Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Raqib Shaw, geboren in 1974

      De 10 beroemdste schilderijen van Raqib Shaw, gerangschikt

      Het meest geliefde schilderij van Raqib Shaw is Nowadays I Know What to Do When I Greet Beauty (2001), dat hangt in het Central Saint Martins College of Arts And Design, Londen. Garden of Earthly Delights XIII en Chrysanthemum and Bees (2001) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 10 werken van Raqib Shaw: hier zijn de 10 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026.

      Portret van Raqib Shaw
      Raqib Shaw · geboren in 1974
      Geboren · overleden
      geboren in 1974, Kolkata
      Werken in onze catalogus
      10
      Meest bekend
      Nowadays I Know What to Do When I Greet Beauty (2001)
      Meeste werken in
      Central Saint Martins College of Arts And Design

      Top 10 schilderijen van Raqib Shaw: de doeken die iedereen kent

      Chrysanthemum and Bees (2001) door Raqib Shaw
      3

      Chrysanthemum and Bees

      In the delicate intersection where reality dissolves into myth, Raqib Shaw’s Chrysanthemum and Bees emerges as a breathtaking window into an imagined paradise. This exquisite piece, created in 2001, serves as a profound testament to the artist's ability to weave the familiar threads of nature with the opulent, psychedelic textures of his unique visual language. At first glance, the viewer is drawn to the vibrant yellow chrysanthemum that anchors the…

      Wat Raqib Shaw het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Raqib Shaw hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Raqib Shaw Schilderijen uit deze lijst
      Central Saint Martins College of Arts And Design, LondenCentral Saint Martins College of Arts And Design Londen 5 Nowadays I Know What to Do When I Greet Beauty, Chrysanthemum and Bees, Himalayan Foxglove

      De meest geliefde doeken van Raqib Shaw, jaar voor jaar

      Elk gedateerd canvas van Raqib Shaw op deze pagina is geschilderd in 2001; hier zijn ze, de beroemdste eerst.

      1. 2001
      2. 2001
        Chrysanthemum and Bees (2001) door Raqib Shaw
        Op nummer 3 van 10

        Chrysanthemum and Bees

        Leeftijd 27 · Central Saint Martins College of Arts And Design

        In the delicate intersection where reality dissolves into myth, Raqib Shaw’s Chrysanthemum and Bees emerges as a breathtaking window into an imagined paradise. This exquisite piece, created in…

      3. 2001
        Himalayan Foxglove (2001) door Raqib Shaw
        4 van 10

        Himalayan Foxglove

        Leeftijd 27 · Central Saint Martins College of Arts And Design
      4. 2001
      5. 2001
        Gentle Lunatic (2001) door Raqib Shaw
        Op nummer 6 van 10

        Gentle Lunatic

        Leeftijd 27 · Central Saint Martins College of Arts And Design

      Over de doeken van Raqib Shaw: uw vragen beantwoord

      Wat is het bekendste schilderij van Raqib Shaw?Lees het antwoord

      Nowadays I Know What to Do When I Greet Beauty (2001), Central Saint Martins College of Arts And Design, Londen. Garden of Earthly Delights XIII en Chrysanthemum and Bees (2001) volgen.

      Hoe oud was Raqib Shaw toen Nowadays I Know What to Do When I Greet Beauty werd geschilderd?Lees het antwoord

      Raqib Shaw, geboren in 1974, was 27 jaar oud: Nowadays I Know What to Do When I Greet Beauty dateert uit 2001.

      Wat zijn de 10 bekendste schilderijen van Raqib Shaw?Lees het antwoord

      Nowadays I Know What to Do When I Greet Beauty, Garden of Earthly Delights XIII, Chrysanthemum and Bees, Himalayan Foxglove, After Lucas Cranach the Elder, Gentle Lunatic, Untitled, The Mild Eyed Melancholy of the Lotus Eater I, Untitled (Garden of Earthly Delights) en Absence of God VI (After Holbein). Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Raqib Shaw in totaal geschilderd?Lees het antwoord

      10 werken van Raqib Shaw staan in onze catalogus.

      Waar kan ik de beroemdste doeken van Raqib Shaw bekijken?Lees het antwoord

      Voornamelijk in Central Saint Martins College of Arts And Design (Londen); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Raqib Shaw deze geliefde doeken?Lees het antwoord

      In 2001, die 5 van de 10 werken op deze pagina vertegenwoordigt, waaronder Nowadays I Know What to Do When I Greet Beauty.

      Wat schilderde Raqib Shaw het vaakst?Lees het antwoord

      Fantasy landscape (3) en Symbolic imagery (2), verspreid over de 10 werken op deze pagina.

      Welke doeken van Raqib Shaw hangen in het Central Saint Martins College of Arts And Design?Lees het antwoord

      Het Central Saint Martins College of Arts And Design, Londen herbergt 5 van de werken op deze pagina, waaronder Nowadays I Know What to Do When I Greet Beauty, Chrysanthemum and Bees en Himalayan Foxglove.

      Raqib Shaw: een leven in verf

      Raqib Shaw: Weaver of Dreams and Nightmares

      Raqib Shaw’s art is a mesmerizing collision of the familiar and the utterly fantastical, a world where opulent Mughal miniatures meet psychedelic landscapes, and classical European painting dances with Eastern mythology. Born in Calcutta (now Kolkata) in 1974, and raised amidst the vibrant chaos of Kashmir – a region steeped in history, conflict, and breathtaking beauty – Shaw’s artistic vision is inextricably linked to his formative years. His upbringing, marked by exposure to antique textiles, intricate carpets, and the echoes of centuries-old trade routes connecting East and West, provided fertile ground for the richly layered imagery that defines his work today.

      Early life in Kashmir instilled a deep appreciation for craftsmanship and storytelling. The region’s turbulent history – a complex tapestry woven with threads of independence movements, religious tensions, and political upheaval – undoubtedly shaped Shaw's perspective, informing his later exploration of themes like displacement, identity, and the enduring power of myth.

      Moving to London in 1993, he was immediately captivated by the National Gallery’s collection, a pivotal moment that ignited his passion for Old Master painting. This encounter served as a catalyst, prompting him to dedicate himself entirely to art, ultimately leading to his studies at Central Saint Martins School of Art between 1998 and 2002. It was during this period that Shaw began experimenting with unconventional techniques, notably utilizing enamel and porcupine quills – methods he developed through painstaking trial and error – to build up layers of intricate detail on birch panels and paper.

      The Alchemy of Technique

      Shaw’s technique is as captivating as the imagery itself. He doesn't simply paint; he constructs, layering pigments with a remarkable degree of precision and control. His process begins with small, meticulously drawn sketches – often populated by fantastical creatures, vibrant flora, and evocative landscapes – which are then transferred to the panel using graphite. These preliminary drawings serve as blueprints for larger compositions.

      A defining characteristic of Shaw’s work is his use of a porcupine quill to manipulate pools of industrial paint. This seemingly simple tool allows him to create subtle gradations, build up textures, and achieve an astonishing level of detail. The resulting surfaces shimmer with an almost iridescent quality, reflecting light in unexpected ways.

      Adding further complexity, Shaw incorporates glitter and crystals into his paintings, strategically placed to catch the light and amplify the sense of opulence and otherworldly beauty. This combination of techniques – meticulous drawing, fluid paint application, and shimmering embellishments – results in a truly unique visual language that is instantly recognizable as Shaw’s own.

      A World of Myth and Symbolism

      Shaw's paintings are not merely decorative; they are densely packed with symbolism and narrative. Drawing on a vast range of influences—from Renaissance art to Japanese aesthetics, Persian miniatures, Hindu mythology, and Western literature—he creates worlds that feel both familiar and utterly strange.

      Recurring motifs include monkey kings (inspired by the Chinese legend of Sun Wukong), centaurs, tigers, and other hybrid creatures. These figures often engage in elaborate rituals or participate in scenes of sensual excess, hinting at underlying themes of desire, transgression, and the precarious balance between pleasure and pain.

      Shaw himself frequently appears within his paintings, typically depicted as a contemplative figure seated amidst the fantastical landscape—a silent observer of the unfolding drama. His presence serves to anchor the viewer in the scene while simultaneously inviting them to contemplate the deeper meanings embedded within the imagery.

      Major Achievements and Recognition

      Raqib Shaw’s work has garnered significant critical acclaim and recognition over the years. He has exhibited extensively at prestigious institutions around the world, including the Art Institute of Chicago, the Metropolitan Museum of Art in New York, and the Scottish National Gallery of Modern Art in Edinburgh.

      His paintings have been featured in numerous solo exhibitions, as well as group shows exploring themes of contemporary art and global culture. Shaw’s distinctive style has resonated with collectors and curators alike, establishing him as one of the most compelling and innovative artists working today.

      Legacy and Influence

      Raqib Shaw's work transcends simple categorization, existing at the intersection of diverse artistic traditions and cultural influences. His unique technique, combined with his evocative imagery and profound symbolism, has cemented his place as a significant figure in contemporary art. He continues to push boundaries, challenging viewers to engage with complex themes through a lens of beauty, mystery, and unsettling truth.