Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Mary Beale, 1633 – 1699

      De 65 bekendste schilderijen van Mary Beale

      King Charles II (1675) is het schilderij waar Mary Beale het meest om bekendstaat; het maakt deel uit van de collectie van het National Portrait Gallery, Londen. Bartholomew Beale (1663) en Portrait of a lady (1680) maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 65 werken van Mary Beale. Hier zijn de 65 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Mary Beale
      Mary Beale · 1633 – 1699
      Geboren · overleden
      1633 – 1699, Barrow
      Stroming
      Baroque
      Werken in onze catalogus
      65
      Meest bekend
      King Charles II (1675)
      Meeste werken in
      National Portrait Gallery

      De tien meest geliefde schilderijen van Mary Beale

      King Charles II (1675) door Mary Beale
      1

      King Charles II

      1675 · Oil On Canvas · National Portrait Gallery, Londen

      The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

      Bartholomew Beale (1663) door Mary Beale
      2

      Bartholomew Beale

      1663 · Oil On Paper · Yale Center for British Art, New Haven

      A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

      Viscountess Frances Hatton (1664) door Mary Beale
      4

      Viscountess Frances Hatton

      1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

      In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

      Mary Beale: doeken 11 tot 65 van de ranglijst

      Mary Wither of Andwell (1670) door Mary Beale
      #26

      Mary Wither of Andwell

      1670 · Art Gallery of South Australia

      In this Baroque oil on canvas, Mary Beale presents us with Mary Wither of Andwell. Created about 1670, the work is a quiet study of a young subject,…

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      Wat Mary Beale het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Mary Beale hangen

      De 8 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Mary Beale Schilderijen uit deze lijst
      National Portrait Gallery, LondenNational Portrait Gallery Londen 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
      Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
      Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
      Dulwich Picture Gallery, LondonDulwich Picture Gallery London 2 Portrait of a Physician, Portrait of a Youth
      Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
      Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

      Het beroemdste canvas van Mary Beale, decennium na decennium

      1. 1650s
      2. 1660s
        Bartholomew Beale (1663) door Mary Beale
        Canvas 2 van 65

        Bartholomew Beale

        Leeftijd 27 – 36 · Yale Center for British Art

        A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

      3. 1670s
        King Charles II (1675) door Mary Beale
        Canvas 1 van 65

        King Charles II

        Leeftijd 37 – 46 · National Portrait Gallery

        The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

      4. 1680s
        Portrait of a lady (1680) door Mary Beale
        Canvas 3 van 65

        Portrait of a lady

        Leeftijd 47 – 56 · National Gallery of Victoria

        Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

      5. 1690s

      De doeken van Mary Beale, vraag voor vraag

      Waarom wordt Mary Beale het meest herinnerd om welk canvas?Lees het antwoord

      King Charles II (1675), National Portrait Gallery, Londen. Bartholomew Beale (1663) en Portrait of a lady (1680) volgen.

      King Charles II: hoe oud was Mary Beale toen dit werd geschilderd?Lees het antwoord

      Mary Beale, geboren in 1633, was 42 jaar oud: King Charles II dateert uit 1675.

      Wat zijn de tien beroemdste doeken van Mary Beale?Lees het antwoord

      King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) en Self-Portrait Holding a Palette. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen heeft Mary Beale gemaakt?Lees het antwoord

      65 werken van Mary Beale zijn opgenomen in onze catalogus, gedateerd van 1659 tot 1697.

      Waar hangen de beroemdste doeken van Mary Beale tegenwoordig?Lees het antwoord

      Voornamelijk in National Portrait Gallery (Londen), Antony House en Sutton House; de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Mary Beale de beroemdste doeken?Lees het antwoord

      In 1680s, die 10 van de 65 werken op deze pagina vertegenwoordigt, waaronder Portrait of a lady.

      Welk beroemd canvas van Mary Beale was het eerst, en welke was het laatst?Lees het antwoord

      Het oudste canvas hier is Anna Maria, Countess of Shrewsbury (1642–1702) (1659); het nieuwste is Portrait of Nell Gwyl (1697).

      Welke onderwerpen schilderde Mary Beale het meest?Lees het antwoord

      Portraits (14), Royalty (12) en Portrait (6), verspreid over de 65 werken op deze pagina.

      Welk medium komt het meest voor in de schilderijen van Mary Beale?Lees het antwoord

      Oil On Canvas, gebruikt in 4 van de 65 werken op deze pagina.

      Bij welke stroming wordt Mary Beale gerekend?Lees het antwoord

      Baroque, zoals de doeken op deze pagina laten zien.

      Welke schilderijen van Mary Beale zijn in de collectie van het National Portrait Gallery?Lees het antwoord

      Het National Portrait Gallery, Londen herbergt 6 van de werken op deze pagina, waaronder King Charles II, Thomas Sydenham en Charles Beale the Elder.

      Waar kan ik een reproductie van een schilderij van Mary Beale kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Maak kennis met de schilder: Mary Beale

      A Life Illuminated: The World of Mary Beale

      Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

      Navigating Convention: Portraiture and Family Life

      In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

      A Baroque Sensibility: Style and Technique

      Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

      Notable Achievements & Legacy

      Mary Beale’s artistic output spanned several decades, producing over fifty portraits that stand as enduring symbols of Elizabethan and Jacobean England. Her work gained considerable acclaim during her lifetime, securing commissions from prominent figures—including members of the royal family—and establishing her reputation as one of the foremost portrait painters of her era. Beyond her individual accomplishments, Mary Beale’s story holds profound significance for art history. She defied societal expectations and pursued a profession deemed unsuitable for women, demonstrating courage and determination in a time when opportunities were severely limited. Her pioneering spirit paved the way for future generations of female artists, challenging conventions and advocating for greater inclusivity within the artistic community. Beale’s legacy extends beyond her visual creations; she embodies the spirit of innovation and resilience—a reminder that talent transcends gender boundaries. Her enduring influence can be seen in subsequent portraiture styles and continues to inspire artists today.

      Further Exploration

      To delve deeper into Mary Beale's artistic world, consider visiting the Nelson-Atkins Museum of Art (https://nl/museums/nelson-atkins-museum-of-art-verenigde-staten-van-amerika-kansas-city-nl/), where you can admire reproductions of her celebrated works and gain insights into the broader context of Baroque art in England. Also, explore artworks similar to Mary Beale’s style at TopImpressionists (https://TopImpressionists.com/) and TopImpressionists (https://TopImpressionists.com/). Finally, examine Hans Holbein de Jongere's "Portrait of Lady Mary Guildford" (https://TopImpressionists.com/hans-holbein-de-jongere-portrait-of-lady-mary-guildford/) for a comparative study of artistic techniques and stylistic considerations during the Renaissance period.

      Alle 65 werken van Mary Beale →