Papir

Veiledning for studentkunst

Madame Guillaumin Reading

Navn Klasse Dato

Armand Guillaumin, Madame Guillaumin Reading (1882). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Armand Guillaumin topimpressionists.com/no/artists/armand-guillaumin_no/
Kunstnerens levetid
1841 – 1927
Malt
1882
Bevegelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

I sammenheng med

Madame Guillaumin Reading — Armand Guillaumin

Når ble dette malt?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 86 ved død.

Malt da kunstneren var 41. Kunstneren ble 86 år gammel. 22 av de 154 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Armand Guillaumin (1841–1927) ▲ dette verket, 1882 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1889 Hovedvirksomhetsår: 1889–1905 Senere verk: fra 1905

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

  • Place Valhubert, 1872 topimpressionists.com/no/art/ferdinand-guillaumin-place-valhubert-8DP2GG-en/
  • Place Valhubert, Paris topimpressionists.com/no/art/ferdinand-guillaumin-place-valhubert-paris-8DP2DD-en/
  • Still Life, 1872 topimpressionists.com/no/art/ferdinand-guillaumin-still-life-8DP2HW-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/ferdinand-guillaumin-madame-guillaumin-reading-8DP2EZ-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #c19283

    Katalogisert palett

    • #C19283
    • #6D4233
    • #3A1C19
    • #9F6B52

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Armand Guillaumin i løpet av de siste tolv månedene — totalt 7 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 75.5%12300 visits
    2. 2 United States of America 9.2%1500 visits
    3. 3 Germany 7.4%1200 visits
    4. 4 Hong Kong 3.7%600 visits
    5. 5 France 1.8%300 visits
    6. 6 Singapore 1.8%300 visits
    7. 7 India 0.6%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Armand Guillaumin

    1. 1 Agay, at Cap Long 5.9%1100 visits
    2. 2 Sunset at Ivry, 1873 3.7%700 visits
    3. 3 The Moulin Brigand, Ruins of Chateau de Crozant, 1900 2.1%400 visits
    4. 4 Place Valhubert, 1872 1.6%300 visits
    5. 5 Still Life with Box with Blue Gloves, 1873 1.6%300 visits
    6. 6 River Scene, 1890 1.6%300 visits
    7. 7 Still Life with Flowers, 1900 1.6%300 visits
    8. 8 Dam at Genetin, Crozant, 1899 1.6%300 visits
    9. 9 Landscape with Trees and Figures, 1905 1.6%300 visits
    10. 10 The Quay d'Austerlitz, Morning, 1886 1.6%300 visits
    11. 11 The Sea at Saint-Palais, 1895 1.6%300 visits
    12. 12 Pont sur la Creuse, Crozant 1.6%300 visits
    13. 13 Matin d'automne à la campagne 1.6%300 visits
    14. 14 Le village de Crozant 1.6%300 visits
    15. 15 Paysage du midi 3 1.6%300 visits
    16. 16 Damiette, Sunset, 1888 1.1%200 visits
    17. 17 Winter in Saint Sauves (also known as Auvergne), 1900 1.1%200 visits
    18. 18 Stroller on the Banks of the Orge, 1889 1.1%200 visits
    19. 19 The Red Rocks at Agay, 1915 1.1%200 visits
    20. 48 Madame Guillaumin Reading, 1882 dette maleriet 0.5%100 visits

    Sammen utgjør disse verkene 35.8% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 306 verk av denne kunstneren, hvorav 124 ble sett på minst én gang. This painting ranks 48 of them, with 0.5% of that attention (100 visits). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Armand Guillaumin

    Født i Paris, Frankrike

    Early Life and Artistic Beginnings

    Jean-Baptiste Armand Guillaumin, a name synonymous with the dreamy landscapes and vibrant hues of French Impressionism, was born in Paris on February 16th, 1841. His early life, steeped in the bustling energy of the city, provided a fertile ground for his burgeoning artistic sensibilities. Unlike many artists of his time who hailed from established families, Guillaumin’s background was rooted in the working class; his grandfather, Jean Joseph Guillaumin, was a notary, and Armand spent his formative years assisting with his uncle's lingerie shop. This practical experience, however, didn’t stifle his passion for art. He found solace and inspiration in the surrounding world, particularly the captivating beauty of central France – the region where his family had strong ties. The rolling hills, the dramatic light, and the quiet charm of Moulins, where he spent a significant portion of his childhood, became recurring motifs in his paintings, imbued with a nostalgic longing for simpler times. He began his formal artistic training at the Académie Suisse, immersing himself in the study of drawing from live models – a crucial foundation for mastering observation and capturing fleeting moments.

    The Rise of Impressionism and Early Collaborations

    As the mid-19th century progressed, Impressionism was steadily gaining momentum within the Parisian art scene. Guillaumin, drawn to this revolutionary movement’s emphasis on capturing the ephemeral qualities of light and color, eagerly embraced its principles. He became an active participant in the first Salon des Refusés in 1863 and subsequently joined the group's inaugural Impressionist Exhibitions in 1874, held at Nadar’s studio on Boulevard des Capucines. These exhibitions marked a pivotal moment in his career, providing him with a platform to showcase his unique style – characterized by dreamy, soft landscapes and an evocative use of color. His work resonated deeply with the spirit of Impressionism, capturing the transient beauty of nature with remarkable sensitivity. He forged close relationships with fellow artists like Camille Pissarro, Claude Monet, and Francisco Oller, exchanging ideas and influencing each other’s artistic development. The circle around Émile Zola further enriched his life, offering a connection to literary circles that mirrored the artistic explorations of the time.

    Symbolic Influences and Distinctive Style

    While firmly rooted in Impressionism, Guillaumin's work also reveals subtle influences from Symbolism – a movement that sought to explore the realm of dreams, emotions, and the subconscious. This is particularly evident in his use of bold colors, often imbued with emotional intensity, and his depiction of evocative subjects. His paintings aren’t merely representations of landscapes; they are windows into a world of feeling and memory. Guillaumin's distinctive style can be described as a harmonious blend of observation and imagination. He meticulously studied the effects of light and color, yet he wasn’t afraid to infuse his work with a sense of mystery and personal interpretation. This combination resulted in paintings that possess both a remarkable realism and an undeniable emotional depth.

    Notable Works and Legacy

    Guillaumin's artistic output is remarkably prolific, encompassing a diverse range of subjects – from idyllic rural scenes to intimate portraits. Some of his most celebrated works include "Garden in Janville in June" (1886), which captures the serene beauty of a summer afternoon; “River Scene” and “View of Puy de Dôme,” both showcasing his masterful command of light and color. His paintings are held in prestigious collections worldwide, including the Musée d’Orsay in Paris and the Tiroler Landesmuseum Ferdinandeum in Innsbruck. The Mount Holyoke College Art Museum in Massachusetts also houses a significant collection of his works, ensuring that his legacy continues to inspire and captivate audiences today. Guillaumin's contribution to Impressionism is undeniable, and he remains an important figure in the history of French art – a painter who skillfully captured the fleeting beauty of the world around him with both precision and passion.

    Concluding Thoughts

    Ferdinand Guillaumin passed away on June 26th, 1927, leaving behind a rich body of work that continues to resonate with viewers today. His paintings offer a glimpse into a bygone era – a time when art was driven by observation, emotion, and a deep appreciation for the beauty of the natural world. His legacy is one of innovation, sensitivity, and an unwavering commitment to capturing the essence of Impressionism.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Madame Guillaumin Reading

    topimpressionists.com/no/art/download/ferdinand-guillaumin-madame-guillaumin-reading-8DP2EZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Guillaumin, Armand. Madame Guillaumin Reading. 1882, https://topimpressionists.com/no/art/ferdinand-guillaumin-madame-guillaumin-reading-8DP2EZ-en/
    APA
    Guillaumin, Armand (1882). Madame Guillaumin Reading [Painting]. https://topimpressionists.com/no/art/ferdinand-guillaumin-madame-guillaumin-reading-8DP2EZ-en/
    Chicago
    Armand Guillaumin. Madame Guillaumin Reading. 1882. https://topimpressionists.com/no/art/ferdinand-guillaumin-madame-guillaumin-reading-8DP2EZ-en/
    Harvard
    Guillaumin, Armand (1882) Madame Guillaumin Reading. Available at: https://topimpressionists.com/no/art/ferdinand-guillaumin-madame-guillaumin-reading-8DP2EZ-en/

    Se nærmere på

    Madame Guillaumin Reading — Armand Guillaumin

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: portrait, reading, outdoors. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Place Valhubert (1872), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem skapte "Madame Guillaumin Reading" og i hvilket år?

    "Madame Guillaumin Reading" ble skapt av Armand Guillaumin i 1882.

    Kan jeg undersøke "Madame Guillaumin Reading" mer detaljert?

    Røntgenvisningen av "Madame Guillaumin Reading" av Armand Guillaumin finnes på verkets Røntgenstråling-side: en interaktiv undersøkelse av bildet gjennom elleve optiske lag.

    Hvilken fargetone dominerer i "Madame Guillaumin Reading"?

    "Madame Guillaumin Reading" har en tendens til en Amber to Saffron tone.