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St. Gervais

Navn Klasse Dato

Frank Edwin Scott, St. Gervais. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Frank Edwin Scott topimpressionists.com/no/artists/frank-edwin-scott/
Kunstnerens levetid
1863 – 1929
Opprinnelig størrelse
55 x 46 cm

I sammenheng med

St. Gervais — Frank Edwin Scott

Hvor stort er det?

Originalen måler 55 × 46 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 66 ved død.

Skyggelagt: livsløpet til Frank Edwin Scott (1863–1929) hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/frank-edwin-scott-st-gervais-AQTRN6-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Espresso #675947

    Katalogisert palett

    • #675947
    • #372C23
    • #A7ABA5
    • #978360

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Espresso
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Frank Edwin Scott i løpet av de siste tolv månedene — totalt 3 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 84.6%
    2. 2 United States of America 11.5%
    3. 3 France 3.8%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Frank Edwin Scott

    1. 1 La Madeleine at Dawn 10.7%
    2. 2 St. Gervais dette maleriet 10.7%
    3. 3 Place de la Concorde no. III 7.1%
    4. 4 Quai de la Seine, Eglise St. Gervais 7.1%
    5. 5 St. Germain des Pres no. I 7.1%
    6. 6 Chambre des Deputes no. II 3.6%
    7. 7 Tete de Femme, 1910 3.6%
    8. 8 Chambre des Deputes no. III 3.6%
    9. 9 Village Church and Cemetery, Brittany 3.6%
    10. 10 La Madeleine no. I 3.6%
    11. 11 Cote aux Environs de Cherbourg 3.6%
    12. 12 Cabs 3.6%
    13. 13 Porte St. Denis 3.6%
    14. 14 Chambre des Deputes in a Mist 3.6%
    15. 15 Homme au Chapeau Rouge 3.6%
    16. 16 Bateau de Peche 3.6%
    17. 17 Porte de Cherbourg 3.6%
    18. 18 La Madeleine no. II 3.6%
    19. 19 Place de la Concorde no. I 3.6%
    20. 20 Portrait du peintre par lui meme, (painting) 3.6%

    Sammen utgjør disse verkene 96.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 76 verk av denne kunstneren, hvorav 21 ble sett på minst én gang. Dette maleriet rangerer som nummer 2 av dem, med 10.7% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    St. Gervais — Frank Edwin Scott

    The painting St. Gervais by Frank Edwin Scott is a beautiful representation of the city of St. Gervais with its old buildings and boats on the water. The scene features a large building in the background, which appears to be an old church. There are several boats visible in the image, some floating near the shore while others are further out into the water.

    The painting is set against a backdrop of blue skies, adding depth and color to the scene. The overall atmosphere of the painting suggests a peaceful day by the water with the city's architecture as a prominent feature. Frank Edwin Scott was an American painter known for his landscapes and cityscapes, and St. Gervais is one of his notable works.

    Artist Background

    Frank Edwin Scott was born in 1863 and died in 1929. He was a prominent figure in the American art scene during his time, and his paintings are now part of the collections of several museums, including the Smithsonian American Art Museum.

    Some of his notable works include St. Gervais, which is available as a handmade oil painting reproduction on https://AllPaintingsStore.com.

    Painting Details

    The painting St. Gervais measures 55 x 46 cm and is made of oil on canvas. It is currently housed at the Smithsonian American Art Museum in the United States.

    The painting features a beautiful representation of the city of St. Gervais with its old buildings and boats on the water.

    The scene is set against a backdrop of blue skies, adding depth and color to the scene.

    The overall atmosphere of the painting suggests a peaceful day by the water with the city's architecture as a prominent feature.

    Handmade oil painting reproductions of St. Gervais are available on https://AllPaintingsStore.com, allowing art lovers to own a piece of history. The website offers a wide range of paintings, including works by Frank Edwin Scott and other notable artists.

    For more information on Frank Edwin Scott and his paintings, visit https://AllPaintingsStore.com or check out the Smithsonian American Art Museum website.

    Kunstner og museum

    Kunstner

    Frank Edwin Scott

    The Luminous Legacy of Frank Edwin Scott

    Born into a lineage defined by the pursuit of discovery, Frank Edwin Scott entered the world on November 27, 1863, in Edinburgh, Scotland. His heritage was one of profound exploration; his father, Robert Falcon Scott, would become a legendary figure in Antarctic exploration, while his mother, Eleanor Falconer Scott, nurtured a deep devotion to the intricate wonders of botany. This unique upbringing, steeped in both the rigorous observation of science and the delicate beauty of the natural world, provided the foundational duality of Scott’s artistic soul. From his earliest years, he possessed an innate ability to translate the textures of life onto paper, a talent that would eventually lead him away from the rugged landscapes of his youth toward the vibrant, light-drenched streets of Paris.

    Scott's formal journey into the realm of fine art began at the prestigious Slade School of Fine Art in London. Under the tutelage of masters such as Frederic Leighton and Joseph Hibbert, he mastered the disciplined techniques of the Beaux Arts aesthetic. Yet, the rigid confines of academic tradition could not contain his burgeoning spirit. Driven by a desire to capture the ephemeral, Scott found himself drawn to the revolutionary movement of Impressionism. He sought to move beyond static representation, instead chasing the fleeting dance of light and the atmospheric shifts that define a single moment in time. This transition marked his true emergence as an artist, as he began to prioritize the sensory experience of the eye over the structured dictates of the academy.

    A Parisian Vision: Light, Color, and Movement

    The heart of Scott’s creative evolution beat within the bustling studios of Montmartre. Immersing himself in the epicenter of the Impressionist movement, he found a kindred spirit in the works of Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. These encounters were more than mere social engagements; they were intellectual catalysts that fueled his experimentation with plein air painting. By venturing outdoors to directly observe the world, Scott learned to manipulate oil on canvas to replicate the shimmering reflections of the Seine and the soft, hazy glow of Parisian twilight. His brushwork became increasingly fluid, characterized by a luminous quality that breathed life into his subjects.

    His repertoire serves as a visual love letter to Paris, capturing iconic landmarks with an intimacy that transcends mere topography. In works such as Place de la Concorde no. V, one can witness his mastery of depth and texture, where statues atop pillars and the distant silhouette of a clock tower are brought to life through energetic strokes and the inclusion of dynamic elements like scattered birds. Similarly, his depictions of Place St. Germain des Pres showcase his ability to render the bustling energy of city streets, balancing the grandeur of historic churches with the transient movement of pedestrians. Whether capturing the melancholic atmosphere of a twilight scene at Quai de la Seine or the somber realism of a Portrait de Jeune Homme, Scott’s work remains anchored in an acute sensitivity to tonal variation and the emotional weight of light.

    Historical Significance and Artistic Endurance

    Though his life was cut short in 1929, Frank Edwin Scott left behind a body of work that stands as a testament to the enduring charm of the Impressionist era. His ability to bridge the gap between the scientific precision inherited from his family and the emotive freedom of modernism allowed him to create scenes that feel both structurally sound and atmospherically ethereal. The presence of his works in esteemed institutions, such as the Smithsonian American Art Museum and the Hirshhorn Museum and Sculpture Garden, underscores his lasting contribution to the transatlantic art dialogue.

    Today, Scott’s paintings continue to resonate with viewers who seek the nostalgic beauty of a bygone Paris. His legacy is found in:

    The mastery of light: His unique ability to render sunlight on water and foliage.

    Urban intimacy: His skill in transforming crowded cityscapes into poetic, atmospheric narratives.

    Technical evolution: The transition from academic rigor to the expressive freedom of Impressionistic brushstrokes.

    Through his eyes, the streets of Paris were not merely locations, but living, breathing canvases of color and emotion, forever preserved in the soft, luminous glow of his enduring masterpieces.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for St. Gervais

    topimpressionists.com/no/art/download/frank-edwin-scott-st-gervais-AQTRN6-en/

    Kildehenvisning for dette kunstverket

    MLA
    Scott, Frank Edwin. St. Gervais. n.d., https://topimpressionists.com/no/art/frank-edwin-scott-st-gervais-AQTRN6-en/
    APA
    Scott, Frank Edwin (n.d.). St. Gervais [Painting]. https://topimpressionists.com/no/art/frank-edwin-scott-st-gervais-AQTRN6-en/
    Chicago
    Frank Edwin Scott. St. Gervais. n.d. https://topimpressionists.com/no/art/frank-edwin-scott-st-gervais-AQTRN6-en/
    Harvard
    Scott, Frank Edwin (n.d.) St. Gervais. Available at: https://topimpressionists.com/no/art/frank-edwin-scott-st-gervais-AQTRN6-en/

    Se nærmere på

    St. Gervais — Frank Edwin Scott

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Place St. Germain des Pres, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er det mulig å laste ned "St. Gervais"?

    Bildet av "St. Gervais" av Frank Edwin Scott kan lastes ned fra verkets Last ned digitalt bilde-side: nedlasting av et digitalt bilde i høy oppløsning.

    Hvor mange ser på "St. Gervais"?

    Statistikk for "St. Gervais" av Frank Edwin Scott finnes på verkets Besøksstatistikk-side: månedlige visninger av verket, visninger av kunstnerens andre verk, samt en oversikt over nylige besøkende fordelt på land og språk.

    Er fargene i "St. Gervais" sterke eller dempede?

    "St. Gervais" av Frank Edwin Scott er gjengitt med en Subtle Color metning og en Balanced intensitet.