refined palette, employing soft tones and smooth transitions that lent a luminous quality to the skin of his sitters. This mastery of texture and light allowed him to create works that felt both timeless and immediate, capturing a specific moment in the lives of the Danish elite with an enduring elegance.

      Historical Significance and Enduring Presence

      Though his life came to an end in Copenhagen in 1769, the impact of Peter Wichmann’s artistry continues to be felt within the annals of Northern European art history. He stands as a vital link in the chain of Danish painters, representing a period of significant cultural growth and international connection. His ability to bridge the gap between local tradition and broader European movements helped elevate the standard of portraiture in his homeland.

      Today, the works of Wichmann serve as precious windows into the social fabric of the mid-eighteenth century. Through his eyes, we glimpse the fashions, the poise, and the profound sense of identity held by those who lived during his era. His legacy is preserved not just in museums, but in the very way we perceive the history of Danish portraiture—as a period defined by grace, technical brilliance, and an unwavering commitment to the art of capturing the human spirit.