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James Holmes

Navn Klasse Dato

Fred Balshaw, James Holmes (1923), Towneley Hall Art Gallery - Museum. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Fred Balshaw topimpressionists.com/no/artists/fred-balshaw/
Kunstnerens levetid
1860 – 1936
Malt
1923
Opprinnelig størrelse
66 x 48 cm
Arrangert på
Towneley Hall Art Gallery - Museum topimpressionists.com/no/museums/towneley-hall-art-gallery-museum-burnley/

I sammenheng med

James Holmes — Fred Balshaw

Dimensjoner

Originalen måler 66 × 48 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 76 ved død.

Malt da kunstneren var 63. Kunstneren ble 76 år gammel. 14 av de 16 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Fred Balshaw (1860–1936) ▲ dette verket, 1923 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1900 Hovedvirksomhetsår: 1900–1914 Senere verk: fra 1914

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/fred-balshaw-james-holmes-AQUBDC-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #2c2d32

    Lagret palett

    • #2C2D32
    • #9C9799
    • #707780
    • #49505B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Phthalo Green
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Fred Balshaw i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 83.3%
    2. 2 Brazil 16.7%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 6 mest viste verkene av Fred Balshaw

    1. 1 Edward Parry, Bishop of Dover, 1892 33.3%
    2. 2 Life Study of a Man, 1900 16.7%
    3. 3 Firwood Fold, 1907 16.7%
    4. 4 Life Study of a Woman, 1900 16.7%
    5. 5 Landscape in Northern Ireland 16.7%
    6. — James Holmes, 1923 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 20 verk av denne kunstneren, hvorav 5 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Fred Balshaw

    A Life in Portraits: The Victorian Realism of Fred Balshaw

    Frederick Balshaw, born in Bolton, Lancashire in 1860, emerged as a significant figure within the late Victorian and Edwardian art scenes, though his name remains somewhat overshadowed by more celebrated contemporaries. His artistic journey was deeply rooted in the meticulous observation of life around him, particularly evident in his compelling portraits and detailed studies of civic figures. Balshaw’s father worked as a cashier, providing a stable if unremarkable background for a young man drawn to the visual world. While formal training details are scarce, it's clear that he developed a strong foundation in academic realism, favoring precise draftsmanship and a sensitive handling of light and shadow. His early work suggests an apprenticeship or dedicated self-study focused on mastering the techniques of established portrait painters.

    Bolton Roots and Artistic Development

    Balshaw’s connection to Bolton proved formative throughout his career. He became known locally for capturing the likenesses of prominent citizens, creating a visual record of the town's evolving social landscape. These weren’t merely commissioned portraits; they were imbued with a quiet dignity that spoke to Balshaw’s respect for his subjects and his ability to reveal character through subtle nuances of expression. His paintings from this period often feature a restrained palette, emphasizing browns, grays, and ochres – colors that lend themselves well to the somber interiors and dignified poses characteristic of Victorian portraiture. Beyond civic commissions, Balshaw also produced numerous life studies, both male and female nudes, demonstrating his commitment to understanding anatomy and form. These works, often executed in oil with a rich impasto technique, reveal an intense focus on realism and a fascination with the human body as a subject of artistic exploration.

    Themes and Influences

    Balshaw’s work reflects the prevailing aesthetic sensibilities of his time. He was clearly influenced by the Pre-Raphaelites' emphasis on detail and naturalism, though he lacked their overt symbolism or narrative complexity. Instead, Balshaw focused on capturing a sense of psychological depth within his portraits. His paintings often evoke a feeling of introspection, inviting viewers to contemplate the inner lives of his subjects. The influence of academic realism is also readily apparent in his precise brushwork and careful attention to texture. He wasn’t interested in flamboyant displays of virtuosity; rather, he sought to create works that were both technically accomplished and emotionally resonant. His landscapes, though less numerous than his portraits, demonstrate a similar commitment to capturing the subtle beauty of the natural world, often featuring moody skies and evocative lighting effects.

    Major Achievements and Legacy

    While Balshaw never achieved widespread national recognition, his work holds significant local importance. His paintings provide valuable insights into the social history of Bolton and the surrounding region. The portraits he created offer a glimpse into the lives of prominent citizens during a period of rapid industrialization and social change. His life studies, though perhaps less celebrated, demonstrate his technical skill and artistic dedication. Several examples of his work are held in public collections, including at Bolton Museum and Art Gallery, ensuring that his legacy continues to be appreciated by future generations. MutualArt lists several record prices for his works, indicating a growing interest among collectors. His paintings represent a compelling example of Victorian realism—a style characterized by its meticulous observation, emotional depth, and commitment to capturing the essence of human experience.

    Rediscovering Balshaw: A Continuing Appreciation

    Fred Balshaw’s art offers more than just historical documentation; it provides a window into the values and sensibilities of a bygone era. His portraits are not simply likenesses but carefully considered representations of character and social standing. His dedication to his craft, combined with his sensitivity to light and shadow, resulted in works that continue to captivate and intrigue viewers today. As interest in Victorian art continues to grow, Balshaw’s contributions are being increasingly recognized, ensuring that this talented Bolton artist receives the appreciation he deserves. Exploring his oeuvre reveals a quiet mastery of technique and a profound understanding of the human condition.

    Museum

    Towneley Hall Art Gallery - Museum

    Utstilt på Burnley, United Kingdom

    A Tapestry of Lancashire: Unveiling the Secrets of Towneley Hall

    Nestled within the tranquil embrace of Towneley Park in Burnley, Lancashire, lies Towneley Hall Art Gallery & Museum – a place where centuries converge and history breathes through every meticulously preserved room. More than simply a repository of artifacts, it’s a living chronicle of a remarkable family, a burgeoning industrial town, and the enduring spirit of artistic expression within the region. Originally the ancestral home of the Towneley family since the 13th century, this Grade I listed building offers visitors an immersive journey through time, revealing layers of architectural evolution alongside a remarkably diverse collection that speaks to Lancashire’s rich heritage.

    The hall's transformation from private residence to public institution is itself a fascinating tale. Purchased by Burnley Corporation in 1901, the last Towneley lady generously gifted her home and estate, ensuring its legacy would continue to enrich the community. This pivotal moment marked the beginning of Towneley Hall’s role as a cultural cornerstone, dedicated to showcasing local artistry alongside treasures from across the globe – including a captivating Egyptian collection that hints at long-forgotten trade routes and ancient civilizations. The museum's evolution is mirrored in its architecture; from the medieval foundations to the elegant additions reflecting Victorian sensibilities, each element tells a story of adaptation and preservation.

    A Kaleidoscope of Artistic Voices

    Towneley Hall’s collection is an eclectic blend of artistic styles and periods, offering something to captivate every visitor. The heart of the gallery beats with over 300 oil paintings, spanning from the Renaissance through to the late 19th century. These works provide a window into historical representations, capturing portraits of prominent figures, scenes of rural life, and dramatic landscapes – all rendered with varying degrees of realism and artistic flair. Notably, the collection boasts significant pieces by Burne-Jones, Waterhouse, Alma-Tadema, and Zoffany, reflecting the influence of the Pre-Raphaelite movement on Lancashire’s artistic landscape.

    Beyond paintings, the museum houses a remarkable assemblage of Egyptian artifacts – a testament to Burnley's surprising connection to ancient Egypt through trade and exploration. These objects, ranging from intricate jewelry to funerary masks, offer tangible links to a civilization that continues to fascinate and inspire. Equally compelling is the collection of Pilkington Pottery, showcasing the innovative craftsmanship of this region’s industrial heritage – a vibrant display of color and form born from the heart of Lancashire's manufacturing prowess. Don’t miss the Whalley Abbey Vestments, exquisite examples of monastic artistry that provide a poignant glimpse into the religious life of a bygone era.

    Echoes of the Past: Architectural Marvel and Historical Context

    The building itself is an integral part of the museum experience. Towneley Hall’s architecture reflects its long and storied history, seamlessly blending elements from various periods. The original medieval structure has been carefully preserved and augmented with later additions, creating a harmonious blend of styles. Exploring the hall's period rooms offers a unique opportunity to step back in time, imagining the daily lives of the Towneley family and their guests. These meticulously recreated spaces – complete with furniture, textiles, and domestic objects – transport visitors to different eras, providing a tangible connection to Lancashire’s past.

    The museum's history is inextricably linked to the Towneley family, whose legacy permeates every corner of the building. The family’s patronage of the arts played a crucial role in shaping the collection, and their story – from noble lineage to public donation – adds another layer of intrigue to the museum’s narrative. The Edward Stocks Massey bequest, established in 1921, continues to support artistic endeavors at Towneley Hall, ensuring that its legacy as a center for cultural enrichment endures.

    A Sanctuary of Art and Heritage

    Towneley Hall is more than just a museum; it’s a vibrant community hub. Regular guided tours offer in-depth insights into the hall's history and collections, while educational programs cater to visitors of all ages. The tranquil setting within Towneley Park provides a welcome escape from the bustle of everyday life – a place for reflection, discovery, and appreciation of art and heritage. The museum’s commitment to preserving and sharing Lancashire’s rich cultural tapestry makes it a truly unique destination, inviting visitors to connect with the past and celebrate the enduring spirit of creativity.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for James Holmes

    topimpressionists.com/no/art/download/fred-balshaw-james-holmes-AQUBDC-en/

    Kildehenvisning for dette kunstverket

    MLA
    Balshaw, Fred. James Holmes. 1923, Towneley Hall Art Gallery - Museum. https://topimpressionists.com/no/art/fred-balshaw-james-holmes-AQUBDC-en/
    APA
    Balshaw, Fred (1923). James Holmes [Painting]. Towneley Hall Art Gallery - Museum. https://topimpressionists.com/no/art/fred-balshaw-james-holmes-AQUBDC-en/
    Chicago
    Fred Balshaw. James Holmes. 1923. Towneley Hall Art Gallery - Museum. https://topimpressionists.com/no/art/fred-balshaw-james-holmes-AQUBDC-en/
    Harvard
    Balshaw, Fred (1923) James Holmes. Towneley Hall Art Gallery - Museum. Available at: https://topimpressionists.com/no/art/fred-balshaw-james-holmes-AQUBDC-en/

    Se nærmere etter

    James Holmes — Fred Balshaw

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Life Study of a Woman (1900), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Fred Balshaw var omtrent 63 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Kan jeg se "James Holmes" av Fred Balshaw under ulike lysforhold?

    Røntgen-siden til "James Holmes" av Fred Balshaw er en interaktiv visning som lar deg bla gjennom elleve optiske lag av kunstverkets bilde, inkludert en visning i røntgenstil.

    Hvilken farge skiller seg mest ut i "James Holmes"?

    Den dominerende fargen i "James Holmes" av Fred Balshaw er Phthalo Green (#2c2d32).

    Er "James Holmes" av Fred Balshaw et lyst eller mørkt kunstverk?

    Alt i alt er "James Holmes" registrert som balanced. Oppfattet lysstyrke beskriver hvor lyst eller mørkt verket fremstår.