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Late Afternoon, Woolacombe

Navn Klasse Dato

Andrew Macara, Late Afternoon, Woolacombe (1989), Paintings. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Andrew Macara topimpressionists.com/no/artists/andrew-macara/
Kunstnerens levetid
1944 –
Malt
1989
Opprinnelig størrelse
39 x 49 cm
Arrangert på
Paintings topimpressionists.com/no/museums/paintings-london_no/

I sammenheng med

Late Afternoon, Woolacombe — Andrew Macara

Hvor stort er det?

Originalen måler 39 × 49 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 45. 0 av de 8 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1989 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/andrew-macara-late-afternoon-woolacombe-AR29U6-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #697d86

    Katalogisert palett

    • #697D86
    • #ADA28B
    • #3C3932
    • #6A5B4F

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Gray
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Andrew Macara i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%200 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 3 mest viste verkene av Andrew Macara

    1. 1 The Upturned Boats, Llandudno, 1991 50.0%100 visits
    2. 2 Sandcastles, Blackpool, 1991 50.0%100 visits
    3. — Late Afternoon, Woolacombe, 1989 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 8 verk av denne kunstneren, hvorav 2 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Andrew Macara

    Andrew Macara (b.1944): A Painter Rooted in Coastal Devon

    Andrew Macara, born in Ashbourne, Derbyshire, in 1944, embarked on a largely self-taught artistic journey that would ultimately establish him as one of Britain’s most distinctive contemporary landscape painters. Rejecting formal academic training initially, he honed his skills through observation and experimentation, developing a singular style characterized by vibrant colour palettes and an intuitive grasp of light and shadow—elements that would become central to his oeuvre. His formative years were spent absorbing the artistic spirit of St Ives School of Painting alongside Leonard Fuller, fostering connections with fellow artists who championed Impressionistic techniques.

    Early Influences: Macara’s initial exposure to art was profoundly shaped by the Cornish landscape and the pioneering work of artists like Alfred Munnings and Stanhope Forbes, whose depictions of coastal scenes instilled in him a deep appreciation for capturing atmospheric conditions and conveying emotion through colour.

    Royal Society of British Artists Membership (1981): Recognition of his artistic talent arrived with election to the Royal Society of British Artists (RBA) in 1981, marking a pivotal moment in his career and solidifying his position within the British art establishment.

    A Distinctive Style: Impressionism and Coastal Landscapes

    Macara’s artistic approach is fundamentally rooted in Impressionistic principles—a deliberate choice that prioritizes capturing fleeting moments of light and colour over meticulous detail. He eschews photographic realism, instead striving to convey the essence of his subjects through expressive brushstrokes and tonal variations. This stylistic commitment is particularly evident in his celebrated depictions of Devon’s coastline, where he meticulously renders the interplay between sunlight and sea spray, creating canvases brimming with vibrancy and dynamism. His paintings are frequently compared to those of William Gear and Annish Kapoor, artists who similarly championed a bold aesthetic that embraced abstraction while retaining an awareness of tonal harmony.

    Palette & Technique: Macara’s distinctive palette—often dominated by hues of turquoise, ochre, and crimson—reflects his fascination with capturing the dramatic beauty of coastal environments. He employs loose brushstrokes and layering techniques to build up textures and imbue his canvases with palpable energy.

    Notable Exhibitions & Commissions

    Macara’s artistic reputation gained considerable traction through participation in prestigious art exhibitions, including Royal Academy Summer Exhibitions and the New English Art Club mixed exhibitions. His work has been showcased at galleries across Britain, notably Red Rag Gallery and Olympia Contemporary Art Fair, attracting attention from discerning collectors worldwide. Furthermore, he undertook significant commissions for public and private clients—a testament to his ability to translate conceptual ideas into compelling visual narratives.

    Specific Achievements: Among Macara’s most notable accomplishments is his contribution to the “Olympic Art Programme” in 2009, where he created a series of paintings inspired by the spirit of athletic endeavour and human resilience.

    Travel & Artistic Inspiration

    Throughout his career, Macara has travelled extensively—capturing images from diverse locales including South India, Santorini (Greece), and the Costa Brava (Spain)—to fuel his artistic imagination. These journeys broadened his visual vocabulary and deepened his understanding of cultural landscapes, enriching his paintings with nuanced observations about human interaction with nature. His Derbyshire home continues to serve as a source of inspiration—particularly for winter scenes that evoke the quiet beauty of snow-covered hillsides.

    Legacy & Recognition

    Andrew Macara’s enduring influence on British landscape painting is undeniable. His unwavering dedication to Impressionistic technique and his masterful portrayal of coastal vistas have cemented his place among Britain's most respected artists. He remains a prolific painter, consistently producing works that resonate with viewers through their expressive colour palettes and evocative compositions—a testament to the transformative power of artistic vision and lifelong engagement with the natural world. His work is held in numerous collections internationally, ensuring that his distinctive style will continue to inspire future generations of painters.

    Museum

    Paintings

    Utstilt i London, United Kingdom

    A Tapestry of Light and Shadow: The Soul of London’s Paintings Museum

    In the beating heart of Westminster, where the historical echoes of London meet the vibrant pulse of contemporary life, lies the

    Paintings Museum

    —a sanctuary dedicated to the transformative power of the brushstroke. To enter this institution is to step away from the frantic pace of the modern metropolis and into a curated journey through time, where every canvas serves as a window into a different era. The museum does not merely display art; it orchestrates an emotional experience, inviting visitors to witness the evolution of human perception through the lens of master painters. From the soft, ethereal glows of Impressionist landscapes to the commanding presence of Victorian portraiture, the collection acts as a living chronicle of London’s enduring artistic legacy.

    The museum’s collection is a breathtaking panorama of movement and mastery. One cannot wander through its halls without being captivated by the way light dances across the works of

    Claude Monet

    , particularly his evocative depictions of London, where the twilight over Waterloo Bridge is rendered with such atmospheric depth that the dampness of the Thames seems almost palpable. This dialogue between light and atmosphere is echoed in the delicate, tonalist compositions of

    James Abbott McNeill Whistler

    , whose London Bridge emerges from a soft, nocturnal haze. These works are balanced by the structural grandeur of the Victorian era, seen in the panoramic vistas of

    Thomas Allom

    , which offer a breathtaking glimpse into a cityscape defined by architectural ambition and imperial pride.

    A Journey Through Artistic Eras and Urban Vitality

    Beyond the historical weight of its classical holdings, the museum breathes with the vitality of more recent centuries. The collection transitions seamlessly into the textured, vibrant worlds of artists like

    John Ritchie

    , whose

    "A Summer Day In Hyde Park"

    utilizes a Romantic sensibility to celebrate the rhythmic beauty of urban leisure. Even the architectural nuances of the city find their way into the museum through the works of

    Stephen Bone

    , whose Impressionistic interpretations of Westminster capture a sense of movement and light that feels both nostalgic and strikingly modern.

    For the collector or interior designer, these pieces offer more than mere decoration; they provide a narrative depth that can anchor a room with historical gravity or contemporary elegance. The museum serves as an essential resource for those seeking to understand how art reflects the changing face of London, offering works that range from:

    Impressionistic Landscapes:

    Capturing the fleeting atmospheric shifts of the Thames and London's bridges.

    Victorian Grandeur:

    Showcasing the architectural ambition and imperial pride of a bygone era.

    Modern Interpretations:

    Celebrating urban leisure and the rhythmic beauty of contemporary city life.

    The Architecture of Contemplation

    The architecture of the museum itself serves as a silent protagonist in this artistic drama. Designed to prioritize the sanctity of the artwork, the space is characterized by an understated grandeur and a meticulous approach to illumination. The layout encourages a contemplative flow, guiding the observer through a chronological narrative that moves from Renaissance-inspired idealism toward the bold experimentation of Modernism. This intentional design ensures that each painting is afforded its own moment of quietude, allowing for a profound connection between the viewer and the artist's original intent. It is this seamless blend of historical depth, technical brilliance, and immersive atmosphere that cements the

    Paintings Museum

    as an indispensable cornerstone of London’s cultural landscape.

    Les mer her

    • Kunstneren Andrew Macara topimpressionists.com/no/artists/andrew-macara/
    • Museet Paintings topimpressionists.com/no/museums/paintings-london_no/
    • Lignende verk Flere verk å sammenligne med topimpressionists.com/no/art/similar/andrew-macara-late-afternoon-woolacombe-AR29U6-en/

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Late Afternoon, Woolacombe

    topimpressionists.com/no/art/download/andrew-macara-late-afternoon-woolacombe-AR29U6-en/

    Kildehenvisning for dette kunstverket

    MLA
    Macara, Andrew. Late Afternoon, Woolacombe. 1989, Paintings. https://topimpressionists.com/no/art/andrew-macara-late-afternoon-woolacombe-AR29U6-en/
    APA
    Macara, Andrew (1989). Late Afternoon, Woolacombe [Painting]. Paintings. https://topimpressionists.com/no/art/andrew-macara-late-afternoon-woolacombe-AR29U6-en/
    Chicago
    Andrew Macara. Late Afternoon, Woolacombe. 1989. Paintings. https://topimpressionists.com/no/art/andrew-macara-late-afternoon-woolacombe-AR29U6-en/
    Harvard
    Macara, Andrew (1989) Late Afternoon, Woolacombe. Paintings. Available at: https://topimpressionists.com/no/art/andrew-macara-late-afternoon-woolacombe-AR29U6-en/

    Se nærmere på

    Late Afternoon, Woolacombe — Andrew Macara

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Sunbathers on the Rocks, Ilfracombe, Devon (1990), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Andrew Macara var omtrent 45 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Har "Late Afternoon, Woolacombe" sterke lys-mørke-kontraster?

    Lys-mørke-kontrasten i "Late Afternoon, Woolacombe" er registrert som Gentle. Kontrast beskriver hvor sterkt lyse og mørke områder skiller seg fra hverandre.

    Kan jeg bestille en olje-reproduksjon av "Late Afternoon, Woolacombe"?

    Du kan bestille en håndmalt reproduksjon av "Late Afternoon, Woolacombe" av Andrew Macara direkte på siden for Håndmalt oljereproduksjon: en håndmalt oljereproduksjon på linlerret, laget etter bestilling.

    Kan man se en lysbildefremvisning av "Late Afternoon, Woolacombe" av Andrew Macara?

    Du kan se diaporamabildet av "Late Afternoon, Woolacombe" på verkets Bildekarusell-side.