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Frederick Shum

Navn Klasse Dato

Edward Newling, Frederick Shum (1920), Victoria Art Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Edward Newling topimpressionists.com/no/artists/edward-newling/
Kunstnerens levetid
1890 – 1964
Malt
1920
Opprinnelig størrelse
101 x 75 cm
Bevegelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Arrangert på
Victoria Art Gallery topimpressionists.com/no/museums/victoria-art-gallery-bath_no/

I sammenheng med

Frederick Shum — Edward Newling

Dimensjoner

Originalen måler 101 × 75 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 74 ved død.

Malt da kunstneren var 30. Kunstneren ble 74 år gammel. 3 av de 7 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Edward Newling (1890–1964) ▲ dette verket, 1920 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/edward-newling-frederick-shum-AR293S-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #67534c

    Lagret palett

    • #67534C
    • #1E1B18
    • #343030
    • #C39C81

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Espresso
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Edward Newling i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 3 mest viste verkene av Edward Newling

    1. 1 Second Lieutenant Gilbert Stuart Martin Insall (1894–1972), VC, MC, Royal Flying Corps and Later Squadron Leader, Royal Air Force, 1919 50.0%
    2. 2 Captain Albert Ball (1896–1917), VC, DSO, MC, Nottinghamshire and Derby Regiment and Royal Flying Corps, 1919 50.0%
    3. — Frederick Shum, 1920 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 8 verk av denne kunstneren, hvorav 2 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Edward Newling

    The Painter of Victorian Valor: The Life and Legacy of Edward Newling

    Edward Newling (1890-1964) stands as a quietly significant figure in 20th-century British art, primarily remembered for his evocative and dignified portraits of WWI heroes and members of the aristocracy. Born in Melbourne, Australia, in 1890, he later relocated to England, establishing himself as a respected artist specializing in capturing the solemnity and inherent dignity of those who served their country during a period of immense national upheaval. His work offers a poignant glimpse into the Victorian sensibilities that persisted even amidst the horrors of modern warfare, blending traditional portraiture techniques with an understated emotional depth.

    Newling’s artistic journey began with a formal education in art, though details remain somewhat sparse. He honed his skills primarily through self-study and observation, developing a distinctive style characterized by meticulous detail, subtle tonal gradations, and a remarkable ability to convey both physical presence and inner character. Unlike many of his contemporaries who embraced the bold brushstrokes and expressive distortions of modernism, Newling remained firmly rooted in academic traditions, favoring a controlled and refined approach that lent an air of timelessness to his subjects. His portraits were not flamboyant celebrations; they were quiet meditations on duty, sacrifice, and the weight of experience.

    A Mastery of Character and Tradition

    The essence of Newling's oeuvre revolves around his profound depictions of military figures, particularly those involved in the First World War. He produced a substantial body of work featuring legendary aviators such as Albert Ball, a Royal Flying Corps officer whose tragic death during a training flight left a void in the hearts of many, and McCudden, another celebrated pilot of the era. These portraits are far more than mere likenesses; they are imbued with a profound sense of respect and sorrow. Newling meticulously researched his subjects, often obtaining photographs and personal accounts to ensure an accurate representation of their character and the gravity of their service.

    Beyond the battlefield, Newling’s talent extended to the depiction of the British upper echelons, capturing the essence of the aristocracy with a similar level of reverence. His ability to render textures—from the crispness of a military uniform to the soft folds of formal attire—demonstrates his technical prowess. Notable works such as Sir Arbuthnot Lane and Frederick Shum showcase his capacity for realism and his skill in creating compositions that feel both intimate and monumental.

    Historical Significance and Artistic Impression

    The historical significance of Edward Newling lies in his role as a visual chronicler of an era defined by transition. As the world moved away from the structured certainties of the Victorian age into the fragmented reality of the modern era, Newling’s art provided a sense of continuity. His work serves as a bridge, preserving the dignity of a vanishing social order and the heroism of those who faced the unprecedented challenges of the early 20th century.

    To study Newling's collection is to encounter a legacy of:

    Academic Precision: A commitment to the classical techniques of portraiture that eschewed the fleeting trends of modernism.

    Emotional Resonance: The ability to translate historical tragedy into deeply moving, humanized imagery.

    Historical Documentation: Providing a vital visual record of key figures in British military and social history.

    Ultimately, Newling’s contribution to the art world is found in his restraint. By avoiding the sensationalism of his age, he created works that possess an enduring, quiet power, ensuring that the faces of the past remain etched in the collective memory with all their original grace and solemnity.

    Museum

    Victoria Art Gallery

    Utstilt på Bath, United Kingdom

    A Sanctuary of British Heritage

    Nestled within the historic heart of Bath, Somerset, the

    Victoria Art Gallery

    stands as a luminous testament to Britain’s enduring artistic legacy. This institution is far more than a mere repository for canvas and stone; it is a living dialogue between centuries of creativity. Housed within a magnificent Grade II* listed building, the gallery invites visitors on a journey that spans from the formal elegance of the 1700s to the provocative voices of the contemporary era. For the art lover, it offers a profound connection to the past, while for the interior designer, it serves as an unparalleled source of inspiration, showcasing how classical beauty and modern expression can coexist within a single, curated space.

    The architectural splendor of the gallery is, in itself, a masterpiece of Victorian grandeur. Designed by the visionary

    John McKean Brydon

    , the structure is a triumph of limestone ashlar and classical proportion. As one enters through the circular entrance hall, the sense of ceremony is immediate, guided by a seventeenth-century revival staircase crafted from rich mahogany. The Upper Gallery, bathed in the soft, ethereal light of specialized skylysts, reveals a space designed to honor classical ideals, featuring delicate plaster copies of the Parthenon friezes and intricately panelled dados. This architectural setting provides a majestic backdrop that elevates every object on display, turning a simple viewing into an immersive experience of historical luxury.

    A Curated Journey Through Time

    The collection itself is a curated treasure trove, boasting over 1,500 objects that capture the very soul of British art. Collectors will find themselves captivated by the meticulous craftsmanship of the Tudor era, most notably in the commanding portrait of

    Henry VIII by Holbein

    , which radiates royal power and humanist precision. The gallery’s strength lies in its ability to transition seamlessly between movements; one moment, a visitor might be lost in the serene, atmospheric landscapes of

    Thomas Gainsborough

    or the tranquil watercolors of

    Joseph Sheldon

    , and the next, confronted by the psychological depth and urban grit of

    Walter Sickert

    .

    This diversity is further enriched by contemporary voices like

    Grayson Perry

    , whose work challenges social conventions, ensuring the collection remains as relevant today as it was at the turn of the twentieth century. Beyond its permanent holdings, the Victoria Art Gallery thrives as a dynamic cultural hub through its rotating exhibitions and commitment to accessibility. The museum frequently hosts temporary showcases that explore varied themes, ranging from Impressionistic studies of the British countryside to evocative depictions of wartime life. Whether one is drawn to the realistic charm of

    Arthur Louis Townsend’s

    work or the abstracted, emotive figures of

    Hughie O’Donoghue

    , the gallery offers a sanctuary where history, technique, and emotion converge.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Frederick Shum

    topimpressionists.com/no/art/download/edward-newling-frederick-shum-AR293S-en/

    Kildehenvisning for dette kunstverket

    MLA
    Newling, Edward. Frederick Shum. 1920, Victoria Art Gallery. https://topimpressionists.com/no/art/edward-newling-frederick-shum-AR293S-en/
    APA
    Newling, Edward (1920). Frederick Shum [Painting]. Victoria Art Gallery. https://topimpressionists.com/no/art/edward-newling-frederick-shum-AR293S-en/
    Chicago
    Edward Newling. Frederick Shum. 1920. Victoria Art Gallery. https://topimpressionists.com/no/art/edward-newling-frederick-shum-AR293S-en/
    Harvard
    Newling, Edward (1920) Frederick Shum. Victoria Art Gallery. Available at: https://topimpressionists.com/no/art/edward-newling-frederick-shum-AR293S-en/

    Se nærmere etter

    Frederick Shum — Edward Newling

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: formal portraiture, vintage elegance, studio photography. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Captain Albert Ball (1896–1917), VC, DSO (1921), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hva er den fargemessige identiteten til "Frederick Shum" av Edward Newling?

    Fargeidentiteten til "Frederick Shum" av Edward Newling: en Earthy-palett, dominert av Espresso (#67534c).

    Hva er formatet og størrelsen på "Frederick Shum"?

    Formatet på "Frederick Shum" er Portrait, og originalen måler 101 x 75 cm. Begge deler er nyttige når man planlegger en reproduksjon.

    Hvilken størrelse har "Frederick Shum" av Edward Newling i virkeligheten?

    "Frederick Shum" måler 101 x 75 cm i sin originale form. Originalmålene er en nyttig referanse når du skal velge størrelse på en reproduksjon.