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Evening in Hellsau

Navn Klasse Dato

Cuno Amiet, Evening in Hellsau (1891). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Cuno Amiet topimpressionists.com/no/artists/cuno-amiet/
Kunstnerens levetid
1861 – 1924
Malt
1891
Opprinnelig størrelse
38 x 54 cm

I sammenheng med

Evening in Hellsau — Cuno Amiet

Hvor stort er det?

Originalen måler 38 × 54 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 63 ved død.

Malt da kunstneren var 30. Kunstneren ble 63 år gammel. 0 av de 5 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Cuno Amiet (1861–1924) ▲ dette verket, 1891 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/cuno-amiet-evening-in-hellsau-AQR4Y6-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Espresso #504422

    Katalogisert palett

    • #504422
    • #F6A02E
    • #766C35
    • #9A9B80

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfarge
    Espresso
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Cuno Amiet i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 80.0%
    2. 2 United States of America 20.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 8 mest viste verkene av Cuno Amiet

    1. 1 Blumen und äpfel, 1909 22.2%
    2. 2 Nebellandschaft, 1922 22.2%
    3. 3 Zinnias on a Blue Cloth, 1944 11.1%
    4. 4 ROSENGARTEN, 1935 ROSE GARDEN , 1935 11.1%
    5. 5 ROSENBÄUMCHEN, 1933 SMALL ROSE TREES , 1933 11.1%
    6. 6 Emmentaler Landschaft (Lueg), 1929 11.1%
    7. 7 Der Cellospieler (Hans Münch), 1916 11.1%
    8. — Evening in Hellsau, 1891 dette maleriet 0.0%

    Sammen utgjør disse verkene 99.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 22 verk av denne kunstneren, hvorav 7 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Evening in Hellsau — Cuno Amiet

    Cuno Amiet's Evening in Hellsau is a beautiful depiction of a woman walking across a grassy hill with a basket on her head, set against the serene backdrop of a sunset. Created in 1891, this oil on canvas painting measures 38 x 54 cm and showcases Amiet's skill in capturing the essence of nature.

    The Artist and His Style

    Cuno Amiet was a Swiss painter, illustrator, graphic artist, and sculptor who played a significant role in the development of modern art in Switzerland. He was known for his bold use of color and his ability to capture the beauty of the natural world. Amiet's style was influenced by his time at the Academy of Fine Arts Munich and his association with the Pont-Aven School.

    Similar Paintings

    Other notable paintings that showcase Amiet's skill in capturing the beauty of nature include Ferdinand Hodler's On the Bank of the Maggia in the Evening and Albert Bierstadt's Ships in Moonlight. These paintings can be found on https://AllPaintingsStore.com, which offers handmade oil painting reproductions of famous artworks.

    Museums and Exhibitions

    Amiet's work has been exhibited in several museums, including the Kunsthaus Zürich and the Musée Fabre. His paintings have also been featured in various exhibitions, such as the Sécession de Vienne in 1904. For more information on Amiet's life and work, visit /en/art/show/art-aqr4y6-en/ or https://en.wikipedia.org/wiki/Cuno_Amiet.

    Key Features: Oil on canvas, 38 x 54 cm, created in 1891

    Artist: Cuno Amiet, Swiss painter and sculptor

    Museum: Kunsthaus Zürich, Musée Fabre

    The Evening in Hellsau painting is a beautiful example of Amiet's skill in capturing the essence of nature. With its serene atmosphere and bold use of color, it is a must-see for anyone interested in modern art. Visit https://AllPaintingsStore.com to learn more about this painting and other famous artworks.

    Kunstner og museum

    Kunstner

    Cuno Amiet

    The Architect of Color: The Life and Legacy of Cuno Amiet

    In the grand tapestry of European modernism, few threads are as vibrant or as transformative as those woven by Cuno Amiet. A pioneer who dared to elevate color above all other formal elements, Amiet did not merely paint landscapes; he reimagined the very language of Swiss art. Born in Solothurn in 1868, his early life was steeped in an intellectual atmosphere shaped by his father, Josef Ignaz Amiet, the chancellor of the canton. This foundation of humanist ideals provided the quiet strength behind a career that would eventually shatter the rigid boundaries of academic tradition and introduce a revolutionary, expressive vitality to the Swiss landscape.

    Amiet’s artistic journey was one of constant movement and profound discovery, traversing the great art capitals of Europe. His early training under Frank Buchser led him to the prestigious Munich Academy of Fine Arts, where he forged lasting bonds with contemporaries like Giovanni Giacometti. However, it was his time in Paris that truly ignited his creative spirit. Immersed in the academic rigor of masters such as Adolphe William Bouguereau, Amiet simultaneously found himself drawn to the radical whispers of the Pont-Aven School. Influenced by the likes of Émile Bernard and Paul Sérusier, he began to move away from the heavy reliance on tonal shading, instead embracing a philosophy where pure, unadulterated color became the primary vehicle for emotion and composition.

    A Symphony of Light and Expression

    The true genius of Amiet lies in his ability to synthesize these diverse influences into a singular, unmistakable style. Upon returning to Switzerland in 1893, he established a studio in Hellsau, creating a sanctuary for artistic experimentation. His work from this period reflects a fascinating tension between the delicate precision of etching and the bold, sweeping gestures of modernism. In pieces such as Breton Woman with Jug, one can witness his mastery of line and the quiet, Symbolist spirit that sought to mirror internal emotional states through the external world.

    As his career progressed, Amiet’s palette grew increasingly daring. He became a master of the Expressionist idiom, utilizing thick brushstrokes and textural impasto to breathe life into his subjects. Whether capturing the serene glow of a sunset in Evening in Hellsau or the intense, rhythmic energy of a still life like Zinnias on a Blue Cloth, his work remains anchored by a profound respect for nature. His ability to manipulate light and pigment allowed him to transform ordinary scenes into extraordinary experiences of color, making him a vital link between the late 19th-century traditions and the burgeoning avant-garde movements of the 20th century.

    Historical Significance and Enduring Impact

    The legacy of Cuno Amiet is measured not just in the thousands of works he left behind, but in the way he fundamentally altered the trajectory of Swiss painting. By prioritizing color as a dominant compositional force, he paved the way for future generations of artists to explore abstraction and emotional expressionism without the constraints of literal representation. His life was a testament to the power of artistic evolution—a journey from the disciplined halls of Munich and Paris to the creation of a uniquely Swiss modernism.

    Today, Amiet is remembered as a monumental figure whose contributions extend far beyond the canvas. His impact can be summarized through several key pillars of his career:

    Revolutionary Color Theory: He was the first Swiss painter to grant precedence to color over line and tone, establishing a new standard for modern composition.

    Bridge Between Movements: His work seamlessly integrated the influences of the Pont-Aven School with the emerging energy of Expressionism.

    Cultural Catalyst: Through his studio in Hellsau, he fostered an artistic community that helped modernize the Swiss art scene.

    Versatility of Medium: From delicate etchings and illustrations to powerful oil paintings and sculptures, his prolific output demonstrated a complete mastery of diverse artistic disciplines.

    Cuno Amiet passed away in 1961, leaving behind a world that had been permanently brightened by his vision. His works remain enduring witnesses to a time of great transition, inviting every viewer to pause and experience the profound beauty of a world seen through the lens of pure, expressive color.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Evening in Hellsau

    topimpressionists.com/no/art/download/cuno-amiet-evening-in-hellsau-AQR4Y6-en/

    Kildehenvisning for dette kunstverket

    MLA
    Amiet, Cuno. Evening in Hellsau. 1891, https://topimpressionists.com/no/art/cuno-amiet-evening-in-hellsau-AQR4Y6-en/
    APA
    Amiet, Cuno (1891). Evening in Hellsau [Painting]. https://topimpressionists.com/no/art/cuno-amiet-evening-in-hellsau-AQR4Y6-en/
    Chicago
    Cuno Amiet. Evening in Hellsau. 1891. https://topimpressionists.com/no/art/cuno-amiet-evening-in-hellsau-AQR4Y6-en/
    Harvard
    Amiet, Cuno (1891) Evening in Hellsau. Available at: https://topimpressionists.com/no/art/cuno-amiet-evening-in-hellsau-AQR4Y6-en/

    Se nærmere på

    Evening in Hellsau — Cuno Amiet

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: sunset. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Girl with Flowers (1896), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Cuno Amiet var omtrent 30 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvordan balanserer "Evening in Hellsau" lys og mørke?

    "Evening in Hellsau" har en samlet lysstyrke på balanced, og luminansen er Soft Shadow.

    Hva forestiller "Evening in Hellsau" av Cuno Amiet?

    Temaene i "Evening in Hellsau" av Cuno Amiet inkluderer sunset. Sammen oppsummerer de verkets motiv.

    Hvordan finner jeg kunstverk som ligner på "Evening in Hellsau" av Cuno Amiet?

    Siden Lignende verk for "Evening in Hellsau" av Cuno Amiet viser relaterte kunstverk.