Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      Orcagna, 1315 – 1368

      Orcagna: De 13 bekendste schilderijen

      Van alle schilderijen van Orcagna is Saint John the Baptist (1355) het bekendst; het hangt in het Yale University Art Gallery in New Haven. Direct daarna volgen The Calling of St. Matthew (1367) en Throne of Grace (1400). Van de 13 werken van Orcagna in onze catalogus zijn dit de 13 meest gevierde werken, elk getoond met de datum, het museum en het verhaal erachter.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van Orcagna
      Orcagna · 1315 – 1368
      Geboren · overleden
      1315 – 1368, Florence
      Werken in onze catalogus
      13
      Meest bekend
      Saint John the Baptist (1355)
      Meeste werken in
      Cappella Strozzi

      De 10 meest gevierde schilderijen van Orcagna

      Schilderijen van Orcagna gerangschikt van 11 tot 13

      Wat Orcagna het meest schilderde

      De vier onderwerpen die het meest voorkomen op deze doeken, elk met zijn meest geliefde voorbeeld.

      Waar de doeken van Orcagna hangen

      De 5 musea met de meeste schilderijen op deze pagina.

      Museum Stad Werken van Orcagna Schilderijen uit deze lijst
      Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
      Nationaal Museum Warschau, WarschauNationaal Museum Warschau Warschau 1 Throne of Grace
      Palazzo Vecchio, FlorencePalazzo Vecchio Florence 1 The Expulsion of the Duke of Athens
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

      Decennium voor decennium: het meest gevierde canvas van Orcagna

      1. 1340s
      2. 1350s
      3. 1360s

      Uw vragen over de schilderijen van Orcagna beantwoord

      Wat is het meest gevierde schilderij van Orcagna?Lees het antwoord

      Saint John the Baptist (1355), Yale University Art Gallery, New Haven. The Calling of St. Matthew (1367) en Throne of Grace (1400) volgen.

      Hoe oud was Orcagna op het moment van Saint John the Baptist?Lees het antwoord

      Orcagna, geboren in 1315, was 40 jaar oud: Saint John the Baptist dateert uit 1355.

      Waar is Orcagna het meest bekend om vanwege welke tien schilderijen?Lees het antwoord

      Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) en The Expulsion of the Duke of Athens. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen van Orcagna zijn er bekend?Lees het antwoord

      13 werken van Orcagna zijn opgenomen in onze catalogus, gedateerd van 1343 tot 1367.

      In welke musea bevinden zich de bekendste doeken van Orcagna?Lees het antwoord

      Voornamelijk in Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) en Nationaal Museum Warschau (Warschau); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      In welke jaren schilderde Orcagna zijn/haar meest gevierde doeken?Lees het antwoord

      In 1350s, die 8 van de 13 werken op deze pagina vertegenwoordigt, waaronder Saint John the Baptist.

      Wat zijn de eerste en de laatste van de beroemde doeken van Orcagna?Lees het antwoord

      Het oudste canvas hier is The Expulsion of the Duke of Athens (1343); het nieuwste is The Calling of St. Matthew (1367).

      Wat kan ik zien van Orcagna in het Cappella Strozzi?Lees het antwoord

      Het Cappella Strozzi, Florence herbergt 2 van de werken op deze pagina, waaronder View of the Chapel en The Strozzi Altarpiece.

      Kan ik een handgeschilderde kopie bestellen van een schilderij van Orcagna?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Orcagna: het verhaal van de schilder

      Andrea di Cione: The Architect of Florentine Vision

      The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

      Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

      The Grandeur of Orvieto: Mosaic Master

      Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

      The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

      The Sculptural Triumph: Orsanmichele’s Tabernacle

      Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

      The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

      A Legacy of Innovation

      Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

      Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

      Alle 13 werken van Orcagna →