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Erat Sermo inter Fratres

Cornelis Troost, 1740

Navn Klasse Dato
Cornelis Troost, Erat Sermo inter Fratres (1740), Mauritshuis. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Cornelis Troost topimpressionists.com/no/artists/cornelis-troost_no/
Kunstnerens levetid
1696 – 1750
Malt
1740
Medium
Oil On Canvas
Bevegelse
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Arrangert på
Mauritshuis topimpressionists.com/no/museums/mauritshuis-hoyland_no/
Artistic style
Baroque/Rococo
Influences
Hogarth, Watteau
Notable elements
Drunken revelry
Subject or theme
Social satire

Opphavsrett Dette verket er i det frie domene. Cornelis Troost døde i 1750; opphavsretten varer 70 år etter kunstnerens død, så den utløp i 1820.

Kilde: TopImpressionists.com — hentet Sept. 26, 2026

Erat Sermo inter Fratres — Cornelis Troost Del 1 · Om kunstverket

I sammenheng med

Erat Sermo inter Fratres — Cornelis Troost

Når ble dette malt?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 54 ved død.

Malt da kunstneren var 44. Kunstneren ble 54 år gammel. 25 av de 41 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Cornelis Troost (1696–1750) ▲ dette verket, 1740 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1731 Hovedvirksomhetsår: 1731–1740 Senere verk: fra 1740

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/cornelis-troost-erat-sermo-inter-fratres-D3TLTP-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #494138

    Lagret palett

    • #494138
    • #5F5648
    • #31302A
    • #8C7A63

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Monochrome Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Espresso
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Cornelis Troost i løpet av de siste tolv månedene — 5 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 67.5%
    2. 2 United States of America 17.5%
    3. 3 Malaysia 10.0%
    4. 4 Hong Kong 2.5%
    5. 5 Iran 2.5%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Cornelis Troost

    1. 1 Harlequin, Magician and Barber: The Rivals Exposed, 1738 7.1%
    2. 2 The feigned sadness first company, eleventh stage of the comedy The discovered apparent virtue 7.1%
    3. 3 Gerrit Sichterman (1688-1730). Quartermaster-General of the Cavalry, Colonel of the Oranje-Groningen Infantry Regiment, Commandant of Grave, Cornelis Troost, 1725, 1725 4.8%
    4. 4 The Mathematicians or the Young Lady Who Fled: The Dispute between Doctors Raasbollius and Urinaal, 1741 4.8%
    5. 5 Singing Round the Star on Twelfth Night 4.8%
    6. 6 Jeronimus Tonneman and his Son, 1736 4.8%
    7. 7 Portrait of the Inspectors of the Collegium Medicum, Cornelis Troost, 1724, 1724 4.8%
    8. 8 Gerrit Sichterman (1688-1730). Quartermaster-General of the Cavalry, Colonel of the Oranje-Groningen Infantry Regiment, Commandant of Grave, Cornelis Troost, c. 1725, 1725 2.4%
    9. 9 Lady with Cupid and a Songbook, 1745 2.4%
    10. 10 The Organ Grinder, 1743 2.4%
    11. 11 Rumor erat in casa, 1740 2.4%
    12. 12 Three Governors of the Surgeons Guild, Amsterdam, 1731 2.4%
    13. 13 Nemo Loquebatur, 1740 2.4%
    14. 14 Erat Sermo inter Fratres, 1740 dette maleriet 2.4%
    15. 15 False Virtue Discovered: The Discovery of Volkert in the Laundry Basket, 1739 2.4%
    16. 16 Rumor erat in Casa (There was a Commotion in the House), 1740 2.4%
    17. 17 The Discovery of Jan Claasz, 1738 2.4%
    18. 18 Pefroen and the Sheep, 1739 2.4%
    19. 19 Reinier Adriaansz, 1737 2.4%
    20. 20 Portrait of a Music Lover, 1736 2.4%

    Sammen utgjør disse verkene 69.4% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 50 verk av denne kunstneren, hvorav 33 ble sett på minst én gang. Dette maleriet rangerer som nummer 14 av dem, med 2.4% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kilde: TopImpressionists.com — hentet Sept. 26, 2026

    Erat Sermo inter Fratres — Cornelis Troost Del 2 · I kontekst

    Om dette kunstverket

    Erat Sermo inter Fratres — Cornelis Troost

    A Night of Revelry: Cornelis Troost’s “Erat Sermo Inter Fratres”

    Cornelis Troost's "Erat Sermo Inter Fratres" (The Brothers Conversed), painted in 1740, is more than just a depiction of a late-night gathering; it’s a vibrant snapshot of 18th-century Amsterdam society, brimming with wit, social commentary, and the intoxicating allure of indulgence. This pastel masterpiece, now housed within the Mauritshuis museum in The Hague, offers a glimpse into a world where aristocratic leisure was meticulously crafted and subtly satirized. Troost, a former actor turned painter, masterfully captures the transition from respectable conversation to boisterous revelry, utilizing his signature blend of meticulous detail and playful composition.

    The scene unfolds within a dimly lit interior, likely a grand salon or drawing-room, dominated by an imposing table laden with wine glasses and half-empty plates. Three figures are seated in apparent comfort, while several gentlemen stand around the table, engaged in animated conversation – or perhaps increasingly spirited debate. The architecture is richly ornamented, reflecting the Baroque influence prevalent at the time: heavy draperies cascade from the walls, elaborate molding adorns the ceiling, and classical sculptures peek out from mantelpieces, creating a sense of opulent grandeur. Troost’s use of color is particularly noteworthy; deep browns, blacks, and muted reds dominate the palette, lending an air of sophistication while simultaneously hinting at the impending chaos.

    Technique and Materials: Gouache and Pastel in the Rococo Style

    What immediately sets “Erat Sermo Inter Fratres” apart is Troost’s innovative technique. He deliberately eschewed oil paint in favor of gouache – an opaque watercolor medium mixed with gum arabic – and pastel, a soft chalk-based pigment. This choice was remarkably progressive for the era, allowing for greater luminosity and delicate gradations of color than traditional oil painting could achieve. The layering of these materials creates a remarkable sense of texture; the velvet upholstery appears plush and inviting, while the polished wood gleams with reflected light. The artist’s brushwork is incredibly precise, particularly in rendering the folds of fabric and the intricate details of the room's architecture – a testament to his meticulous observation and technical skill.

    The pastel medium itself lends a unique quality to the work. The soft, chalky pigments create a hazy effect, softening edges and contributing to the overall atmosphere of relaxed conviviality. This technique was particularly popular in the 18th century, offering artists a versatile tool for capturing fleeting moments and conveying subtle nuances of emotion.

    Symbolism and Social Commentary

    Beyond its aesthetic beauty, “Erat Sermo Inter Fratres” is rich in symbolic meaning. The title itself – "The Brothers Conversed" – alludes to the Latin inscription accompanying the painting, a playful commentary on the evening’s events: “Nemo loquebantur (No one spoke), Erat sermo inter fratres (The brothers conversed), Loquebantur omnes (Everyone spoke), Rumor erat in casa (There was commotion in the house), Ibant qui poterant, qui non potuere cadebant (Those who could, went. Those who could not, fell over).” This inscription subtly mocks the escalating drunkenness and disorder of the scene, highlighting a common social critique of the time – the dangers of unchecked indulgence among the upper classes.

    The figures themselves are carefully chosen to represent different facets of Amsterdam society: one is clearly the host, presiding over the gathering; another appears to be a more boisterous participant, while the third remains somewhat detached, observing the unfolding events. The composition as a whole suggests a controlled chaos, a delicate balance between order and disorder – mirroring the complexities of 18th-century Amsterdam itself.

    A Window into the Dutch Golden Age

    Cornelis Troost’s “Erat Sermo Inter Fratres” is more than just a painting; it's a captivating window into the Dutch Golden Age. It offers a rare glimpse into the lives of Amsterdam’s elite, revealing their tastes, their social customs, and their subtle anxieties. Troost’s masterful use of color, technique, and symbolism elevates this scene beyond mere depiction, transforming it into a poignant commentary on human nature and the fleeting pleasures of life. Reproductions of this work capture much of its original charm and invite viewers to contemplate the enduring appeal of this witty and evocative masterpiece.

    Kilde: TopImpressionists.com — hentet Sept. 26, 2026

    Erat Sermo inter Fratres — Cornelis Troost Del 3 · Om dette kunstverket

    Kunstner og museum

    Kunstner

    Cornelis Troost

    Født i Amsterdam, Nederland

    Et vindu inn i Amsterdams gullalder

    Cornelis Troost, et navn uatskillelig knyttet til det livlige vevet av 1700-talets Amsterdam, var mer enn bare en kunstner; han var en skarp observatør og en mesterlig nedtegner av sin egen tid. Født i hjertet av Den nederlandske republikk den 8. oktober 1696 i Amsterdam, avslører Troosts reise fra ambisiøs skuespiller til anerkjent maler et fascinerende samspill mellom kunstneriske lidenskaper og personlig forvandling. Opprinnelig trent som utøver på scenen, fant han sitt sanne kall ikke blant applaus og drama, men i de møysommelige detaljene og de subtile nyansene i maleriet. Hans livsløp er preget av et bevisst skifte – en villet forkastelse av rampelyset til fordel for den stille kontemplasjonen over penselstrøkene, noe som til slutt førte ham til å bli en av de mest betydningsfulle skikkelsene innen nederlandsk rokokko-sjangermaleri.

    Troosts kunstneriske utdannelse begynte under veiledning av Arnold Boonen, en respektert portrettmaler som gjenkjente sin elevs medfødte talent. Dette læretiden ga et avgjørende fundament, men det var Troosts tidlige tegninger som virkelig viste frem hans særegne stil – spesielt en arbeid fra 1t08 som skildrer prins Eugen av Savoyen og den beryktede bokhandleren og spionen Louis Renard, i hemmelige aktiviteter i et luksuriøst bordell i Amsterdam. Dette verket, som vrimler av kløkt og intriger, antydet temaene han senere skulle utforske med slik fengslende ferdighet: det sosiale livets kompleksitet, nytelsens forførelse, og de skjulte strømningene under overflaten av respektabilitet.

    Rokokkoens eleganse og den sosiale fortellingen

    Etter hvert som karrieren modnet, ble Troost en mester i å fange den delikate balansen mellom frivolitet og sofistikasjon. Hans arbeid var utvilsomt påvirket av de rådende kunstneriske trendene i hans tid, inkludert de dramatiske komposisjonene til William Hogarth, kjent for sine satiriske skildringer av det britiske samfunnet, og den elegante grasiøsiteten til franske mestre som Watteau, Boucher og Lancret. Denne syntesen av nederlandsk realisme og fransk rokokko-eleganse gjorde det mulig for ham å skape verk som var både dypt forankret i lokal virkelighet og utsøkt raffinerte.

    Hans repertoar var bemerkelsesverdig mangfoldig, og strakte seg fra intime portretter til monumentale gruppekomposisjoner. Noen av hans mest varige bidrag til kunstverdenen inkluderer:

    Portrett av inspektørene ved Collegium Medicum (1724): Et fantastisk rokokko-oljemaleri som viser høydepunktet av nederlandsk kunstferdighet og institusjonell eleganse i det 18. århundre.

    Portrett av Maria Magdalena Stavenisse (ca. 1726): Et barokkmesterverk som benytter raffinerte detaljer for å vise frem aristokratisk rikdom og status.

    Regenter ved Aalmoezeniersweeshuis barnehjem (1729): Et monumentalt gruppeportrett som fungerer som et vindu inn i Amsterdams sosiale strukturer, ved bruk av dramatisk lyssetting og en overdådig setting for å formidle en følelse av borgerlig betydning.

    Arven etter en mesterlig observatør

    Betydningen av Cornelis Troost ligger i hans evne til å fungere som en visuell historiker for en brytningstid. Selv om epoken med de store mestrene fra den nederlandske gullalderen var forbi, pustet Troost nytt liv i den nederlandske tradisjonen ved å tilføre den lettheten og den dekorative sjarmen fra rokokko-bevegelsen. Hans malerier skildrer ikke bare ansikter; de fanger selve ånden i en tidsalder – raslingen av silke, flimringen fra stearinlys og de subtile sosiale hierarkiene i Amsterdams overklasse.

    Gjennom sine vittige portretter og fengslende sjangermalerier etterlot Troost seg en arv som fortsetter å trollbinde betraktere. Han forblir en sentral skikkelse som bygget bro mellom de tunge, dramatiske tradisjonene fra det 17. århundre og den luftige, grasiøse estetikken i det 18. århundre, og sikret at de sosiale nyansene i hans kjære Amsterdam ville bli bevart i pigment for generasjoner som kommer.

    Museum

    Mauritshuis

    Utstilt på Høyland, Nederland

    A Golden Echo: Exploring the Mauritshuis in The Hague

    Nestled within the historic heart of The Hague, a city steeped in diplomacy and artistic heritage, lies the Mauritshuis – a museum that transcends the simple notion of a repository for paintings. It’s an immersive experience, a carefully curated journey into the very soul of the Dutch Golden Age. More than just housing masterpieces, the Mauritshhuis whispers tales of power, refinement, and the burgeoning artistic spirit that defined 17th-century Holland – a period where light, color, and human emotion were meticulously rendered on canvas, capturing not just likeness but an essence of life itself. The building’s story is as captivating as the art it holds; originally conceived as a lavish city residence for Count Johan Maurits van Nassau-Siegen in the mid-1630s, its symmetrical facade and elegant interiors immediately establish a sense of stately calm, reflecting the wealth and status of its original owner while providing a serene, almost meditative space for contemplation. Designed by the renowned architects Jacob van Campen and Pieter Post, it’s a prime example of Dutch Classicism – a deliberate choice mirroring the era's prosperity and offering an intimate setting for artistic appreciation.

    The Mauritshuis’s collection is remarkably focused, a concentrated jewel box containing some of the most celebrated works in Western art history. Unlike sprawling museums that can overwhelm, this palace-turned-museum fosters a uniquely intimate encounter with its treasures. The museum's strength lies not in sheer volume but in the exceptional quality and thematic coherence of its holdings. While encompassing works by a diverse range of artists – including the dramatic intensity of Rembrandt van Rijn and the serene beauty of Jan Steen – it’s perhaps most renowned as a sanctuary for Johannes Vermeer and Hans Holbein the Younger. Vermeer's Girl with a Pearl Earring, undoubtedly the museum’s most iconic work, is an enigma that continues to captivate viewers centuries later. The painting’s power lies not just in its exquisite detail – the luminous pearl, the delicate folds of fabric, the subtle play of light and shadow – but also in the subject's elusive gaze, a silent invitation to connect with her story. It’s a moment frozen in time, imbued with an ethereal quality that feels both intimate and profoundly moving. The painting has become a global symbol of beauty and mystery, reproduced endlessly yet never losing its original allure. Rembrandt’s presence is equally profound. His The Anatomy Lesson of Dr. Nicolaes Tulp, a dynamic group portrait depicting a public dissection, showcases his unparalleled ability to capture not just physical likeness but also the intellectual curiosity and human interaction within a scene. The painting vibrates with energy, revealing Rembrandt's masterful use of light to illuminate key figures and create a sense of drama. Jan Steen’s lively genre scenes offer a contrasting yet equally compelling perspective, providing vibrant snapshots of everyday life in 17th-century Holland – scenes brimming with humor, domesticity, and subtle social commentary. These works invite us into the lives of ordinary people, revealing their joys, struggles, and quirks.

    Architecture: A Reflection of Power and Peace

    Beyond its artistic treasures, the Mauritshuis stands as a remarkable architectural achievement. The building’s design is deeply intertwined with the ambitions and personality of Count Johan Maurits van Nassau-Siegen, who envisioned it not merely as a residence but as a symbol of his power and status. Constructed in the mid-1630s, the palace embodies the ideals of Dutch Classicism – a style characterized by its symmetry, proportion, and restrained ornamentation. The facade is a masterpiece of classical design, featuring imposing columns, elegant windows, and a central pediment that echoes the grandeur of Roman architecture. Inside, the rooms are equally impressive, showcasing soaring ceilings, richly colored walls adorned with intricate stucco work, and meticulously crafted furniture. The building’s layout reflects a deliberate attempt to create a harmonious balance between public and private spaces – grand halls for entertaining guests alongside more intimate chambers for family life. The use of light is particularly noteworthy, with large windows strategically placed to flood the rooms with natural illumination, enhancing the beauty of the artwork on display. The Mauritshuis isn’t just a building; it's a carefully orchestrated stage set designed to impress and inspire awe.

    Renovations and Expansion

    The Mauritshuis hasn’t remained static throughout its history; it has evolved alongside the needs of both its collection and its visitors. Significant renovations and expansions have been thoughtfully undertaken to accommodate a growing number of masterpieces and ensure an optimal viewing experience. The most recent expansion, completed in 2014, connected the museum with the Sociëteit de Witte building, creating additional space for exhibitions and educational programs – a testament to the museum’s commitment to fostering engagement and learning. This connection also allows for a more fluid visitor journey, seamlessly blending the historical palace with the modern exhibition spaces. The renovation project, overseen by architect Hans van Heeswijk, was designed to preserve the building's original character while incorporating contemporary elements, creating a harmonious blend of past and present. The entire process underscored the museum’s dedication to balancing its role as a world-class art institution with its commitment to preserving its historical integrity. The careful restoration work has revealed hidden details and restored faded colors, bringing the palace back to its former glory.

    Notable Exhibitions & Ongoing Research

    Beyond Girl with a Pearl Earring and Rembrandt’s masterpieces, the Mauritshuis regularly hosts compelling temporary exhibitions that delve into specific themes within the collection. These exhibits often shed new light on lesser-known works or explore broader artistic movements of the period. Currently, the museum is showcasing “Vermeer: The Artist and His World,” offering a detailed examination of Vermeer’s life, techniques, and influences. The museum's research department is actively engaged in ongoing investigations into provenance and conservation techniques, utilizing cutting-edge technology to unravel the stories behind each artwork and ensure its long-term preservation. Furthermore, the Mauritshuis maintains strong relationships with international institutions, facilitating collaborative research projects and sharing expertise. Don’t miss opportunities to discover lesser-known works alongside the iconic pieces – each contributing to a richer understanding of this remarkable artistic legacy. The museum also hosts lectures, workshops, and family activities, making it a vibrant cultural hub for visitors of all ages.

    Useful Links:

    Mauritshuis Official Website

    Google Arts & Culture - Mauritshuis

    Additional Research:

    Saul and david mauritshuis, the hague

    https://www.mauritshuis.nl/en/art/rembrandt-van-rijn-saul-and-david-mauritshuis-the-hague-9H5S88-en/

    Portrait of a man, mauritshuis, the hague

    https://www.mauritshuis.nl/en/art/memling-hans-portrait-of-a-man-mauritshuis-the-hague-9H5RGP-en/

    Vanitas still life, mauritshuis, the hague

    https://www.mauritshuis.nl/en/art/pieter-claesz-vanitas-still-life-mauritshuis-the-hague-9H5PSA-en/

    vermeer van haarlem, jan

    https://www.mauritshuis.nl/en/artists/vermeer-van-haarlem-jan-en/

    pauwels van hillegaert (workshop of)

    https://www.mauritshuis.nl/en/artists/pauwels-van-hillegaert-workshop-of-en/

    pieter jansz. quast

    https://www.mauritshuis.nl/

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Erat Sermo inter Fratres

    topimpressionists.com/no/art/download/cornelis-troost-erat-sermo-inter-fratres-D3TLTP-en/

    Kildehenvisning for dette kunstverket

    MLA
    Troost, Cornelis. Erat Sermo inter Fratres. 1740, Mauritshuis. https://topimpressionists.com/no/art/cornelis-troost-erat-sermo-inter-fratres-D3TLTP-en/
    APA
    Troost, Cornelis (1740). Erat Sermo inter Fratres [Painting]. Mauritshuis. https://topimpressionists.com/no/art/cornelis-troost-erat-sermo-inter-fratres-D3TLTP-en/
    Chicago
    Cornelis Troost. Erat Sermo inter Fratres. 1740. Mauritshuis. https://topimpressionists.com/no/art/cornelis-troost-erat-sermo-inter-fratres-D3TLTP-en/
    Harvard
    Troost, Cornelis (1740) Erat Sermo inter Fratres. Mauritshuis. Available at: https://topimpressionists.com/no/art/cornelis-troost-erat-sermo-inter-fratres-D3TLTP-en/

    Kilde: TopImpressionists.com — hentet Sept. 26, 2026

    Erat Sermo inter Fratres — Cornelis Troost Del 4 · Kunstner og museum

    Se nærmere etter

    Erat Sermo inter Fratres — Cornelis Troost

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 5 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: dutch masters, 18th century, social scene. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Singing Round the Star on Twelfth Night, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kilde: TopImpressionists.com — hentet Sept. 26, 2026

    Erat Sermo inter Fratres — Cornelis Troost Del 5 · Se nærmere på

    Kunstquiz

    Erat Sermo inter Fratres — Cornelis Troost

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the primary subject depicted in Cornelis Troost’s ‘Erat Sermo inter Fratres’?

      • A A portrait of a wealthy merchant.
      • B A depiction of drunken revelry and social excess among gentlemen.
      • C A religious scene illustrating biblical stories.

    2. 2. The artwork ‘Erat Sermo inter Fratres’ is primarily executed in which medium?

      • A Oil paint on canvas.
      • B Gouache and pastel on paper.
      • C Watercolor on parchment.

    3. 3. The style of ‘Erat Sermo inter Fratres’ is most closely associated with which artistic movement?

      • A Baroque
      • B Rococo
      • C Renaissance

    4. 4. What does the series name ‘NELRI’ refer to in relation to the artwork?

      • A The names of the five gentlemen depicted.
      • B The initials of the Latin titles accompanying each scene.
      • C The colors used in the pastel technique.

    5. 5. Based on the image description, what architectural elements are prominently featured in the background of ‘Erat Sermo inter Fratres’?

      • A Simple brick walls and arched windows.
      • B Ornate moldings, heavy draperies, and classical sculptures.
      • C A minimalist design with clean lines and geometric shapes.

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1B · 2B · 3B · 4B · 5B

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Kilde: TopImpressionists.com — hentet Sept. 26, 2026

    Erat Sermo inter Fratres — Cornelis Troost Del 6 · Kunstquiz

    Spørsmål og svar

    Finnes det en lysbildefremvisning for "Erat Sermo inter Fratres" av Cornelis Troost?

    Diaporamaet av "Erat Sermo inter Fratres" kan ses på verkets Lysbildefremvisning-side.

    Hvilket rom foreslås det at "Erat Sermo inter Fratres" plasseres i, med tanke på fargepaletten?

    De Monochrome fargene i "Erat Sermo inter Fratres" av Cornelis Troost harmonerer med det anbefalte rommet: et Living Room.

    Hvilket motiv og hvilken atmosfære forener "Erat Sermo inter Fratres" av Cornelis Troost?

    "Erat Sermo inter Fratres" av Cornelis Troost skildrer dutch masters, 18th century, social scene, drinking party, aristocracy, pastel art, baroque details, festive evening i en Elegant stemning. Motiv og atmosfære beskriver verket sammen.