William E. Ward, 1922 – 2004
De 1 bekendste schilderijen van William E. Ward
Sea Wall (1973) is het schilderij waar William E. Ward het meest om bekendstaat; het maakt deel uit van de collectie van het Cleveland Museum of Art, Cleveland. Onze catalogus bevat 1 werken van William E. Ward. Hier zijn de 1 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026.
- Geboren · overleden
- 1922 – 2004, Cleveland
- Werken in onze catalogus
- 1
- Meest bekend
- Sea Wall (1973)
- Meeste werken in
- Cleveland Museum of Art
De tien meest geliefde schilderijen van William E. Ward
Waar de doeken van William E. Ward hangen
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van William E. Ward | Schilderijen uit deze lijst |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 1 | Sea Wall |
De beroemdste doeken van William E. Ward, jaar na jaar
De gedateerde doeken van William E. Ward op deze pagina stammen allemaal uit 1973: hier zijn ze, in volgorde van bekendheid.
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1973
1 van 1
Sea Wall
De doeken van William E. Ward, vraag voor vraag
Waarom wordt William E. Ward het meest herinnerd om welk canvas?Lees het antwoord
Sea Wall (1973)
Sea Wall: hoe oud was William E. Ward toen dit werd geschilderd?Lees het antwoord
William E. Ward, geboren in 1922, was 51 jaar oud: Sea Wall dateert uit 1973.
Hoeveel schilderijen heeft William E. Ward gemaakt?Lees het antwoord
1 werken van William E. Ward staan in onze catalogus.
Waar hangen de beroemdste doeken van William E. Ward tegenwoordig?Lees het antwoord
Voornamelijk in Cleveland Museum of Art (Cleveland); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.
Maak kennis met de schilder: William E. Ward
A Multidisciplinary Visionary
Cleveland, United States, provides the backdrop for the life of William E. Ward. Born in 1922, Ward does not occupy a single niche within the creative landscape. His hands moved between the precision of calligraphy and the structural demands of exhibition design. He was a man of many disciplines, functioning simultaneously as a painter, photographer, and lecturer. This breadth of practice suggests a mind preoccupied with the intersection of form and space.
His professional life extended into the logistical and aesthetic realms of the art world. As an exhibition designer, he understood how art occupies a room, a perspective that likely informed his own visual output. He was also an art collector, a role that places him deeply within the ecosystem of cultural preservation and appreciation.
The Intersection of Form and Space
Ward’s creative output was defined by a diverse set of technical skills. He navigated the delicate balance between the spontaneous stroke of a painter and the calculated precision of a designer. His work reflects a deep engagement with the physical properties of his medium.
His professional identity was built upon several distinct pillars:
- The fluid, controlled motion of calligraphy
- The observational eye of a photographer
- The spatial intelligence of an exhibition designer
- The expressive application of paint
The Legacy of Sea Wall
In 1973, Ward produced Sea Wall, a work that remains his most significant contribution to the permanent record of American art. This piece is held within the collection of the Cleveland Museum of Art. It represents a moment where his various sensibilities—the eye of the photographer and the hand of the painter—converge on a single subject. The work exists as a permanent fixture in the history of his creative life, marking a point of recognition within a major American institution.
By the time of his death in 2004, Ward had left behind a legacy that spans the technical and the expressive. He moved through the art world not as a specialist in one field, but as a practitioner of many, bridging the gap between the design of the space and the art within it.