Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Thomas Binks, 1799 – 1852

      De 11 beroemdste schilderijen van Thomas Binks, gerangschikt

      Het meest geliefde schilderij van Thomas Binks is The East Indiaman 'East Indian' (1819), dat hangt in het National Maritime Museum, Londen. Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder') (1823) en PS 'Kingston' (1824) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 11 werken van Thomas Binks: hier zijn de 11 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Thomas Binks
      Thomas Binks · 1799 – 1852
      Geboren · overleden
      1799 – 1852
      Werken in onze catalogus
      11
      Meest bekend
      The East Indiaman 'East Indian' (1819)
      Meeste werken in
      Ferens Art Gallery

      Top 10 schilderijen van Thomas Binks: de doeken die iedereen kent

      The East Indiaman 'East Indian' (1819) door Thomas Binks
      1

      The East Indiaman 'East Indian'

      1819 · Oil · National Maritime Museum, Londen

      In this 1819 oil painting, we find ourselves positioned upon the water, observing a quiet yet purposeful maritime encounter. The scene is dominated by the presence of an East Indiaman and an American vessel navigating the middle ground, their sails catching a fresh breeze. To the right, a small cutter moves through the foreground, providing a sense of scale and proximity to the viewer. The sky above is partly clouded,…

      Handgeschilderde olieverfreproductie vanaf $178 37 × 27 cm Zelfde formaat als het origineel $327 89 × 66 cm Bestel in de originele afmetingen →
      Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder') (1823) door Thomas Binks
      2

      Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder')

      1823 · Oil · Ferens Art Gallery, Hull

      The harbor at Kingston upon Hull serves as the stage for this 1823 study of industrial progress. Three paddle steamers—the Kingston, the Prince Frederick, and the Calder—are positioned in a line, their distinct silhouettes marking a departure from the traditional sailing vessels that once dominated the coast. The composition captures a specific moment in maritime history, where steam power began to reshape the rhythms of trade and transport. A single…

      Handgeschilderde olieverfreproductie vanaf $178 46 × 22 cm Zelfde formaat als het origineel $300 102 × 49 cm Bestel in de originele afmetingen →
      PS 'Kingston' (1824) door Thomas Binks
      3

      PS 'Kingston'

      1824 · Oil

      A large sailing ship with sails fully deployed dominates the maritime scene, navigating through turbulent, dark waters. Smaller vessels, including a fishing boat, surround the central craft, emphasizing the scale of the primary vessel against the elements. The composition captures a moment of high tension, where the churning surface of the ocean and the tilt of the masts suggest the onset of a storm. Two figures are visible amidst the…

      Handgeschilderde olieverfreproductie vanaf $178 41 × 24 cm Zelfde formaat als het origineel $186 46 × 27 cm Bestel in de originele afmetingen →
      The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice (1836) door Thomas Binks
      4

      The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice

      1836 · Oil

      The painting depicts a scene of three large sailing ships floating in the water with ice surrounding them. The first ship is on the left side of the image, while the second ship is located towards the center, and the third ship is situated on the right side. There are several people scattered around the scene, some standing near the ships and others closer to the edge of the painting.…

      Handgeschilderde olieverfreproductie vanaf $178 38 × 26 cm Zelfde formaat als het origineel $376 100 × 75 cm Bestel in de originele afmetingen →
      The 'Halcyon' (1832) door Thomas Binks
      5

      The 'Halcyon'

      1832 · Oil On Canvas

      The sea is a heavy, grey presence in this 1832 oil on canvas. A three-masted barque, the 'Halcyon', cuts through the water, its red sails catching a light that struggles through a thick, cloudy sky. The rigging is a fine web of lines against the atmosphere, detailed with the precision of a man who understands the mechanics of wind and wood. Smaller vessels drift in the background, mere ghosts in…

      Handgeschilderde olieverfreproductie vanaf $178 38 × 26 cm Zelfde formaat als het origineel $312 90 × 60 cm Bestel in de originele afmetingen →
      The Paddle Steamer 'Kingston' of Hull in the Humber Estuary (1843) door Thomas Binks
      6

      The Paddle Steamer 'Kingston' of Hull in the Humber Estuary

      1843 · Oil · Ferens Art Gallery, Hull

      The composition centers on the paddle steamer 'Kingston' navigating the waters of the Humber Estuary. This large vessel occupies a significant portion of the frame, its dark hull and mechanical structure positioned amidst several other boats of varying scales. Some smaller craft sit in the foreground, while others appear as distant silhouettes against the horizon. Figures are scattered throughout the scene, some positioned near the paddle steamer and others located…

      Handgeschilderde olieverfreproductie vanaf $178 41 × 24 cm Zelfde formaat als het origineel $189 48 × 28 cm Bestel in de originele afmetingen →
      Hull Whalers in the Arctic (1822) door Thomas Binks
      8

      Hull Whalers in the Arctic

      1822 · Ferens Art Gallery, Hull

      The world of art is replete with masterpieces that transport us to different eras and landscapes. One such piece is Hull Whalers in the Arctic by Thomas Binks, a painting that embodies the spirit of adventure and exploration. Created in 1822, this oil on panel work measures 48 x 64 cm and is housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom. A Glimpse into the Past…

      Handgeschilderde olieverfreproductie vanaf $178 37 × 27 cm Zelfde formaat als het origineel $241 64 × 48 cm Bestel in de originele afmetingen →
      The Three Masted Barque 'Halcyon' of Hull (1832) door Thomas Binks
      9

      The Three Masted Barque 'Halcyon' of Hull

      1832 · Ferens Art Gallery, Hull

      The painting The Three Masted Barque 'Halcyon' of Hull is a stunning example of 19th-century art, created by the talented artist Thomas Binks in 1832. This oil on canvas piece measures 61 x 92 cm and is currently housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom. Maritime Theme and Artistic Skill The painting depicts a scene of several sailboats on the water with one large three-masted…

      Handgeschilderde olieverfreproductie vanaf $178 39 × 26 cm Zelfde formaat als het origineel $319 92 × 61 cm Bestel in de originele afmetingen →
      Caught in the Ice (1830) door Thomas Binks
      10

      Caught in the Ice

      1830 · Ferens Art Gallery, Hull

      The painting Caught in the Ice by Thomas Binks is a stunning example of 19th-century art, showcasing the artist's skill in capturing the drama and beauty of a ship in distress. Created in 1830, this oil on canvas piece measures 22 x 30 cm and is currently housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom. The Painting's Composition The scene depicts a large sailing ship surrounded…

      Handgeschilderde olieverfreproductie vanaf $178 37 × 27 cm

      Meer canvassen van Thomas Binks, van 11 tot 11

      Wat Thomas Binks het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Thomas Binks hangen

      De 2 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Thomas Binks Schilderijen uit deze lijst
      Ferens Art Gallery, HullFerens Art Gallery Hull 6 Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder'), The Paddle Steamer 'Kingston' of Hull in the Humber Estuary, Seascape with Boats
      National Maritime Museum, LondenNational Maritime Museum Londen 1 The East Indiaman 'East Indian'

      De meest geliefde canvas van Thomas Binks uit elk decennium

      1. 1810s
        The East Indiaman 'East Indian' (1819) door Thomas Binks
        Op nummer 1 van 11

        The East Indiaman 'East Indian'

        Leeftijd 11 – 20 · National Maritime Museum

        In this 1819 oil painting, we find ourselves positioned upon the water, observing a quiet yet purposeful maritime encounter. The scene is dominated by the presence of an…

      2. 1820s
      3. 1830s
      4. 1840s

      Over de doeken van Thomas Binks: uw vragen beantwoord

      Wat is het bekendste schilderij van Thomas Binks?Lees het antwoord

      The East Indiaman 'East Indian' (1819), National Maritime Museum, Londen. Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder') (1823) en PS 'Kingston' (1824) volgen.

      Hoe oud was Thomas Binks toen The East Indiaman 'East Indian' werd geschilderd?Lees het antwoord

      Thomas Binks, geboren in 1799, was 20 jaar oud: The East Indiaman 'East Indian' dateert uit 1819.

      Wat zijn de 10 bekendste schilderijen van Thomas Binks?Lees het antwoord

      The East Indiaman 'East Indian', Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder'), PS 'Kingston', The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice, The 'Halcyon', The Paddle Steamer 'Kingston' of Hull in the Humber Estuary, Seascape with Boats, Hull Whalers in the Arctic, The Three Masted Barque 'Halcyon' of Hull en Caught in the Ice. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Thomas Binks in totaal geschilderd?Lees het antwoord

      11 werken van Thomas Binks zijn opgenomen in onze catalogus, gedateerd van 1819 tot 1843.

      Waar kan ik de beroemdste doeken van Thomas Binks bekijken?Lees het antwoord

      Voornamelijk in Ferens Art Gallery (Hull) en National Maritime Museum (Londen); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Thomas Binks deze geliefde doeken?Lees het antwoord

      In 1830s, die 4 van de 11 werken op deze pagina vertegenwoordigt, waaronder The 'Jane', 'Viewforth' and 'Middleton' Fast in Ice.

      Wat zijn de vroegste en laatste beroemde doeken van Thomas Binks?Lees het antwoord

      Het oudste canvas hier is The East Indiaman 'East Indian' (1819); het nieuwste is The Paddle Steamer 'Kingston' of Hull in the Humber Estuary (1843).

      Wat schilderde Thomas Binks het vaakst?Lees het antwoord

      Water (5), Sailing ships (4) en Ocean (3), verspreid over de 11 werken op deze pagina.

      Met welk medium schilderde Thomas Binks het vaakst?Lees het antwoord

      Oil, gebruikt in 5 van de 11 werken op deze pagina.

      Welke doeken van Thomas Binks hangen in het Ferens Art Gallery?Lees het antwoord

      Het Ferens Art Gallery, Hull herbergt 6 van de werken op deze pagina, waaronder Three Paddle Steamers in Hull Roads ('Kingston', 'Prince Frederick' and 'Calder'), The Paddle Steamer 'Kingston' of Hull in the Humber Estuary en Seascape with Boats.

      Kan ik een reproductie van een Thomas Binks canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Thomas Binks: een leven in verf

      Thomas Binks: A Victorian Master of Maritime Realism

      The world of 19th-century British art was a complex one, often dominated by grand historical narratives and idealized landscapes. Yet, within this established framework, a remarkable artist quietly carved out a distinctive niche – Thomas Binks (1799-1852). Born in Maidstone, Kent, Binks’s career unfolded against the backdrop of burgeoning industrialization and maritime trade, shaping his artistic focus on the vibrant world of ships, harbors, and coastal life. While not always receiving the immediate recognition afforded to some of his contemporaries, a closer examination reveals a profoundly skilled painter who captured the essence of his era with remarkable realism and an astute understanding of light and atmosphere.

      Binks’s early artistic training is somewhat shrouded in the mists of time, but it's known that he studied under Thomas Meggitt of Hull, a prominent local artist specializing in maritime scenes. This apprenticeship provided him with a solid foundation in depicting ships – a subject deeply intertwined with Hull’s prosperity as a major port for whaling and shipbuilding. The influence of Meggitt is evident in Binks's early works, characterized by detailed renderings of rigging, hull construction, and the subtle nuances of weather conditions at sea. However, Binks quickly developed his own unique style, moving beyond mere technical accuracy to imbue his paintings with a palpable sense of drama and emotion.

      The Rise of a Maritime Visionary

      Binks’s artistic output spanned several decades, encompassing a diverse range of subjects within the maritime realm. He wasn't simply interested in portraying ships; he sought to capture their relationship with the environment – the relentless power of the sea, the changing light of day, and the human element of seafaring life. His paintings frequently depict paddle steamers navigating the busy harbors of Hull and other coastal towns, offering intimate glimpses into the daily routines of sailors, merchants, and dockworkers. These scenes are rendered with a keen eye for detail, from the weathered faces of the men at work to the intricate patterns of the ship’s decks.

      A particularly significant aspect of Binks's oeuvre is his fascination with whaling. His depictions of whaling vessels engaged in pursuit and capture are both dramatic and meticulously researched. He understood the brutal realities of this industry, yet he presented them with a certain stoicism, reflecting the pragmatic spirit of the era. His paintings of “The Kill,” often featuring a cutter intercepting a British merchant brig, exemplify this blend of realism and narrative power.

      Influences and Artistic Style

      Binks’s artistic style can be characterized as a refined form of Realism, influenced by the broader trends of the mid-19th century. He was deeply attuned to the natural world, meticulously observing light, color, and texture. His use of oil paint is masterful, creating a sense of depth and luminosity that brings his scenes to life. He skillfully employed atmospheric perspective – using lighter colors and softer edges to suggest distance – to create a convincing illusion of space. Furthermore, Binks’s work demonstrates an understanding of composition, arranging elements within the frame in a way that draws the viewer's eye and guides their gaze.

      While he shared certain stylistic similarities with other British maritime artists like John Emms and Richard Andsell, Binks possessed a distinct sensibility. His paintings often convey a sense of quiet contemplation, inviting the viewer to reflect on the beauty and danger of the sea. His work also reveals an interest in portraying everyday life – not just grand historical events or heroic figures – but rather the ordinary people who shaped the maritime world.

      Legacy and Historical Significance

      Despite not achieving widespread fame during his lifetime, Thomas Binks’s legacy endures through his remarkable body of work. His paintings are now housed in prestigious collections such as the Ferens Art Gallery in Hull and the St Thomas Strasbourg Museum, testament to their enduring artistic merit. Binks's contribution lies in his ability to capture the spirit of a bygone era – an era defined by maritime trade, industrial expansion, and a deep connection to the sea. His paintings offer valuable insights into the social, economic, and cultural landscape of 19th-century Britain, providing a window into the lives of those who worked and lived alongside the waves.

      His influence can also be seen in later artists who continued to explore themes of maritime life and coastal scenery. The enduring appeal of Binks’s work lies not only in its technical skill but also in its ability to evoke a sense of nostalgia for a time when ships ruled the seas and the rhythms of daily life were dictated by the tides.