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Arcangelo Corelli

Navn Klasse Dato

Carlo Maratta, Arcangelo Corelli (1700), Royal College of Music Museum. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Carlo Maratta topimpressionists.com/no/artists/carlo-maratta_no/
Kunstnerens levetid
1625 – 1713
Malt
1700
Arrangert på
Royal College of Music Museum topimpressionists.com/no/museums/royal-college-of-music-museum-london/

I sammenheng med

Arcangelo Corelli — Carlo Maratta

Når ble dette malt?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690
  9. 1700
  10. 1710

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 88 ved død.

Malt da kunstneren var 75. Kunstneren ble 88 år gammel. 14 av de 17 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Carlo Maratta (1625–1713) ▲ dette verket, 1700 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1680 Hovedvirksomhetsår: 1680–1690 Senere verk: fra 1690

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/carlo-maratta-arcangelo-corelli-D69EFE-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #3d3023

    Lagret palett

    • #3D3023
    • #B4A17F
    • #7B674C
    • #221F19

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Espresso
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Carlo Maratta i løpet av de siste tolv månedene — 7 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 69.2%
    2. 2 Hong Kong 10.3%
    3. 3 Kazakhstan 10.3%
    4. 4 Italy 2.6%
    5. 5 Netherlands 2.6%
    6. 6 Singapore 2.6%
    7. 7 United States of America 2.6%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Carlo Maratta

    1. 1 Adoração dos Magos (em Garland) 12.8%
    2. 2 The Virgin Appearing to St Philip Neri, 1675 10.3%
    3. 3 Arcangelo Corelli, 1700 dette maleriet 10.3%
    4. 4 The infant Romulus and two studies of a man's left arm 7.7%
    5. 5 The Sleep of the Infant Jesus, with Musician Angels, 1697 5.1%
    6. 6 Two Studies for the Head of an Old Woman, 1685 5.1%
    7. 7 Self-Portrait 5.1%
    8. 8 Holy Family 2 5.1%
    9. 9 Adoration of the Shepherds, 1690 2.6%
    10. 10 Study for a Statue of the Apostle Peter, 1703 2.6%
    11. 11 Assumption and the Doctors of the Church, 1689 2.6%
    12. 12 Adoration of the Thorn Crown 2.6%
    13. 13 Retrato de Faustina Maratti., 1686 2.6%
    14. 14 Study for Jael Slaying Sisera 2.6%
    15. 15 Cardinal Antonio Barberini 2.6%
    16. 16 Madonna and Child 2.6%
    17. 17 Faith and Justice Enthroned 2.6%
    18. 18 Holy Family 2.6%
    19. 19 Painter Andrea Sacchi 2.6%
    20. 20 Hercules and Onfalia 2.6%

    Sammen utgjør disse verkene 92.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 64 verk av denne kunstneren, hvorav 23 ble sett på minst én gang. Dette maleriet rangerer som nummer 3 av dem, med 10.3% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Arcangelo Corelli — Carlo Maratta

    The first composer to build his reputation solely on the basis of instrumental works, to achieve fame through the music publishing industry, and to be canonised and studied long after the style of his time became outmoded, Arcangelo Corelli (1653–1713) was a violinist, influential teacher and concertmaster. He was also a friend of the artist Carlo Maratta (1625–1713), who painted a portrait of Corelli which it is thought was brought to England in the late seventeenth century by Corelli

    Kunstner og museum

    Kunstner

    Carlo Maratta

    Født i Kamerano, Italia

    Carlo Maratta: The Quintessential Classicizing Baroque

    Carlo Maratta, often known as Maratti, stands as a pivotal figure in 17th-century Italian painting, embodying the transition from the High Baroque to a more refined and classically inspired aesthetic. Born on May 15, 1625, in Camerano, within the Papal States—now part of Italy—his artistic journey began with an early move to Rome at the age of eleven. This relocation proved transformative, as he entered the studio of Andrea Sacchi, a painter renowned for his measured compositions and commitment to classical ideals. Sacchi’s influence would profoundly shape Maratta's developing style, instilling in him a dedication to clarity, balance, and a restrained emotionalism that distinguished him from more flamboyant Baroque contemporaries. This apprenticeship wasn’t merely technical training; it was an immersion into a philosophical approach to art, one prioritizing intellectual rigor and harmonious design over dramatic spectacle. He absorbed these principles, yet he wouldn't remain solely within their confines, demonstrating a remarkable ability to synthesize classical foundations with the prevailing currents of Baroque sensibility.

    Early Life and Education:

    The Studio of Andrea Sacchi: Shaping Maratta’s Style

    A Flourishing Career in Rome: Patronage and Prestige

    Synthesis of Styles: Classical Ideals Embraced with Baroque Sensibility

    Legacy and Influence: An Enduring Artistic Vision

    The Studio of Andrea Sacchi: Shaping Maratta’s Style

    Maratta's formative years were spent under the tutelage of Andrea Sacchi, a painter whose artistic philosophy mirrored Maratta’s own. Sacchi championed a style characterized by meticulous observation and careful execution—a deliberate contrast to the exuberant theatricality favored by many Baroque artists. This mentorship instilled in Maratta a profound respect for proportion, perspective, and idealized beauty, elements that would become hallmarks of his oeuvre. Sacchi's insistence on restraint and intellectual contemplation served as an anchor against the excesses of the era, guiding Maratta toward a style rooted in humanist ideals—a cornerstone of classical art. The influence extended beyond mere technique; Sacchi instilled in Maratta a belief that painting should elevate the intellect alongside the senses, reflecting a broader cultural preoccupation with reason and order.

    A Flourishing Career in Rome: Patronage and Prestige

    By the mid-1650s, Maratta’s talent swiftly gained recognition, attracting commissions from prominent Roman families and, crucially, the papacy itself. This sustained papal support wasn't merely a matter of financial stability; it positioned him at the very heart of Rome’s artistic and cultural life—a circumstance that fostered collaboration with leading intellectuals and architects. Over six decades, he received patronage from no fewer than six popes—a testament to his artistic prowess and astute political maneuvering. This consistent papal backing enabled Maratta to undertake ambitious projects, securing him a place among the most celebrated painters of his time. His works adorned churches and palaces throughout Rome, showcasing not only his artistic skill but also his ability to navigate the complex social landscape of the Baroque court.

    Synthesis of Styles: Classical Ideals Embraced with Baroque Sensibility

    Maratta’s distinctive style—often termed “classicizing Baroque”—represents a masterful reconciliation between two artistic traditions. While deeply indebted to Raphael and other classical masters, he skillfully incorporated elements of Baroque dynamism and theatricality. He achieved this balance through meticulous attention to detail, employing subtle gradations of light and shadow to create an illusionistic depth that captivated viewers—a technique honed during his apprenticeship with Sacchi. Unlike many Baroque painters who prioritized emotional expression above all else, Maratta sought harmony between intellect and feeling, producing images that were both aesthetically pleasing and intellectually stimulating. This approach is evident in works such as The Mystery of the Trinity Revealed to St. Augustine, where classical idealism blends seamlessly with Baroque grandeur.

    Legacy and Influence: An Enduring Artistic Vision

    Maratta’s contribution extended beyond creating individual masterpieces; he established a stylistic paradigm that resonated throughout the 18th century, influencing generations of artists. His emphasis on clarity, balance, and harmonious composition—principles championed by Giovanni Bellori—became foundational to Neoclassical art. He remains a significant figure for understanding the evolution of Italian painting and its enduring legacy on Western artistic tradition. Today, his paintings can be found in museums worldwide, ensuring that his artistic vision continues to inspire and captivate audiences for years to come. His influence is palpable in the works of artists who followed him, demonstrating the lasting impact of a painter who successfully bridged two eras—a true innovator within the context of Baroque art history.

    Museum

    Royal College of Music Museum

    Utstilt på London, United Kingdom

    A Symphony of History: The Soul of South Kensington

    Nestled within the prestigious cultural enclave of Albertopolis, the Royal College of Music Museum stands as a profound testament to the enduring power of sound and the meticulous preservation of musical heritage. To step across its threshold in South Kensington is to leave the modern bustle of London behind and enter a meticulously curated cabinet of wonders, where five centuries of sonic artistry converge. The museum is far more than a mere repository for historical artifacts; it is an immersive journey through the very evolution of Western music. Founded in 1883 as the successor to the National Training School of Music, the institution was born from a noble vision to elevate musical education in Britain, nurtured by royal patronage and a dedication to excellence that remains palpable in every corridor. For the art lover or the discerning collector, the museum offers a rare opportunity to witness the tangible links between the creative minds of the past and the instruments that gave voice to their genius.

    The architectural setting of the museum provides a majestic backdrop that complements its storied collection. Designed by Sir Arthur Blomfield in the striking Flemish Mannerist style during the early 1890s, the building is a masterpiece of Victorian grandeur. Its facade, constructed from rich red brick and accented with the warmth of Welden stone, commands attention within London’s cultural landscape. As one enters, the architectural details—such as the imposing statues of Samson Fox and the Prince of Alwaleed—evoke a sense of reverence and timelessness. This physical space does not merely house history; it actively participates in the museum experience, creating an atmosphere of scholarly elegance that resonates with the importance of the treasures held within its walls.

    Treasures of Craftsmanship and Creative Legacy

    The true heart of the Royal College of Music Museum lies in its extraordinary collection, a diverse assembly of over 15,000 musical treasures that illuminate the lives of legendary composers. Among the most breathtaking highlights are the Stradivarius violins, exquisite examples of lutherie whose craftsmanship is matched only by their hauntingly beautiful voices. To stand before such an instrument is to connect with a lineage of virtuosity, feeling the weight of history in its polished wood and delicate varnish. The collection also offers intimate encounters with the masters; visitors can find themselves face-to-face with the most recognized portraits of Joseph Haydn, alongside personal belongings that offer a poignant glimpse into the daily existence of the composer. These objects serve as much more than historical curiosities; they are the physical echoes of melodies that have shaped human emotion for generations.

    Beyond the classical canon, the museum possesses a remarkable ability to bridge the gap between tradition and the contemporary zeitgeist. This is evidenced by its bold approach to exhibition, such as showcasing the intersection of classical heritage and modern iconoclasm through exhibits featuring figures like Kurt Cobain. Such curation ensures that the museum remains a living, breathing entity, relevant to the modern era while honoring its roots. For interior designers and lovers of fine aesthetics, the museum’s ability to present the evolution of form—from the earliest known guitars to magnificent grand pianos—provides endless inspiration drawn from the marriage of functional design and artistic expression.

    The museum continues to thrive as a center for innovation through its involvement in performance science, exploring the physiological and psychological dimensions of musical execution. This commitment to research ensures that the institution remains at the forefront of musical understanding, making it a vital destination for scholars and enthusiasts alike. Whether wandering through self-guided tours or attending a Friday lunch chamber performance, every visitor is invited to participate in a continuous symphony of history, where the echoes of the past harmonize beautifully with the innovations of the future.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Arcangelo Corelli

    topimpressionists.com/no/art/download/carlo-maratta-arcangelo-corelli-D69EFE-en/

    Kildehenvisning for dette kunstverket

    MLA
    Maratta, Carlo. Arcangelo Corelli. 1700, Royal College of Music Museum. https://topimpressionists.com/no/art/carlo-maratta-arcangelo-corelli-D69EFE-en/
    APA
    Maratta, Carlo (1700). Arcangelo Corelli [Painting]. Royal College of Music Museum. https://topimpressionists.com/no/art/carlo-maratta-arcangelo-corelli-D69EFE-en/
    Chicago
    Carlo Maratta. Arcangelo Corelli. 1700. Royal College of Music Museum. https://topimpressionists.com/no/art/carlo-maratta-arcangelo-corelli-D69EFE-en/
    Harvard
    Maratta, Carlo (1700) Arcangelo Corelli. Royal College of Music Museum. Available at: https://topimpressionists.com/no/art/carlo-maratta-arcangelo-corelli-D69EFE-en/

    Se nærmere etter

    Arcangelo Corelli — Carlo Maratta

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på André Le Nôtre (1681), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Carlo Maratta var omtrent 75 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er "Arcangelo Corelli" overordnet sett mest lys eller mørk?

    De registrerte verdiene for "Arcangelo Corelli" av Carlo Maratta er: deep_shadow lysstyrke, Dark luminans.

    Hvor intense er fargene i "Arcangelo Corelli" av Carlo Maratta?

    Fargene i "Arcangelo Corelli" av Carlo Maratta har en Monochromatic intensitet.

    Når ble "Arcangelo Corelli" laget?

    "Arcangelo Corelli" av Carlo Maratta ble skapt i 1700.

    Hvor gammel var Carlo Maratta da "Arcangelo Corelli" ble skapt?

    Carlo Maratta laget "Arcangelo Corelli" i en alder av 75. Kunstneren ble født i 1625, og verket er datert 1700.

    Hvor mange ser på "Arcangelo Corelli"?

    Siden Statistikk for "Arcangelo Corelli" av Carlo Maratta presenterer offentlig besøksstatistikk: månedlige besøk for dette kunstverket, en sammenligning med kunstnerens mest viste verk, og hvor de besøkende kommer fra.

    Er "Arcangelo Corelli" av Carlo Maratta i det frie domene?

    "Arcangelo Corelli" av Carlo Maratta er i det frie domene – opphavsretten har utløpt. Denne statusen avgjør hvordan bildet av verket kan reproduseres.

    Hvilken orientering har "Arcangelo Corelli" av Carlo Maratta?

    "Arcangelo Corelli" av Carlo Maratta er en Portrait komposisjon. Det er verdt å sjekke proporsjonene før du velger trykkstørrelse.

    Er "Arcangelo Corelli" tilgjengelig som et kunsttrykk?

    Et trykk av "Arcangelo Corelli" av Carlo Maratta kan bestilles direkte på denne siden: et kunsttrykk på bomullslerret eller arkivbestandig lerretspapir.