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Wych Elm

Navn Klasse Dato

Gary Sargeant, Wych Elm (1989), Beverley Art Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Gary Sargeant topimpressionists.com/no/artists/gary-sargeant/
Kunstnerens levetid
1939 –
Malt
1989
Opprinnelig størrelse
74 x 61 cm
Bevegelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Arrangert på
Beverley Art Gallery topimpressionists.com/no/museums/beverley-art-gallery-beverley/

I sammenheng med

Wych Elm — Gary Sargeant

Hvor stort er det?

Originalen måler 74 × 61 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 50. 0 av de 6 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1989 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/gary-sargeant-wych-elm-AR2BPW-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #87928f

    Katalogisert palett

    • #87928F
    • #212C26
    • #535F59
    • #C4C6C7

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Gray
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Gary Sargeant i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 9 mest viste verkene av Gary Sargeant

    1. 1 Number 52, High Street, Hull, 1997 20.0%
    2. 2 London 20.0%
    3. 3 Kitchen Lane Allotments, Beverley, East Riding of Yorkshire (1), 1996 10.0%
    4. 4 Kitchen Lane Allotments, Beverley, East Riding of Yorkshire (2), 1996 10.0%
    5. 5 Beverley Pastures, East Riding of Yorkshire, 1991 10.0%
    6. 6 Cricket Pavilion (Golf Clubhouse), Londesborough, East Riding of Yorkshire, 1996 10.0%
    7. 7 Durham Cathedral 10.0%
    8. 8 Newcastle Townscape 10.0%
    9. — Wych Elm, 1989 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 9 verk av denne kunstneren, hvorav 8 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Gary Sargeant

    Gary Sargeant: A Vision Forged in Shadow

    Gary Sargeant, born in North Wales in 1939, is an artist whose compelling body of work explores the evocative landscapes and industrial heartland of England. His journey, marked by both artistic triumph and profound personal loss – culminating in his eventual blindness – has shaped a uniquely sensitive and deeply resonant style. Initially struggling with vision problems from childhood, including a persistent squint, Sargeant’s early life was defined by an acute awareness of light and shadow, a foundational element that would later become central to his artistic practice. He began his career as a scene painter for the theatre, honing his observational skills and developing a meticulous attention to detail – qualities that proved invaluable in his transition to painting. His work with Tyne Tees Television in the 1950s, a period of significant creative exploration, provided him with both experience and a deep connection to the North Eastern landscape, ultimately leading to his marriage to Val and a life rooted in the region.

    The Rise of Atmospheric Realism

    Sargeant’s artistic development is inextricably linked to his gradual loss of sight. Beginning in 1974, he experienced increasing visual impairment, eventually being registered blind in 1995. This transition wasn't a barrier but rather a catalyst for profound innovation. Stripped of the ability to directly perceive color and form, Sargeant relied increasingly on memory, texture, and an intuitive understanding of light and atmosphere. He began to build up layers of paint – often using thick impasto techniques – creating tactile surfaces that conveyed not just visual information but also a sense of depth and volume. His paintings became intensely atmospheric, capturing the subtle shifts in light and shadow that define the English countryside and industrial scenes. Works like “Wych Elm” (1989), featured in the Wych Elm collection at the Wych Elm gallery, exemplify this approach – a solitary tree rendered with remarkable detail through the manipulation of texture and tone, evoking both melancholy and resilience.

    Influences and Techniques

    Sargeant’s artistic lineage is complex and multifaceted. While he often resists definitive categorization, his work demonstrates influences ranging from Victorian landscape painting to the gritty realism of early 20th-century British artists. The meticulous observation of light evident in Constable's landscapes, combined with a sensitivity to texture reminiscent of Whistler, are frequently cited as key inspirations. His time spent working alongside LS Lowry in Durham further shaped his approach, fostering an appreciation for simplified forms and the power of tonal variation. Sargeant’s technique is characterized by a deliberate layering of paint, often applied with palette knives to build up thick textures that mimic the surfaces he observed – weathered stone, damp earth, rust-covered metal. He eschewed bright colors in favor of muted tones and subtle gradations, creating paintings that feel both immediate and deeply contemplative.

    Recognition and Legacy

    Despite his initial reluctance to embrace public attention, Gary Sargeant’s work gradually gained recognition throughout the 1980s and 90s. His paintings were exhibited at the Laing Gallery in Newcastle, a significant milestone in his career, and he received invitations to showcase his art at prestigious venues such as the European Parliament. His unique vision – born from adversity and fueled by an unwavering dedication to his craft – resonated with critics and collectors alike. He was championed by figures like John Prescott, Deputy Prime Minister of the United Kingdom, who recognized the power and beauty of Sargeant’s work. The artist's paintings have been sold at auction multiple times, demonstrating a consistent market value and solidifying his place within the contemporary art landscape. His story – a testament to the enduring capacity for creativity in the face of profound personal challenges – continues to inspire artists and viewers alike.

    A Continuing Vision

    Today, Gary Sargeant remains an active artist, continuing to create evocative paintings that explore the beauty and complexity of the British landscape. His work is characterized by its tactile quality, atmospheric depth, and a profound sense of place. His journey from struggling with vision to becoming a celebrated painter serves as a powerful reminder that true artistry can emerge not just from sight, but from the depths of experience and the unwavering pursuit of one’s creative vision.

    Museum

    Beverley Art Gallery

    Utstilt i Beverley, United Kingdom

    A Cultural Gem in East Yorkshire: The Soul of Beverley Art Gallery

    Nestled within the historic heart of Beverley, the

    Beverley Art Gallery

    stands as a profound testament to the enduring power of artistic expression and its ability to shape cultural identity. This venerable institution serves as much more than a mere repository for artifacts; it is a living bridge between the storied past of the East Riding of Yorkshire and the vibrant pulse of contemporary creativity. Visitors stepping through its doors are invited to immerse themselves in a curated journey that celebrates both the local spirit and internationally significant masterpieces, creating an atmosphere where history feels intimately connected to the present moment.

    The gallery’s true splendor is perhaps most vibrantly felt within its remarkable

    Champney Collection

    . This cornerstone of Pre-Raphaeline art offers a breathtaking window into the Victorian era’s aesthetic fervor, characterized by romantic idealism and an almost obsessive devotion to meticulous craftsmanship. As one wanders through the halls, the works of legends such as

    Dante Gabriel Rossetti

    and

    William Holman Hunt

    command the room, their detailed narratives and rich symbolism transporting viewers to a world of mythic beauty and intense emotion.

    A Legacy of Local Mastery and Architectural Grandeur

    Complementing these international treasures is a deeply personal connection to the region through the extensive works of

    Frederick William Elwell

    . As arguably Yorkshire's most prolific artist, Elwell’s presence in the gallery is unparalleled; the institution houses the largest public display of his paintings, which capture the breathtaking landscapes and the quiet, sensitive portraits of the local people with a realism that feels remarkably lifelike. Alongside his legacy, the subtle, Impressionistic touch of

    Mary Dawson Elwell

    offers poignant glimpses into Yorkshire life, capturing both the grandeur of the countryside and the quiet beauty of domestic spaces.

    The architectural setting of the gallery further enhances this sense of historical grandeur. Housed within the magnificent

    Treasure House

    complex, the gallery resides in a Victorian edifice that once served as the Town Hall and Municipal Offices. The building itself is a celebration of civic pride, reflecting the lofty aspirations of its era through its imposing design and stately presence. This historic context provides a majestic backdrop for the art within, ensuring that the very walls of the gallery whisper stories of Beverley’s architectural evolution.

    A Dynamic Hub for the Artistic Community

    Beyond its permanent treasures, the

    Beverley Art Gallery

    remains a dynamic and evolving space through its rotating exhibitions and community-focused initiatives. By frequently introducing fresh perspectives and contemporary practices, the gallery fosters a continuous dialogue between the artist and the audience, ensuring that the cultural landscape of East Yorkshire remains fertile and engaging. Through workshops and educational programs, it cultivates a deep-seated artistic curiosity in the next generation, solidifying its role as a vital community hub.

    For art lovers, collectors, and interior designers seeking inspiration, the gallery offers an unparalleled experience characterized by:

    The Champney Collection:

    A breathtaking window into Pre-Raphaelite romanticism.

    Elwell’s Mastery:

    The largest public display of Frederick William Elwell's evocative regional works.

    Historic Atmosphere:

    An immersive setting within the grand Victorian Treasure House complex.

    Accessible Beauty:

    A commitment to accessibility through free admission, making profound art available to all.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Wych Elm

    topimpressionists.com/no/art/download/gary-sargeant-wych-elm-AR2BPW-en/

    Kildehenvisning for dette kunstverket

    MLA
    Sargeant, Gary. Wych Elm. 1989, Beverley Art Gallery. https://topimpressionists.com/no/art/gary-sargeant-wych-elm-AR2BPW-en/
    APA
    Sargeant, Gary (1989). Wych Elm [Painting]. Beverley Art Gallery. https://topimpressionists.com/no/art/gary-sargeant-wych-elm-AR2BPW-en/
    Chicago
    Gary Sargeant. Wych Elm. 1989. Beverley Art Gallery. https://topimpressionists.com/no/art/gary-sargeant-wych-elm-AR2BPW-en/
    Harvard
    Sargeant, Gary (1989) Wych Elm. Beverley Art Gallery. Available at: https://topimpressionists.com/no/art/gary-sargeant-wych-elm-AR2BPW-en/

    Se nærmere på

    Wych Elm — Gary Sargeant

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: rainy landscape, tree silhouette, atmospheric art. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Durham Cathedral, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor plasserer "Wych Elm" seg blant Gary Sargeant sine gjentakende motiver?

    Blant Gary Sargeant sine dokumenterte temaer – recurring nature motifs, emphasis on light & mood, exploration of human scale, impressionist light & color, british landscape tradition, atmospheric perspective, rural english life, nature's resilience – retter "Wych Elm" sitt eget fokus mot rainy landscape, tree silhouette, atmospheric art, british nature, textured painting, solitary figure, moody scene, impressionistic”.

    Hvilken farge dominerer komposisjonen i "Wych Elm" av Gary Sargeant?

    Gray (#87928f) er den dominerende fargen i "Wych Elm" av Gary Sargeant.

    Hvilken kunstretning og hvilken epoke tilhører "Wych Elm" av Gary Sargeant?

    I "Wych Elm" av Gary Sargeant møtes Impressionism-retningen og Modern-epoken.