Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Benjamin West, 1738 – 1820

      De 100 beroemdste schilderijen van Benjamin West, gerangschikt

      Het meest geliefde schilderij van Benjamin West is De dood van Generaal Wolfe (1770), dat hangt in het Art Gallery of Ontario, Toronto. The Last Supper (1786) en The Bard (1778) volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 360 werken van Benjamin West: hier zijn de 100 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Benjamin West
      Benjamin West · 1738 – 1820
      Geboren · overleden
      1738 – 1820, Springfield
      Stroming
      Neoclassical style
      Werken in onze catalogus
      360
      Meest bekend
      De dood van Generaal Wolfe (1770)
      Meeste werken in
      Yale Center for British Art

      Top 10 schilderijen van Benjamin West: de doeken die iedereen kent

      De dood van Generaal Wolfe (1770) door Benjamin West
      1

      De dood van Generaal Wolfe

      1770 · Olieverf op canvas · Art Gallery of Ontario, Toronto

      De Dood van Generaal Wolfe: Een Meesterwerk van Historische Kunst Historische Context en Betekenis "De Dood van Generaal Wolfe" door Benjamin West is een iconisch schilderij dat een cruciaal moment in de geschiedenis vastlegt—de Slag bij Quebec op 13 september 1759. Deze veldslag, onderdeel van de Zevenjarige Oorlog, bepaalde het lot van de Franse koloniën in Noord-Amerika. Generaal James Wolfe, die de Britse troepen naar de overwinning leidde, raakte dodelijk…

      The Last Supper (1786) door Benjamin West
      2

      The Last Supper

      1786 · Oil · Detroit Institute of Arts, Detroit

      Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith. This monumental oil on canvas, currently residing at the Detroit Institute of Arts, transcends its historical subject matter to become a timeless meditation on betrayal, disbelief, and the quiet dignity of sacrifice. West, a pivotal figure bridging the worlds of Neoclassicism and…

      The Bard (1778) door Benjamin West
      3

      The Bard

      1778 · Oil On Canvas · Tate Britain, Londen

      Benjamin West's "The Bard," painted in 1778, is more than just a portrait; it’s a carefully constructed meditation on the role of the poet, the weight of classical learning, and perhaps, a subtle reflection of the burgeoning revolutionary spirit taking hold across the Atlantic. Measuring a modest 22 x 29 cm, this oak panel painting currently resides within the hallowed halls of Tate Britain in London, yet its impact resonates…

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald ( (1786) door Benjamin West
      4

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (

      1786 · Oil On Canvas · Scottish National Gallery, Edinburgh

      Benjamin West's "Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald" – often referred to as “The Death of the Stag” – is more than just a historical painting; it’s a visceral tableau of courage, loyalty, and the very essence of Highland legend. Completed in 1786, this monumental work, now residing within the Scottish National Gallery, transports us directly into a pivotal…

      St. George and the Dragon (1786) door Benjamin West
      5

      St. George and the Dragon

      1786 · Oil · Reading Public Museum, Reading

      In St. George and the Dragon, Benjamin West orchestrates a scene of intense movement through a precise diagonal arrangement. The knight, mounted upon a rearing white horse, descends from the upper left toward the dragon positioned in the lower right. This structural choice directs the eye through the center of the struggle, emphasizing the momentum of the descent. The composition is tight and immersive, utilizing a close-up perspective that creates…

      Death on a Pale Horse (1796) door Benjamin West
      6

      Death on a Pale Horse

      1796 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety and the sublime terror of impending doom. Born amidst the burgeoning intellectual currents of colonial America, West was a painter who defied easy categorization, seamlessly blending Neoclassical restraint with Romantic fervor. This particular work, one of three versions created around the same…

      The Death of Hyacinth (1771) door Benjamin West
      7

      The Death of Hyacinth

      1771 · Acrylic On Canvas · Philadelphia Museum of Art, Philadelphia

      Benjamin West’s “The Death of Hyacinth,” completed in 1771, stands as a cornerstone of British Romanticism's nascent influence on the American artistic landscape. Currently residing within the Philadelphia Museum of Art, this monumental oil painting transcends mere depiction; it embodies an emotional resonance that continues to captivate viewers centuries later.

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York (1778) door Benjamin West
      8

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York

      1778 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

      Benjamin West’s “Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York” (1778) is more than just a likeness; it's a meticulously crafted tableau vivant offering a rare glimpse into the social dynamics and burgeoning political currents of 18th-century Britain. Housed within the walls of The Hermitage in St. Petersburg, this oil on canvas masterpiece transcends mere portraiture, becoming a study in power, familial connection, and the…

      The Death of Procris (1770) door Benjamin West
      9

      The Death of Procris

      1770 · Oil On Panel · Art Institute of Chicago, Chicago

      The forest air hangs heavy and still, thick with the scent of damp earth and ancient leaves. Within this dark, atmospheric woodland, a profound tragedy unfolds in a single, frozen moment of grief. A woman lies motionless across the lower half of the canvas, her pale skin catching a sharp, theatrical light that seems to pierce through the murky canopy above. She is draped in deep, ultramarine blue fabric, her…

      Meer canvassen van Benjamin West, van 11 tot 100

      Joseph Banks (1773) door Benjamin West
      #11

      Joseph Banks

      1773 · Usher Art Gallery

      Joseph Banks: Een Pionier van Botanische Exploratie en Kunst De schilderij Joseph Banks door Benjamin West is een prachtige illustratie van neoclassicisme, gekenmerkt door het gebruik van klassieke…

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      King Lear (1788) door Benjamin West
      #14

      King Lear

      1788

      The heavy weight of tragedy hangs over King Lear, a work by the artist Benjamin West. Executed in 1788, this oil on canvas captures a moment of profound…

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      The Death of Chatham (1778) door Benjamin West
      #15

      The Death of Chatham

      1778 · Yale Center for British Art

      The composition anchors itself upon a slumped figure, the center of a collapsing world. This man, likely William Pitt the Elder, rests amidst a crowd of mourning dignitaries.…

      Laat het met de hand schilderen →
      King Lear (1788) door Benjamin West
      #21

      King Lear

      1788 · Detroit Institute of Arts

      The oil on canvas titled King Lear was executed by the artist Benjamin West in 1788. This work was originally commissioned for the Shakespeare Gallery in London, a…

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      Self-Portrait (1818) door Benjamin West
      #22

      Self-Portrait

      1818 · Harvard Art Museums

      Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

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      Portrait of a Man (1794) door Benjamin West
      #26

      Portrait of a Man

      1794 · Art Institute of Chicago

      An elderly man sits within a wooden chair, positioned slightly off-center in a three-quarter length pose. He wears a dark, heavy coat featuring visible buttons and a crisp…

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      Cymon and Iphigenia (1766) door Benjamin West
      #29

      Cymon and Iphigenia

      1766 · Yale Center for British Art

      The scene unfolds in a quiet moment of repose within Cymon and Iphigenia, an oil on panel work by Benjamin West. Created about 1766, the painting captures a…

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      Queen Charlotte (1777) door Benjamin West
      #34

      Queen Charlotte

      1777 · Yale Center for British Art

      The gaze of Queen Charlotte meets the viewer through this oil on canvas portrait painting, a work that captures the regal presence of the German-born British queen consort.…

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      The Artist and His Family (1772) door Benjamin West
      #94

      The Artist and His Family

      1772 · Yale Center for British Art

      In this intimate group portrait, The Artist and His Family, painted by Benjamin West about 1772, captures a quiet moment of domestic connection. The scene brings together the…

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      De doeken van Benjamin West, periode voor periode

      Wat Benjamin West het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Benjamin West hangen

      De 8 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Benjamin West Schilderijen uit deze lijst
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael, The Death of Chatham
      Royal Collection, LondenRoyal Collection Londen 27 Edward III (1312 1377) with the Black Prince (1330 1376) after the Battle of Crecy (1346), St. Peter Denying Christ, Queen Charlotte (1744-1818) with Charlotte, Princess Royal (1766-1828)
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 The Death of Procris, Queen Philippa at the Battle of Neville's Cross, Portrait of a Man
      National Gallery of Art, WashingtonNational Gallery of Art Washington 10 The Expulsion of Adam and Eve from Paradise, Portrait of Colonel Guy Johnson and Karonghyontye, Cupid, Stung by a Bee, Is Cherished by his Mother
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 7 The Last Supper, Death on a Pale Horse, King Lear
      New York Historical Society, New York CityNew York Historical Society New York City 4 Charles Willson Peale (1741–1827), Thetis Bringing the Armor to Achilles
      Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 3 George Harry Grey, Lord Grey (later the Fifth Earl of Stamford), Cupid Stung by a Bee
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 3 Elizabeth Shewell West and Her Son, Raphael, British Manufactory; A Sketch

      De meest geliefde canvas van Benjamin West uit elk decennium

      1. 1750s
        Portrait of Dr. Enoch Edwards (1750) door Benjamin West
        Canvas 16 van 100

        Portrait of Dr. Enoch Edwards

        Leeftijd 12 – 21 · Brooklyn Museum

        A single, steady gaze meets the viewer from the shadows of the late eighteenth century. Dr. Enoch Edwards sits in a three-quarter view, his presence defined by the…

      2. 1760s
        Paetus and Arria (1766) door Benjamin West
        Canvas 12 van 100

        Paetus and Arria

        Leeftijd 22 – 31 · Yale Center for British Art

        The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in…

      3. 1770s
        De dood van Generaal Wolfe (1770) door Benjamin West
        Canvas 1 van 100

        De dood van Generaal Wolfe

        Leeftijd 32 – 41 · Art Gallery of Ontario

        De Dood van Generaal Wolfe: Een Meesterwerk van Historische Kunst Historische Context en Betekenis "De Dood van Generaal Wolfe" door Benjamin West is een iconisch schilderij dat een…

      4. 1780s
        The Last Supper (1786) door Benjamin West
        2 van 100

        The Last Supper

        Leeftijd 42 – 51 · Detroit Institute of Arts

        Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith.…

      5. 1790s
        Death on a Pale Horse (1796) door Benjamin West
        Op nummer 6 van 100

        Death on a Pale Horse

        Leeftijd 52 – 61 · Detroit Institute of Arts

        Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety…

      6. 1800s
      7. 1810s
        Self-Portrait (1818) door Benjamin West
        Op nummer 22 van 100

        Self-Portrait

        Leeftijd 72 – 81 · Harvard Art Museums

        Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

      Over de doeken van Benjamin West: uw vragen beantwoord

      Wat is het bekendste schilderij van Benjamin West?Lees het antwoord

      De dood van Generaal Wolfe (1770), Art Gallery of Ontario, Toronto. The Last Supper (1786) en The Bard (1778) volgen.

      Hoe oud was Benjamin West toen De dood van Generaal Wolfe werd geschilderd?Lees het antwoord

      Benjamin West, geboren in 1738, was 32 jaar oud: De dood van Generaal Wolfe dateert uit 1770.

      Wat zijn de 10 bekendste schilderijen van Benjamin West?Lees het antwoord

      De dood van Generaal Wolfe, The Last Supper, The Bard, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, St. George and the Dragon, Death on a Pale Horse, The Death of Hyacinth, Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York, The Death of Procris en The Expulsion of Adam and Eve from Paradise. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Benjamin West in totaal geschilderd?Lees het antwoord

      360 werken van Benjamin West zijn opgenomen in onze catalogus, gedateerd van 1750 tot 1818.

      Waar kan ik de beroemdste doeken van Benjamin West bekijken?Lees het antwoord

      Voornamelijk in Yale Center for British Art (New Haven), Royal Collection (Londen) en Art Institute of Chicago (Chicago); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Benjamin West deze geliefde doeken?Lees het antwoord

      In 1770s, die 30 van de 100 werken op deze pagina vertegenwoordigt, waaronder De dood van Generaal Wolfe.

      Wat zijn de vroegste en laatste beroemde doeken van Benjamin West?Lees het antwoord

      Het oudste canvas hier is Portrait of Dr. Enoch Edwards (1750); het nieuwste is Self-Portrait (1818).

      Wat schilderde Benjamin West het vaakst?Lees het antwoord

      Man (21), Woman (17) en Horse (7), verspreid over de 100 werken op deze pagina.

      Met welk medium schilderde Benjamin West het vaakst?Lees het antwoord

      Oil On Canvas, gebruikt in 33 van de 100 werken op deze pagina.

      Bij welke stroming behoort het schilderij van Benjamin West?Lees het antwoord

      Neoclassical style, zoals de doeken op deze pagina laten zien.

      Welke doeken van Benjamin West hangen in het Yale Center for British Art?Lees het antwoord

      Het Yale Center for British Art, New Haven herbergt 13 van de werken op deze pagina, waaronder Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael en The Death of Chatham.

      Kan ik een reproductie van een Benjamin West canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Benjamin West: een leven in verf

      A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

      Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

      From Italy to London: Forging a Path to Recognition

      West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He spent years meticulously copying works by these giants, absorbing their techniques and developing a profound understanding of composition and color theory. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training abroad, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

      Revolutionizing Historical Painting: Technique and Controversy

      West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in *contemporary* military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. It was a bold move, a departure from the idealized depictions prevalent at the time, and it signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes. The meticulous detail in his brushwork, combined with dramatic lighting and carefully rendered figures, created works that were both visually stunning and emotionally engaging.

      A Lasting Legacy: Shaping Artistic Identity

      Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.
      • He championed a more accessible and emotionally engaging style of historical representation.
      • His studio became a haven for American artists seeking training in Europe.
      • He bridged the gap between Neoclassical ideals and the burgeoning Romantic movement.
      West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

      Personal Life and Connections

      Beyond his artistic achievements, West’s life was marked by significant personal connections. He maintained close friendships with prominent figures in both American and British society, including Benjamin Franklin, whose portrait he painted, and members of the Royal Family. His marriage to Elizabeth Shewell, an American woman he had met in Philadelphia, further cemented his ties to his homeland. West’s home became a gathering place for artists, intellectuals, and diplomats, fostering a vibrant cultural exchange. He was known for his generosity and hospitality, offering support and encouragement to aspiring artists and contributing significantly to the intellectual life of London. His influence extended beyond the art world, shaping perceptions of American identity and promoting transatlantic understanding.

      Alle 360 werken van Benjamin West →