Av alle Charles Bertiers malerier er Les Fréaux near La Grave (1894) det mest kjente; det henger i Musée de Grenoble, Grenoble. Like bak følger Romanche Valley at Pied-du-Col (1894) og The Vénéon Valley in Saint-Christophe-en-Oisans (1894). Blant de 4 verkene av Charles Bertier i vår katalog, er disse 4 de mest kjente, hver vist med dato, museum og historie.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Charles Bertier | Malerier fra denne listen |
|---|---|---|---|
| Grenoble | 4 | Les Fréaux near La Grave, Romanche Valley at Pied-du-Col, The Vénéon Valley in Saint-Christophe-en-Oisans |
En lang karriere med farger: 17 år, fra 1894 til 1910, og Charles Bertiers mest feirede lerreter for hvert år.
Les Fréaux near La Grave (1894), Musée de Grenoble, Grenoble. Romanche Valley at Pied-du-Col (1894) og The Vénéon Valley in Saint-Christophe-en-Oisans (1894) følger.
Charles Bertier, født i 1860, var 34 år gammel: Les Fréaux near La Grave er fra 1894.
4 verk av Charles Bertier finnes i vår katalog, datert fra 1894 til 1910.
Hovedsakelig i Musée de Grenoble (Grenoble); listen ovenfor navngir hvert museum og deres lerreter.
I 1894, som utgjorde 3 av de 4 verkene på denne siden, var Les Fréaux near La Grave blant dem.
Det eldste lerretet her er fra Les Fréaux near La Grave (1894); det nyeste er fra Between Two Rains, Lac Robert. Chamrousse (1910).
Musée de Grenoble, Grenoble har 4 av verkene på denne siden, inkludert Les Fréaux near La Grave, Romanche Valley at Pied-du-Col og The Vénéon Valley in Saint-Christophe-en-Oisans.
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Born in 1860 in the French city of Grenoble, Charles Alexandre Bertier was destined to follow a path shaped by both family tradition and a profound connection to the mountains. His family operated a glove making business, and for a time, he followed this practical route. He enrolled in a vocational school to master the family trade, learning the discipline of drawing alongside the craft of leather. However, the pull of the landscape proved stronger than the demands of commerce. After serving his military duty, where he first began to display his creative output, he sought formal training at the École des Beaux-Arts in Paris. It was there that his talent for capturing the essence of the natural world began to take a definitive shape.
His early education was deeply influenced by his teacher, Laurent Guetal, who introduced him to the majesty of mountain scenery. This mentorship helped shape a style that would become central to the École Dauphinoise. Alongside contemporaries like Ernest Victor Hareux and Jean Achard, Bertier sought to translate the rugged, imposing presence of the Alps onto canvas. His work was not merely a recording of geography, but an attempt to capture the atmosphere of the high peaks and the valleys that lie beneath them.
The career of Bertier was marked by both significant recognition and sudden, personal loss. He achieved considerable success within the French art establishment, earning thirty-one awards and becoming a member of the Société des Artistes Français. His reputation grew to the point that he was invited to provide decorations for Le Train Bleu, the celebrated restaurant near the Gare de Lyon in Paris. He even ventured briefly into portraiture, working for a benefactor in Russia who intended to place his works in the Hermitage.
His dedication to the mountains was a constant, even when faced with hardship. In 1913, a devastating fire destroyed his studio, consuming his paintings, drawings, and manuscripts. Rather than succumbing to this loss, he sought solace in the very landscapes he loved. He traveled through the French and Swiss Alps, including the heights of Mont Blanc, to find fresh inspiration and resume his exhibitions.
His artistic output included several notable depictions of the Alpine regions, such as:
Bertier was a man deeply embedded in the institutional life of French art. He was a founding member of the Société des Peintres de Montagne and frequently served as a judge on various art competition juries. His ability to render the specific light and texture of the mountains earned him a permanent place in the history of landscape painting. He remained in Grenoble, the city of his birth, until his death in 1924.