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Moonlight Barque

Navn Klasse Dato

Charles Pears, Moonlight Barque, Usher Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Charles Pears topimpressionists.com/no/artists/charles-pears_no/
Kunstnerens levetid
1873 – 1958
Opprinnelig størrelse
102 x 127 cm
Bevegelse
Marine Painting
Arrangert på
Usher Gallery topimpressionists.com/no/museums/usher-gallery-lincoln/

I sammenheng med

Moonlight Barque — Charles Pears

Dimensjoner

Originalen måler 102 × 127 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 85 ved død.

Skyggelagt: livsløpet til Charles Pears (1873–1958) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1918 Hovedvirksomhetsår: 1918–1942 Senere verk: fra 1942

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/charles-pears-moonlight-barque-AQS9E7-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #3a574b

    Lagret palett

    • #3A574B
    • #0B0B03
    • #A2AF73
    • #254031

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Espresso
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Charles Pears i løpet av de siste tolv månedene — 3 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 73.3%
    2. 2 Storbritannia 20.0%
    3. 3 Canada 6.7%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 17 mest viste verkene av Charles Pears

    1. 1 A Ship of the Queen Elizabeth Class 11.8%
    2. 2 The Wandsworth Gas Company Collier 'Chessington' Moving Upstream on the Thames, near the Houses of Parliament, c.1948, 1948 5.9%
    3. 3 Great Western Railway Steamer 'St Helier' Evacuating Troops, Dunkirk, 1 June 1940, 1940 5.9%
    4. 4 Isle of Man Peel Castle (British Railways poster artwork), 1949 5.9%
    5. 5 A Boarding Party of Royal Naval Reserve Men Going Aboard a Prize under Searchlight, 1918 5.9%
    6. 6 Steam Pinnaces at Hawkes Pier, 1918 5.9%
    7. 7 Surrender of U 111 to the Trawler 'Lady Shirley' 5.9%
    8. 8 The Jervis Bay Action, 5 November 1940, 1940 5.9%
    9. 9 Big and Little HMS 'Glorious' and a Motor Launch at the Island of Inchkeith under Snow, 1918 5.9%
    10. 10 The Gate Ship at Granton Painted Scarlet to Indicate the Port Entrance through One of the Barriers across the Firth of Forth, 1918 5.9%
    11. 11 Battleship i Suez Kanal, HMS 'Howe', 1946 5.9%
    12. 12 A Dazzled Merchantman, 1918 5.9%
    13. 13 HMS 'Fearless', 1918 5.9%
    14. 14 'There is no uninhabitable unnavigable' (triptych, left wing) 5.9%
    15. 15 The Needles, Isle of Wight 5.9%
    16. 16 North Queensferry Signal Station, Winter The First Battle Cruiser Squadron Seen from the Forth Bridge, 1918 5.9%
    17. — Moonlight Barque dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 82 verk av denne kunstneren, hvorav 16 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Charles Pears

    Født i Pontefract, Storbritannia

    Charles Pears (1873–1958): A Mariner’s Eye for Light and Landscape

    Early Life & Training

    Illustrative Beginnings & Literary Partnerships

    The Rise of Marine Painting: Technique and Vision

    War Artist During Two World Wars

    Legacy & Recognition

    Early Life & Training

    Charles Pears was born in Pontefract, Yorkshire, England, on September 9th, 1873. Details about his formative years remain somewhat obscure, but it’s evident that a profound connection with the visual world took root early in his life—a fascination nurtured by exposure to the luminous canvases of Canaletto during his studies at East Hardwick and Pomfret College. These institutions instilled in him a meticulous attention to detail and an understanding of how light interacts with architectural forms, foundational elements that would permeate his artistic style throughout his career.This early influence shaped his perspective on capturing atmosphere and conveying emotion through color.

    Illustrative Beginnings & Literary Partnerships

    Pears commenced his artistic journey as an illustrator in 1890, securing commissions for prominent periodicals such as The Yellow Book, Punch, and The Graphic. These engagements demanded versatility—the ability to distill complex narratives into compelling visual representations alongside evocative prose. Notably, he collaborated closely with John Masefield on Salt-Water Poems and Ballads, translating poetic imagery into striking illustrations that mirrored the rhythm and mood of the verse.This partnership exemplifies his commitment to marrying artistic expression with literary storytelling.

    The Rise of Marine Painting: Technique and Vision

    From 1904 onwards, Pears dedicated himself primarily to marine painting—a genre he embraced with unwavering devotion. He eschewed grand pronouncements about artistic innovation, preferring instead to hone his craft through disciplined observation and masterful execution.His canvases are characterized by a serene luminosity achieved through careful layering of glazes and meticulous attention to tonal gradations. He became the first President of the Royal Society of Marine Artists, recognizing the importance of preserving traditional techniques while fostering artistic excellence. His paintings—particularly those depicting stormy seascapes—are imbued with an emotional resonance that transcends mere depiction.He sought not just to represent the sea’s appearance but its very essence: its dynamism, its grandeur, and its capacity for both beauty and terror.

    War Artist During Two World Wars

    The tumultuous years of the 20th century profoundly impacted Pears' artistic output. As a commissioned officer in the Royal Marines during World War I, he was appointed as an Official War Artist—a role that afforded him unparalleled access to naval operations.His wartime paintings offer poignant glimpses into the realities of combat and convey the courage and resilience of those serving on active duty. He repeated this honor during World War II, documenting scenes of naval heroism and perseverance. His depiction of HMS Dunraven VC in Action against the Submarine That Sank Her stands as a testament to his ability to capture dramatic moments with unflinching realism.These works serve as invaluable historical records—visual chronicles of pivotal events that shaped the course of twentieth-century history.

    Legacy & Recognition

    Charles Pears’ influence on subsequent generations of marine artists is subtle yet enduring. His unwavering dedication to traditional methods, combined with his profound understanding of light and color, resonated deeply with painters who followed in his footsteps.His paintings reside in prestigious collections worldwide—a testament to their artistic merit and historical significance. He left behind a substantial body of work that continues to captivate audiences today. The Royal Society of Marine Artists commemorates his legacy annually through the Charles Pears Memorial Award, recognizing outstanding contributions to marine art.Ultimately, Charles Pears remains an artist whose vision—informed by both meticulous observation and unwavering artistic integrity—continues to inspire admiration.

    Museum

    Usher Gallery

    Utstilt på Lincoln, United States of America

    A Sanctuary of Splendor in Temple Gardens

    Nestled within the verdant, tranquil embrace of Temple Gardens, the Usher Gallery serves as much more than a mere repository for antiquity; it is a living testament to the enduring spirit of Lincolnshire. Established in 1927 through the profound generosity of James Ward Usher—a master jeweler whose eye for exquisite silverwork defined his life—the gallery stands as a luminous architectural gem. Designed by the celebrated architect Sir Reginald Blomfield, its stone-faced façade, characterized by classical Tuscan pilasters and a dignified balustrade, offers a serene sanctuary that invites deep contemplation. To wander through its halls is to step into a curated history where the elegance of Victorian grandeur meets the quiet innovation of the modern era, creating an atmosphere that captivates the soul of every visitor, collector, and interior designer alike.

    The Art of Detail: From Porcelain to Silver

    For the discerning lover of fine craftsmanship, the gallery’s holdings offer a breathtaking chronicle of English decorative arts. The collection breathes with the delicate whispers of Tudor porcelain and the storied legacy of Spode, leading the eye through an evolution of taste that spans from the Renaissance to the Baroque periods. One finds oneself mesmerized by the intricate patterns of Delftware and the opulent flourishes of Sevres, where oriental motifs meet British sensibilities in a dance of light and color. This tactile journey continues through an impressive array of silverware, where the meticulous artistry of silversmiths like John Wakelin shines with a glittering reflection of aristocratic taste. Each piece, from delicate floral engravings on tea sets to ceremonial objects bearing noble heraldic emblems, reflects a period of profound ornamentation, offering timeless inspiration for those who seek to infuse their own spaces with historical grace and artisanal excellence.

    Masterpieces of Light and Human Emotion

    Beyond the tactile beauty of ceramics and silver, the Usher Gallery houses a profound collection of paintings that capture the very essence of human emotion and the natural world. The halls are graced by the sweeping, romantic landscapes of John Constable, which evoke the rugged beauty of the countryside, alongside evocative portraits that freeze the spirit of society in time. There is a palpable drama found in works such as

    William Hilton II’s

    The Crucifixion

    , where the masterful use of

    chiaroscuro

    and a striking contrast between light and shadow create an intense, emotional depth that draws the viewer into a shared moment of communal concern. Whether exploring the poignant domesticity of Alford Usher Soord’s paintings or encountering the modern legacies of J.M.W. Turner and L.S. Lowry, the gallery provides a continuous dialogue between the past and the present, making it an essential destination for anyone moved by the transformative power of art.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Moonlight Barque

    topimpressionists.com/no/art/download/charles-pears-moonlight-barque-AQS9E7-en/

    Kildehenvisning for dette kunstverket

    MLA
    Pears, Charles. Moonlight Barque. n.d., Usher Gallery. https://topimpressionists.com/no/art/charles-pears-moonlight-barque-AQS9E7-en/
    APA
    Pears, Charles (n.d.). Moonlight Barque [Painting]. Usher Gallery. https://topimpressionists.com/no/art/charles-pears-moonlight-barque-AQS9E7-en/
    Chicago
    Charles Pears. Moonlight Barque. n.d. Usher Gallery. https://topimpressionists.com/no/art/charles-pears-moonlight-barque-AQS9E7-en/
    Harvard
    Pears, Charles (n.d.) Moonlight Barque. Usher Gallery. Available at: https://topimpressionists.com/no/art/charles-pears-moonlight-barque-AQS9E7-en/

    Se nærmere etter

    Moonlight Barque — Charles Pears

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: night seascape, sailboat art, moonlight scene. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på The Wandsworth Gas Company Collier 'Chessington' Moving Upstream on the Thames, near the Houses of Parliament, c.1948 (1948), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Gjentakende temaer i verkene til Charles Pears: maritime tradition, british seascape art, romantic adventure. Hvilke av disse ser du her?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Bruker "Moonlight Barque" av Charles Pears sterke kontraster eller myke harmonier?

    I "Moonlight Barque" blir en Gentle kontrast parret med en Softly Mixed Palette harmoni.

    Er "Moonlight Barque" fri for opphavsrett?

    Når det gjelder opphavsrett, er "Moonlight Barque" fortsatt beskyttet av opphavsrett.

    Kan jeg se en forhåndsvisning av "Moonlight Barque" av Charles Pears før jeg bestiller?

    For å forhåndsvise en reproduksjon av "Moonlight Barque" av Charles Pears, åpne kunstverkets Forhåndsvisning-side.