Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Max Klinger, 1857 – 1920

      De 100 beroemdste schilderijen van Max Klinger, gerangschikt

      Het meest geliefde schilderij van Max Klinger is The death peeing. The Isle of the Dead en Presa volgen daarna in de lijst met doeken die lezers het beste kennen. Onze catalogus bevat 281 werken van Max Klinger: hier zijn de 100 bekendste, elk met het jaartal, het museum en wat het werk zo bijzonder maakt.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Max Klinger
      Max Klinger · 1857 – 1920
      Geboren · overleden
      1857 – 1920, Leipzig
      Stroming
      Symbolism
      Werken in onze catalogus
      281
      Meest bekend
      The death peeing
      Meeste werken in
      Bayerische Staatsgemäldesammlungen

      Top 10 schilderijen van Max Klinger: de doeken die iedereen kent

      The death peeing door Max Klinger
      1

      The death peeing

      Painting

      The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

      The Isle of the Dead door Max Klinger
      2

      The Isle of the Dead

      Painting

      The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

      Presa door Max Klinger
      3

      Presa

      Lithograph

      The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

      Y sin embargo! door Max Klinger
      4

      Y sin embargo!

      Graphite

      Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

      Meer canvassen van Max Klinger, van 11 tot 100

      De doeken van Max Klinger, periode voor periode

      Wat Max Klinger het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Max Klinger hangen

      De 4 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Max Klinger Schilderijen uit deze lijst
      Bayerische Staatsgemäldesammlungen, MünchenBayerische Staatsgemäldesammlungen München 2 At the Beach, Seaside Idyl
      Alte Nationalgalerie, BerlijnAlte Nationalgalerie Berlijn 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
      National Gallery Prague, PraagNational Gallery Prague Praag 1 Evening
      Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

      De meest geliefde canvas van Max Klinger uit elk decennium

      1. 1870s
        Evening (1879) door Max Klinger
        9 van 100

        Evening

        Leeftijd 13 – 22 · National Gallery Prague
      2. 1880s
      3. 1890s
        At the Beach (1890) door Max Klinger
        Op nummer 11 van 100

        At the Beach

        Leeftijd 33 – 42 · Bayerische Staatsgemäldesammlungen
      4. 1910s

      Over de doeken van Max Klinger: uw vragen beantwoord

      Wat is het bekendste schilderij van Max Klinger?Lees het antwoord

      The death peeing, gevolgd door The Isle of the Dead en Presa.

      Wat zijn de 10 bekendste schilderijen van Max Klinger?Lees het antwoord

      The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening en Play in the meadow. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel werken heeft Max Klinger in totaal geschilderd?Lees het antwoord

      281 werken van Max Klinger zijn opgenomen in onze catalogus, gedateerd van 1879 tot 1912.

      Waar kan ik de beroemdste doeken van Max Klinger bekijken?Lees het antwoord

      Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Alte Nationalgalerie (Berlijn) en National Gallery Prague (Praag); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Wanneer schilderde Max Klinger deze geliefde doeken?Lees het antwoord

      In 1880s, die 3 van de 100 werken op deze pagina vertegenwoordigt, waaronder Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz.

      Wat zijn de vroegste en laatste beroemde doeken van Max Klinger?Lees het antwoord

      Het oudste canvas hier is Evening (1879); het nieuwste is Bathing Women (1912).

      Wat schilderde Max Klinger het vaakst?Lees het antwoord

      Gods (7), Symbolic imagery (6) en Landscape (4), verspreid over de 100 werken op deze pagina.

      Met welk medium schilderde Max Klinger het vaakst?Lees het antwoord

      Painting, gebruikt in 2 van de 100 werken op deze pagina.

      Bij welke stroming behoort het schilderij van Max Klinger?Lees het antwoord

      Symbolism, zoals de doeken op deze pagina laten zien.

      Welke doeken van Max Klinger hangen in het Bayerische Staatsgemäldesammlungen?Lees het antwoord

      Het Bayerische Staatsgemäldesammlungen, München herbergt 2 van de werken op deze pagina, waaronder At the Beach en Seaside Idyl.

      Kan ik een reproductie van een Max Klinger canvas kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Max Klinger: een leven in verf

      The Shadowed World of Max Klinger: A Pioneer of Symbolism

      Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

      From Realism's Embrace to Symbolic Depths

      Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level. The plates depict a series of increasingly bizarre and unsettling events surrounding the discovery of the glove—a lost love, a fleeting encounter, and ultimately, an ambiguous sense of longing.

      Sculpture, Printmaking and the Exploration of Myth

      Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. The sculpture depicts Beethoven as a Greek god on a large alabaster throne, surrounded by musical instruments and symbols of triumph. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

      Influences and Artistic Development

      Klinger’s artistic development was shaped by a complex interplay of influences. His early training in Karlsruhe instilled in him a respect for traditional techniques, but it was his exposure to the works of Menzel and Goya that awakened his interest in printmaking as a means of conveying psychological depth and narrative complexity. He also drew inspiration from Japanese woodblock prints, which he studied during his time in Paris. Furthermore, Klinger’s intellectual life was profoundly influenced by thinkers such as Arthur Schopenhauer and Friedrich Nietzsche, whose ideas about pessimism, the will to power, and the nature of reality resonated deeply with his artistic vision. The artist's exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte.

      Legacy and Influence: A Bridge to Modernity

      Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires resonated with audiences worldwide. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

      Notable Works & Continued Relevance

      Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes—anxiety, alienation, and the search for meaning—continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.

      Alle 281 werken van Max Klinger →