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Lilian

Navn Klasse Dato

Dod Procter, Lilian (1923), Jerwood Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Dod Procter topimpressionists.com/no/artists/dod-procter/
Kunstnerens levetid
1890 – 1972
Malt
1923
Opprinnelig størrelse
52 x 42 cm
Arrangert på
Jerwood Gallery topimpressionists.com/no/museums/jerwood-gallery-hastings/

I sammenheng med

Lilian — Dod Procter

Dimensjoner

Originalen måler 52 × 42 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Skyggelagt: livsløpet til Dod Procter (1890–1972) ▲ dette verket, 1923

Lignende verk

  • Self Portrait topimpressionists.com/no/art/dod-procter-self-portrait-AQSGUX-en/
  • Tolcarne Inn, 1935 topimpressionists.com/no/art/dod-procter-tolcarne-inn-AQSGTT-en/
  • Aunt Lilla, 1943 topimpressionists.com/no/art/dod-procter-aunt-lilla-AQSGU7-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/dod-procter-lilian-AQSGTZ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Gray #888169

    Lagret palett

    • #888169
    • #473427
    • #646754
    • #B2A38A
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Gray
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Dod Procter

    Født i Hampstead, United Kingdom

    Early Life and Education

    Born: Doris Margaret Shaw, 21 April 1890, Hampstead, United Kingdom

    Died: 31 July 1972

    Nationality: English

    Her father was a ship's doctor and her mother a former art student.

    The family moved to Tavistock, Cornwall in 1907.

    She enrolled at the School of Painting run by Elizabeth Forbes and Stanhope Forbes in Newlyn at age 15.

    Met Laura Knight, who became a lifelong friend and influence.

    Studied at Atelier Colarossi in Paris alongside Ernest Procter.

    Artistic Development and Influences

    Influenced by Impressionism and Post-Impressionism movements.

    Mentored by Elizabeth Forbes and Stanhope Forbes.

    Inspired by artists like Pierre-Auguste Renoir and Paul Cézanne.

    Developed a distinctive style characterized by sensual portraits of women and Cornish landscapes.

    Early works included illustrated "Nature Notes" sent to her father at sea.

    Major Works and Achievements

    Morning (1927): Her most famous work, a portrait of a fisherman's daughter that caused a sensation and was bought by the Daily Mail for the Tate Gallery.

    Early Morning: A smaller version of "Morning" held by the Royal Pavilion in Brighton.

    Series of simplified, monumental images of young women (c. 1922).

    Commissioned to decorate the Kokine Palace in Rangoon with her husband Ernest Procter.

    Exhibited at the Royal Academy on numerous occasions.

    Awarded "Picture of the Year" at the Royal Academy Summer Exhibition in 1927 for “Morning”.

    Later Life and Legacy

    After Ernest's death in 1935, she travelled extensively to the United States, Canada, Jamaica, and Africa.

    Became President of St Ives Society of Artists (STISA) in 1966.

    Member of several artists organizations including the Newlyn School.

    Buried next to her husband at St Hilary Church, Cornwall.

    Her work is recognized for its evocative portrayal of Cornish life and its contribution to early twentieth-century British art.

    Historical Significance

    A prominent figure in the Newlyn School of artists.

    Known for her unique vision and style that captured a sense of modernity.

    Her portrait "Morning" is considered a significant work of 20th-century British art, praised for its “sensuous but sombre style” and depiction of Cornish light.

    Contributed to the development of portraiture in Britain during the early 20th century.

    Museum

    Jerwood Gallery

    Utstilt på Hastings, United Kingdom

    A Coastal Sanctuary of British Modernism

    Nestled where the rugged cliffs of East Sussex meet the rhythmic pulse of the English Channel, Hastings Contemporary stands as a breathtaking testament to the enduring power of British creativity. Once known as the Jerwood Gallery, this institution has evolved from a private philanthropic endeavor into a vital, independent beacon for contemporary art. To step inside is to enter a dialogue between the wild, salt-sprayed landscape of the Hastings coast and the sophisticated nuances of modern aesthetic thought. The museum does not merely display art; it breathes with the sea, offering a sanctuary where the horizon line of the ocean meets the infinite possibilities of the canvas.

    The architectural presence of the gallery is nothing short of sculptural. Designed by the visionary minds at HAT Projects, the building’s striking curvilinear form acts as a modern landmark against the historic backdrop of the Hastings Stade. Its sweeping lines mirror the ebb and flow of the tides, creating a seamless transition between the built environment and the natural world. For the interior designer or the lover of fine architecture, the space offers a masterclass in light and volume. Large, panoramic windows invite the shifting coastal light to dance across the gallery floors, ensuring that the atmosphere within is as dynamic and ever-changing as the weather over the North Sea.

    Masterworks and Symbolic Narratives

    The soul of the museum resides in its curated collection, a profound assembly of Modern and Contemporary British Art that speaks to both the visceral and the cerebral. Visitors are often captivated by the evocative landscapes of Julian Trevelyan, whose works like

    “Boat Race”

    capture a hauntingly beautiful connection to the maritime spirit. The collection serves as a bridge between eras, showcasing the raw energy of L.S. Lowry alongside the intricate, psychological depths found in the surrealist explorations of Mick Rooney. In pieces such as

    “The Truant Man”

    diptych, one finds a meticulous attention to detail that invites deep contemplation, revealing how art can transcend literal representation to touch upon the very essence of human experience.

    Beyond the permanent holdings, the museum is celebrated for its dynamic programming and its ability to foster contemporary discourse. The gallery’s history is marked by transformative moments, such as its 2019 rebranding, which solidified its identity as a fiercely independent institution. Recent exhibitions have pushed boundaries, ranging from intimate portraiture to large-scale installations that challenge our perceptions of space and identity. Whether it is the whimsical presence of Sir Quentin Blake’s drawings or the bold, contemporary strokes of international practitioners, the museum remains a vital stage for artists to present works that are both challenging and deeply rewarding.

    An Immersive Artistic Experience

    For the collector and the art enthusiast, Hastings Contemporary offers more than a mere viewing; it offers an immersion into a lifestyle of aesthetic appreciation. The experience extends beyond the exhibition rooms to the

    coquina

    restaurant, where Mediterranean-inspired flavors meet panoramic sea views, allowing for a moment of quiet reflection after engaging with complex artworks. This holistic approach—blending fine art, architectural brilliance, and sensory delight—makes the museum a destination of unparalleled prestige.

    The institution continues to thrive through its commitment to community engagement, offering everything from clay portraiture workshops to summer family days that celebrate the local fishing heritage. It is this unique intersection of high art and coastal tradition that defines Hastings Contemporary. It remains a place where the legacy of British Modernism is not just preserved in frames, but actively reimagined, inspiring wonder in every visitor who wanders through its light-filled halls.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Lilian

    topimpressionists.com/no/art/download/dod-procter-lilian-AQSGTZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Procter, Dod. Lilian. 1923, Jerwood Gallery. https://topimpressionists.com/no/art/dod-procter-lilian-AQSGTZ-en/
    APA
    Procter, Dod (1923). Lilian [Painting]. Jerwood Gallery. https://topimpressionists.com/no/art/dod-procter-lilian-AQSGTZ-en/
    Chicago
    Dod Procter. Lilian. 1923. Jerwood Gallery. https://topimpressionists.com/no/art/dod-procter-lilian-AQSGTZ-en/
    Harvard
    Procter, Dod (1923) Lilian. Jerwood Gallery. Available at: https://topimpressionists.com/no/art/dod-procter-lilian-AQSGTZ-en/

    Se nærmere etter

    Lilian — Dod Procter

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Self Portrait, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Dod Procter var omtrent 33 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.