Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Dora Maar, 1907 – 1997

      Dora Maar: De 13 bekendste schilderijen

      Van alle schilderijen van Dora Maar is Pere Ubu (1936) het bekendst; het hangt in het Metropolitan Museum of Art in New York. Direct daarna volgen Portrait de Frida Kahlo en Portrait of Picasso (1938). Van de 13 werken van Dora Maar in onze catalogus zijn dit de 13 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026.

      Portret van Dora Maar
      Dora Maar · 1907 – 1997
      Geboren · overleden
      1907 – 1997, 6th arrondissement of Paris
      Stroming
      Surrealism
      Werken in onze catalogus
      13
      Meest bekend
      Pere Ubu (1936)
      Meeste werken in
      San Francisco Museum of Modern Art

      De 10 meest gevierde schilderijen van Dora Maar

      Pere Ubu (1936) door Dora Maar
      1

      Pere Ubu

      1936 · Giclée Print · Metropolitan Museum of Art, New York

      Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity. This arresting image, rendered in stark monochrome with a dramatic interplay of light and shadow, captures the essence of Surrealism at its most potent – a deliberate disruption of reality designed to evoke profound emotional responses. The painting immediately confronts the viewer…

      Portrait de Frida Kahlo door Dora Maar
      2

      Portrait de Frida Kahlo

      Black and White Photography

      The artwork titled Portrait de Frida Kahlo is a photographic portrait created by the artist Dora Maar. This specific work features the Mexican artist Frida Kahlo as the subject. The image captures the subject in a formal pose, focusing on her upper body and shoulders. The composition is centered, presenting the subject from the waist up against a simple, blurred background.

      Schilderijen van Dora Maar gerangschikt van 11 tot 13

      Wat Dora Maar het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Dora Maar hangen

      De 3 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Dora Maar Schilderijen uit deze lijst
      San Francisco Museum of Modern Art, San FranciscoSan Francisco Museum of Modern Art San Francisco 2 Untitled, Double Portrait
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Pere Ubu
      Israël Museum, JeruzalemIsraël Museum Jeruzalem 1 Portrait of Picasso

      Decennium voor decennium: het meest gevierde canvas van Dora Maar

      1. 1930s
        Pere Ubu (1936) door Dora Maar
        1 van 13

        Pere Ubu

        Leeftijd 23 – 32 · Metropolitan Museum of Art

        Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity.…

      2. 1950s
      3. 1960s

      Uw vragen over de schilderijen van Dora Maar beantwoord

      Wat is het meest gevierde schilderij van Dora Maar?Lees het antwoord

      Pere Ubu (1936), Metropolitan Museum of Art, New York. Portrait de Frida Kahlo en Portrait of Picasso (1938) volgen.

      Hoe oud was Dora Maar op het moment van Pere Ubu?Lees het antwoord

      Dora Maar, geboren in 1907, was 29 jaar oud: Pere Ubu dateert uit 1936.

      Waar is Dora Maar het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      Pere Ubu, Portrait de Frida Kahlo, Portrait of Picasso, Untitled, The years lie in wait for you, Double Portrait, Untitled (Hand-Shell), The Pretender, Monster on the Beach en Cavalier. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Dora Maar zijn er bekend?Lees het antwoord

      13 werken van Dora Maar zijn opgenomen in onze catalogus, gedateerd van 1934 tot 1960.

      In welke musea bevinden zich de bekendste doeken van Dora Maar?Lees het antwoord

      Voornamelijk in San Francisco Museum of Modern Art (San Francisco), Metropolitan Museum of Art (New York) en Israël Museum (Jeruzalem); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Dora Maar zijn/haar meest gevierde doeken?Lees het antwoord

      In 1930s, die 9 van de 13 werken op deze pagina vertegenwoordigt, waaronder Pere Ubu.

      Wat zijn de eerste en de laatste van de beroemde doeken van Dora Maar?Lees het antwoord

      Het oudste canvas hier is Untitled (Hand-Shell) (1934); het nieuwste is Untitled Landscape (1960).

      Welke onderwerpen komen het vaakst voor in de schilderijen van Dora Maar?Lees het antwoord

      Black and white (2) en Hair (2), verspreid over de 13 werken op deze pagina.

      Bij welke kunststroming behoort Dora Maar?Lees het antwoord

      Surrealism, zoals de doeken op deze pagina laten zien.

      Wat kan ik zien van Dora Maar in het San Francisco Museum of Modern Art?Lees het antwoord

      Het San Francisco Museum of Modern Art, San Francisco herbergt 2 van de werken op deze pagina, waaronder Untitled en Double Portrait.

      Dora Maar: het verhaal van de schilder

      Dora Maar: A Surrealist Visionary and Political Witness

      Dora Maar (Henriette Theodora Markovitch, 1907-1997) remains a captivating figure in the annals of 20th-century art – a photographer, painter, and intellectual whose life was inextricably intertwined with the turbulent currents of Surrealism, political activism, and the passionate intensity of her relationship with Pablo Picasso. Often overshadowed by the brilliance of her collaborator, Maar’s unique vision, marked by psychological depth, social critique, and a strikingly unconventional approach to both photography and painting, deserves far greater recognition. Her story is not merely one of a muse; it's that of an artist who forged her own path amidst a world grappling with war, revolution, and the shifting landscapes of artistic expression.

      • Early Life and Artistic Beginnings: Born in Paris to a Croatian architect father and a French mother, Maar’s early years were spent in Buenos Aires. She began her artistic journey formally at the École de Beaux-Arts and the Académie Julian in Paris, honing her skills in painting before gravitating towards photography. Her initial work focused on commercial assignments for fashion magazines and advertising campaigns, providing a crucial foundation for her later explorations of form and composition.
      • Collaboration with Kéfer and Cartier-Bresson: A pivotal moment arrived in 1930 when she joined forces with Pierre Kéfer, establishing a shared studio that became a hub for artistic experimentation. This collaboration extended to the influential photographer Brassaï, with whom she shared the darkroom, absorbing his techniques and developing her own distinctive style.

      The Surrealist Years: Politics, Photography, and Picasso’s Influence

      Maar's involvement in the Surrealist movement was profound, extending beyond mere aesthetic affiliation to encompass a deep engagement with its political ideals. Following her introduction to Pablo Picasso in 1935, she became deeply involved in leftist groups like “masses” and the Union of Intellectuals against Fascism, reflecting a commitment to social justice that permeated much of her work. This period witnessed a significant shift in her artistic practice, influenced by both Picasso’s mentorship and her own evolving sensibilities.

      • Political Activism: Her participation in demonstrations, convocations, and the signing of manifestos like ‘When Surrealists Were Right’ demonstrated her unwavering commitment to anti-fascist causes. She documented the social and economic hardships of the Depression era through her photography, offering a starkly realistic portrayal of poverty and displacement.
      • The Picasso Connection: Her relationship with Picasso was complex and transformative. He recognized her unique perspective and incorporated her influence into his work, most notably in *Guernica*, where her photographic documentation played a crucial role. However, Maar herself acknowledged that Picasso’s portraits often obscured her true identity, stating, “All his portraits of me are lies. They're all Picassos. Not one is Dora Maar.”
      • Photographic Innovations: During this time, Maar experimented with photographic techniques, pushing the boundaries of the medium through photomontage and exploring themes of psychology, dreams, and inner states. Her work in the darkroom was particularly innovative, utilizing unconventional methods to create hauntingly evocative images.

      A Photographic Legacy: Portraits, Fashion, and Social Commentary

      Maar’s photographic output spanned a diverse range of subjects, from glamorous fashion shoots to poignant depictions of social unrest. Her portraits are particularly striking – characterized by their psychological intensity, fragmented forms, and often unsettling gazes. She possessed an uncanny ability to capture the essence of her subjects, revealing both their beauty and their vulnerability.

      • Iconic Portraits: Among her most celebrated photographs are portraits of Jacqueline Lamba (Picasso’s wife), André Breton, and, of course, Pablo Picasso himself. These images are not merely representations of appearance but rather explorations of personality and inner life.
      • Fashion and Advertising: Her work in the fashion industry showcased a keen eye for composition and an understanding of visual aesthetics, while her documentary photographs documented the realities of poverty and social inequality during the Depression.
      • The ‘Weeping Woman’ Influence: Picasso's iconic *Weeping Woman* series, inspired by Maar’s own emotional state, stands as a testament to the profound impact she had on his artistic vision.

      Beyond Picasso: A Lasting Artistic Contribution

      While often remembered primarily as Picasso's muse and lover, Dora Maar’s artistic legacy extends far beyond this association. Her pioneering work in photography – particularly her exploration of psychological themes and unconventional techniques – established her as a significant figure within the Surrealist movement. Her commitment to social justice and political activism further enriched her artistic practice, imbuing her work with a powerful sense of empathy and critical awareness. Today, Maar’s photographs continue to resonate with viewers, offering a glimpse into a complex and fascinating life—a testament to an artist who defied expectations and left an indelible mark on the world of art.

      Alle 13 werken van Dora Maar →