Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Jacob Philipp Hackert, 1737 – 1807

      Jacob Philipp Hackert: De 100 bekendste schilderijen

      Van alle schilderijen van Jacob Philipp Hackert is View of the Copper-Mill in Vietri (1773) het meest bekend. Direct daarna volgen Saint Francis’ Grotto on Monte Verna (1801) en Landscape with a Waterfall and a Cowherd (1755). Van de 161 werken van Jacob Philipp Hackert in onze catalogus zijn dit de 100 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Jacob Philipp Hackert
      Jacob Philipp Hackert · 1737 – 1807
      Geboren · overleden
      1737 – 1807, Prenzlau
      Stroming
      Romanticism
      Werken in onze catalogus
      161
      Meest bekend
      View of the Copper-Mill in Vietri (1773)
      Meeste werken in
      Hermitage Museum

      De 10 meest gevierde schilderijen van Jacob Philipp Hackert

      View of the Copper-Mill in Vietri (1773) door Jacob Philipp Hackert
      1

      View of the Copper-Mill in Vietri

      1773 · Oil On Canvas

      The scene unfolds in View of the Copper-Mill in Vietri, a work painted by Jacob Philipp Hackert in 1773. This landscape captures a specific corner of the Italian coast, situated in Vietri, south of Naples, nestled between the towns of Amalfi and Salerno. The air seems to hold the quiet rhythm of a rural existence, frozen in a moment of midday stillness.

      Saint Francis’ Grotto on Monte Verna (1801) door Jacob Philipp Hackert
      2

      Saint Francis’ Grotto on Monte Verna

      1801 · Oil On Canvas · Städel Museum, Frankfurt

      In the quietude of the Italian landscape, Saint Francis’ Grotto on Monte Verna emerges from the shadows of history. Painted about 1801, this work captures a sacred space within the province of Arezzo. The artist, Jacob Philipp Hackert, directs our gaze toward a rugged cave that served as a hermitage, where the heavy presence of stone meets the soft reach of the wild. It is a scene where the physical…

      Schilderijen van Jacob Philipp Hackert gerangschikt van 11 tot 100

      Great Cascades at Tivoli (1783) door Jacob Philipp Hackert
      #27

      Great Cascades at Tivoli

      1783 · Hermitage Museum

      In the grand tapestry of late eighteenth-century landscape painting, few works capture the breathtaking intersection of classical order and burgeoning Romantic emotion as masterfully as Jacob Philipp Hackert’s…

      Haal dit licht in huis →
      Landscape with River (1778) door Jacob Philipp Hackert
      #30

      Landscape with River

      1778 · Szépművészeti Múzeum

      Jacob Philipp Hackert's “Landscape with River,” painted in 1778, isn’t merely a depiction of a picturesque scene; it’s an invitation to step into a world of tranquility and…

      Laat het met de hand schilderen →
      View of Caserta (1784) door Jacob Philipp Hackert
      #32

      View of Caserta

      1784 · Hermitage Museum

      Jacob Philipp Hackert's "View of Caserta," painted in 1784 and currently residing within the esteemed halls of the Hermitage Museum in St. Petersburg, offers a captivating glimpse into…

      Bestel dit canvas →

      Wat Jacob Philipp Hackert het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Jacob Philipp Hackert hangen

      De 8 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Jacob Philipp Hackert Schilderijen uit deze lijst
      Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 10 Temple Ruins in Sicily, Great Cascades at Tivoli, Landscape with a ancient Festival
      Attingham ParkAttingham Park 10 Imaginary Landscape with the River Volturno, Two Views of a Dead Boar with a Mastiff and two other Dogs, Landscape with a Bridge, with a View of Monte Sarchio
      Alte Nationalgalerie, BerlijnAlte Nationalgalerie Berlijn 6 Two Warriors in a Landscape of Trees and Rocks, River Landscape, Arcadian Landscape
      Royal Collection, LondenRoyal Collection Londen 4 Landscape in Switzerland, La Perdita del Liri a Anatrelle, River Landscape with Women Playing with a Child
      Germanisches Nationalmuseum, NürnbergGermanisches Nationalmuseum Nürnberg 3 The Seasons: Summer, The Seasons: Winter, Ideal Landscape with Juno Temple of Agrigento
      Nationalmuseum, StockholmNationalmuseum Stockholm 4 French Landscape, River Landscape with Ruins
      Städel Museum, FrankfurtStädel Museum Frankfurt 2 Saint Francis’ Grotto on Monte Verna, View of Saint Peter’s in Rome
      Szépművészeti Múzeum, BoedapestSzépművészeti Múzeum Boedapest 2 Landscape with River, The Lake of Nemi

      Decennium voor decennium: het meest gevierde canvas van Jacob Philipp Hackert

      1. 1750s
      2. 1760s
      3. 1770s
        View of the Copper-Mill in Vietri (1773) door Jacob Philipp Hackert
        1 van 100

        View of the Copper-Mill in Vietri

        Leeftijd 33 – 42

        The scene unfolds in View of the Copper-Mill in Vietri, a work painted by Jacob Philipp Hackert in 1773. This landscape captures a specific corner of the Italian…

      4. 1780s
      5. 1790s
      6. 1800s
        Saint Francis’ Grotto on Monte Verna (1801) door Jacob Philipp Hackert
        2 van 100

        Saint Francis’ Grotto on Monte Verna

        Leeftijd 63 – 70 · Städel Museum

        In the quietude of the Italian landscape, Saint Francis’ Grotto on Monte Verna emerges from the shadows of history. Painted about 1801, this work captures a sacred space…

      Uw vragen over de schilderijen van Jacob Philipp Hackert beantwoord

      Wat is het meest gevierde schilderij van Jacob Philipp Hackert?Lees het antwoord

      View of the Copper-Mill in Vietri (1773), gevolgd door Saint Francis’ Grotto on Monte Verna (1801) en Landscape with a Waterfall and a Cowherd (1755).

      Hoe oud was Jacob Philipp Hackert op het moment van View of the Copper-Mill in Vietri?Lees het antwoord

      Jacob Philipp Hackert, geboren in 1737, was 36 jaar oud: View of the Copper-Mill in Vietri dateert uit 1773.

      Waar is Jacob Philipp Hackert het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      View of the Copper-Mill in Vietri, Saint Francis’ Grotto on Monte Verna, Landscape with a Waterfall and a Cowherd, River Landscape with Lovers, From the Banks of Arques, The Tiber in Rome, View of ruins by a river (the Seine), View of Château Gaillard and the Seine, Travellers resting beside a river, with a town en Temple Ruins in Sicily. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Jacob Philipp Hackert zijn er bekend?Lees het antwoord

      161 werken van Jacob Philipp Hackert zijn opgenomen in onze catalogus, gedateerd van 1755 tot 1805.

      In welke musea bevinden zich de bekendste doeken van Jacob Philipp Hackert?Lees het antwoord

      Voornamelijk in Hermitage Museum (Sint-Petersburg), Attingham Park en Alte Nationalgalerie (Berlijn); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Jacob Philipp Hackert zijn/haar meest gevierde doeken?Lees het antwoord

      In 1770s, die 31 van de 100 werken op deze pagina vertegenwoordigt, waaronder View of the Copper-Mill in Vietri.

      Wat zijn de eerste en de laatste van de beroemde doeken van Jacob Philipp Hackert?Lees het antwoord

      Het oudste canvas hier is Landscape with a Waterfall and a Cowherd (1755); het nieuwste is Forest Landscape with the Sleeping Boy Horaz Protected by Pigeons (1805).

      Welke onderwerpen komen het vaakst voor in de schilderijen van Jacob Philipp Hackert?Lees het antwoord

      Landscape (5), Mountains (3) en Trees (3), verspreid over de 100 werken op deze pagina.

      Waar schilderde Jacob Philipp Hackert meestal mee?Lees het antwoord

      Oil On Canvas, gebruikt in 7 van de 100 werken op deze pagina.

      Bij welke kunststroming behoort Jacob Philipp Hackert?Lees het antwoord

      Romanticism, zoals de doeken op deze pagina laten zien.

      Wat kan ik zien van Jacob Philipp Hackert in het Hermitage Museum?Lees het antwoord

      Het Hermitage Museum, Sint-Petersburg herbergt 9 van de werken op deze pagina, waaronder Temple Ruins in Sicily, Great Cascades at Tivoli en Landscape with a ancient Festival.

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Jacob Philipp Hackert?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Jacob Philipp Hackert: het verhaal van de schilder

      Early Life and Artistic Foundations

      Jacob Philipp Hackert emerged onto the artistic landscape in 1737, born in Prenzlau, Brandenburg – a region now nestled within Germany. His upbringing was steeped in artistry; his father, Philipp Hackert, practiced as both a portraitist and an animal painter, laying the initial groundwork for young Jacob’s creative journey. This familial influence extended to his uncle, under whose guidance he further honed his skills. Formal training followed at the prestigious Prussian Academy of Arts in Berlin beginning in 1758, where he diligently developed the technical foundations that would later define his style. However, Hackert's early career wasn’t confined to studio walls. His travels took him through Swedish Pomerania and eventually to Stockholm, where a pivotal commission from Baron Adolf Friedrich von Olthof – decorative murals for the baron’s estate – broadened his artistic horizons and exposed him to diverse aesthetic sensibilities. These formative years were crucial in shaping Hackert's eye and preparing him for the grander stages of his career.

      The Italian Awakening: Paris, Rome, and Naples

      A defining chapter unfolded with Hackert’s relocation to Paris between 1765 and 1768 alongside fellow Swiss artist Balthasar Anton Dunker. This period proved transformative, immersing him in a vibrant artistic milieu. He found himself profoundly influenced by Claude Joseph Vernet, the celebrated painter of landscapes and seascapes, absorbing elements of Vernet’s dramatic compositions and atmospheric effects into his own burgeoning style. Simultaneously, studies under German engraver Johann Georg Wille refined his precision and attention to detail. In 1768, Hackert embarked on a journey that would irrevocably alter his artistic trajectory – he moved to Italy with his brother Georg, establishing himself primarily in Rome and Naples. This move marked the beginning of an extraordinarily prolific period fueled by numerous commissions for views of the Italian countryside, most notably from Sir William Hamilton. He traversed the length and breadth of Italy, meticulously documenting its beauty and gaining recognition as a master landscape painter. The light, the colors, the very essence of the Italian peninsula captivated him, becoming the defining characteristic of his work.

      Patronage, Recognition, and Artistic Flourishing

      Hackert’s artistic career ascended to new heights through a combination of talent and strategic patronage. His ability to capture the sublime beauty of Italy resonated with prominent figures across Europe. A landmark commission arrived from Catherine the Great of Russia – a cycle of paintings depicting the pivotal Battle of Chesma, solidifying his reputation on an international scale. Further bolstering his standing was a fruitful relationship with Pope Pius VI, resulting in significant artistic projects that showcased his skill and versatility. In 1786, Hackert reached the pinnacle of his career when he was appointed court painter to Ferdinand I of the Two Sicilies in Naples. This prestigious role extended beyond mere painting; he was entrusted with advising on the creation of a painting restoration laboratory at the Museo di Capodimonte and overseeing the transfer of the esteemed Farnese collections from Rome to Naples, demonstrating his deep understanding of art history and conservation. He produced notable paintings depicting Caserta and the Royal Palace of Caserta, as well as a series illustrating the Bourbon ports. Intriguingly, Hackert also served as a secret informant for Russia during this time, maintaining contact with Andrey Razumovsky – a testament to the complex political landscape in which he operated. A particularly cherished connection blossomed between Hackert and Johann Wolfgang von Goethe during the latter’s visit to Naples in 1786, forging a friendship that further elevated his intellectual standing.

      Style, Legacy, and Historical Significance

      Jacob Philipp Hackert's artistic style represents a compelling synthesis of classical landscape painting and an emerging Romantic sensibility. Heavily influenced by the works of Claude Lorrain, his compositions are characterized by carefully balanced arrangements that blend observed reality with an idealized aesthetic vision. However, Hackert distinguished himself through an unwavering commitment to botanical accuracy and a desire for recognizable depictions of place. His paintings are marked by sharp renderings of natural details and realistic portrayals of Italian scenery, often bathed in a warm, golden light. He is rightfully considered one of the greatest interpreters of the *vedutismo* genre – paintings that meticulously depict city views and landscapes with topographical precision. Hackert’s historical significance extends beyond his artistic contributions; he served as a vital cultural ambassador between Germany and Italy during the late 18th century, bridging artistic traditions and fostering cross-cultural exchange. He passed away on April 28, 1807, in San Pietro di Careggi near Florence, leaving behind a substantial body of work that continues to inspire awe and admiration for its beauty, technical mastery, and enduring historical importance. His landscapes are not merely representations of scenery; they are windows into a world imbued with both classical grace and Romantic emotion.

      Alle 161 werken van Jacob Philipp Hackert →