Atelier — Gratis verzending wereldwijd — Levertijd 2–6 weken
      William Hatherell, 1855 – 1928

      De 10 bekendste schilderijen van William Hatherell

      Illustration to Romeo and Juliet Act III, Sc III (1911) is het schilderij waar William Hatherell het meest om bekendstaat; het maakt deel uit van de collectie van het Birmingham Museum and Art Gallery, Birmingham. Nurse, Wounded Soldier And Child en Untitled maken het trio van meest geliefde doeken compleet. Onze catalogus bevat 11 werken van William Hatherell. Hier zijn de 10 bekendste, inclusief het jaar, het museum en het verhaal achter elk canvas.

      Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde oliereductie op linnen canvas, of als een fine art print, uitgevoerd in de door u gekozen afmeting.

      Portret van William Hatherell
      William Hatherell · 1855 – 1928
      Geboren · overleden
      1855 – 1928, London
      Werken in onze catalogus
      11
      Meest bekend
      Illustration to Romeo and Juliet Act III, Sc III (1911)
      Meeste werken in
      Birmingham Museum and Art Gallery

      De tien meest geliefde schilderijen van William Hatherell

      Waar de doeken van William Hatherell hangen

      Het museum met de meeste schilderijen op deze pagina.

      Museum Stad Werken van William Hatherell Schilderijen uit deze lijst
      Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 Illustration to Romeo and Juliet Act III, Sc III

      De beroemdste doeken van William Hatherell, jaar na jaar

      De gedateerde doeken van William Hatherell op deze pagina stammen allemaal uit 1911: hier zijn ze, in volgorde van bekendheid.

      1. 1911

      De doeken van William Hatherell, vraag voor vraag

      Waarom wordt William Hatherell het meest herinnerd om welk canvas?Lees het antwoord

      Illustration to Romeo and Juliet Act III, Sc III (1911), Birmingham Museum and Art Gallery, Birmingham. Nurse, Wounded Soldier And Child en Untitled volgen.

      Illustration to Romeo and Juliet Act III, Sc III: hoe oud was William Hatherell toen dit werd geschilderd?Lees het antwoord

      William Hatherell, geboren in 1855, was 56 jaar oud: Illustration to Romeo and Juliet Act III, Sc III dateert uit 1911.

      Wat zijn de tien beroemdste doeken van William Hatherell?Lees het antwoord

      Illustration to Romeo and Juliet Act III, Sc III, Nurse, Wounded Soldier And Child, Untitled, Tess of the D'Urbevilles, Crossing the Brook, O, Romeo, Romeo, Wherefore Art Thou Romeo, The Rescue Of Guinevere, Portrait Of Emily Hatherell, Knighting Of Sir William Smith Crossman en The Funeral Service Of Edith Cavell At Westminster Abbey. Elk canvas in de bovenstaande ranglijst is voorzien van het jaartal en het museum.

      Hoeveel schilderijen heeft William Hatherell gemaakt?Lees het antwoord

      11 werken van William Hatherell staan in onze catalogus.

      Waar hangen de beroemdste doeken van William Hatherell tegenwoordig?Lees het antwoord

      Voornamelijk in Birmingham Museum and Art Gallery (Birmingham); de bovenstaande lijst vermeldt elk museum en de bijbehorende doeken.

      Waar kan ik een reproductie van een schilderij van William Hatherell kopen?Lees het antwoord

      Ja. Elk schilderij op deze pagina kan via de eigen pagina worden besteld als een handgeschilderd olieverfreproductie, of als een fine art print, in de door u gekozen afmeting.

      Maak kennis met de schilder: William Hatherell

      William Hatherell (1855-1928): A Victorian Visionary

      William Hatherell (1855-1928) stands as a testament to the enduring power of meticulous observation and artistic sensitivity during the Victorian era. Born in London, he emerged from a milieu steeped in classical tradition yet possessed an innate fascination with capturing the dynamism of modern life—a duality that defines his distinctive oeuvre. While biographical details remain somewhat sparse, Hatherell’s prolific output speaks volumes about his dedication to portraying both grand narratives and intimate moments with remarkable precision.
      • Early Life & Training: Little is known definitively regarding Hatherell's formative years beyond confirmation of his London birth. He received formal artistic training at the Slade School of Fine Art, establishing a foundation in academic draughtsmanship that would inform his later stylistic choices.
      • Illustrative Career: Hatherell quickly gained recognition as an illustrator, securing commissions for publications ranging from periodicals to novels and theatrical productions. His illustrations were celebrated for their detailed realism and masterful use of light and shadow—characteristics particularly evident in depictions of Victorian society and literary characters. Notably, he collaborated extensively with illustrators like Burne Jones and Arthur Rackham, absorbing influences that would enrich his artistic vocabulary.
      • Historical Painting & Literary Scenes: Beyond illustration, Hatherell excelled at historical painting, tackling ambitious projects such as “Knighting Of Sir William Smith Crossman” and “Tess of the D’Urbevilles.” These canvases demonstrate a profound understanding of composition and color theory—skills honed through careful study of Renaissance masters. His approach to portraying literary subjects was characterized by an empathetic engagement with the source material, transforming narratives into visually compelling experiences.
      His artistic vision resonated deeply within the Victorian aesthetic, prioritizing accuracy and emotional resonance above mere decorative embellishment. Hatherell’s meticulous technique—characterized by layered glazing and subtle tonal gradations—allowed him to convey atmosphere and psychological nuance with exceptional subtlety. He skillfully blended academic rigor with Impressionistic tendencies, resulting in paintings that retain a palpable sense of immediacy while upholding the highest standards of artistic craftsmanship.

      Notable Works & Artistic Style

      Among Hatherell’s most celebrated achievements are “Portrait Of Emily Hatherell” and “Tess of the D’Urbevilles.” These pieces exemplify his mastery of capturing human emotion through nuanced facial expressions and expressive gestures—a hallmark of Victorian portraiture. The Impressionistic brushstrokes employed in “Tess” imbue the scene with a palpable sense of movement and mood, reflecting Hatherell's willingness to experiment with innovative approaches to artistic representation. His stylistic choices consistently prioritized realism combined with an evocative use of color and light, cementing his place as one of the era’s foremost illustrators and painters.

      Legacy & Historical Significance

      William Hatherell’s contribution to Victorian art extends beyond individual masterpieces; he helped shape the broader artistic landscape by establishing a benchmark for meticulous draughtsmanship and psychological insight. His influence can be discerned in subsequent generations of artists who sought to emulate his stylistic refinements—a testament to the enduring impact of his creative vision. Furthermore, Hatherell's work serves as invaluable documentation of Victorian life and culture, offering viewers a glimpse into the social customs, beliefs, and artistic sensibilities of a pivotal period in British history. His legacy continues to inspire admiration for artistic excellence and unwavering dedication to capturing the complexities of human experience.