Papir

Veiledning for studentkunst

Narcissus

Navn Klasse Dato

Hans Feibusch, Narcissus (1946), Pallant House Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Hans Feibusch topimpressionists.com/no/artists/hans-feibusch/
Kunstnerens levetid
1898 – 1998
Malt
1946
Opprinnelig størrelse
61 x 92 cm
Arrangert på
Pallant House Gallery topimpressionists.com/no/museums/pallant-house-gallery-chichester_no/

I sammenheng med

Narcissus — Hans Feibusch

Hvor stort er det?

Originalen måler 61 × 92 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 100 ved død.

Malt da kunstneren var 48. Kunstneren ble 100 år gammel. 3 av de 12 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Hans Feibusch (1898–1998) ▲ dette verket, 1946 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1942 Hovedvirksomhetsår: 1942–1950 Senere verk: fra 1950

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/hans-feibusch-narcissus-AQS6AL-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Phthalo Green #1a2734

    Katalogisert palett

    • #1A2734
    • #468EB9
    • #92B9D7
    • #3C5468

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Phthalo Green
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Hans Feibusch i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 57.1%
    2. 2 Taiwan 42.9%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 7 mest viste verkene av Hans Feibusch

    1. 1 Landscape with Large Terracotta Jars 22.2%
    2. 2 At the Feet of Christ on the Cross 22.2%
    3. 3 Narcissus, 1946 dette maleriet 11.1%
    4. 4 Wooded Landscape, 1948 11.1%
    5. 5 Study, Men and Satyrs 11.1%
    6. 6 Rotes Tor, Taormina, Sicilien 11.1%
    7. 7 1939, 1939 11.1%

    Sammen utgjør disse verkene 99.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 24 verk av denne kunstneren, hvorav 7 ble sett på minst én gang. Dette maleriet rangerer som nummer 3 av dem, med 11.1% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Narcissus — Hans Feibusch

    The Pallant House Gallery in Chichester, United Kingdom, is home to a stunning collection of modern British art, including the captivating painting Narcissus by Hans Feibusch. Created in 1946, this oil on canvas artwork measures 61 x 92 cm and showcases the artist's unique style and technique.

    Artist Background

    Hans Feibusch was a German-born British artist known for his bold and expressive paintings. His work often explored themes of mythology, literature, and psychology, as seen in Narcissus. This painting is a prime example of Feibusch's ability to convey complex emotions and ideas through his art.

    Painting Analysis

    The painting Narcissus depicts a man sitting on the ground, lost in thought, with a contemplative expression. The use of a blue background and the subject's clasped hands create a sense of introspection and self-reflection. This artwork is not only a beautiful representation of Feibusch's skill but also an exploration of the human psyche.

    For more information on Hans Feibusch and his works, visit Hans Feibusch: Narcissus at AllPaintingsStore.com. The Pallant House Gallery is also featured in an article on Pallant House Gallery: A Hidden Gem in Chichester, United Kingdom.

    Some of Hans Feibusch's other notable works include Two Females and Römische Tempel, which can be found at AllPaintingsStore.com. These paintings demonstrate Feibusch's versatility and range as an artist, from figurative to landscape pieces.

    Conclusion

    The painting Narcissus by Hans Feibusch is a thought-provoking and visually stunning artwork that showcases the artist's unique style and technique. As part of the collection at the Pallant House Gallery, it is a must-see for art enthusiasts and collectors alike. For those interested in purchasing handmade oil painting reproductions, AllPaintingsStore.com offers a range of Feibusch's works, including Narcissus.

    Kunstner og museum

    Kunstner

    Hans Feibusch

    A Life Forged in the Fires of Change

    Born in Frankfurt am Main, Hans Feibusch’s early years were a tapestry of artistic awakening and historical upheaval. The son of a dental surgeon and an amateur painter, his creative spirit was nurtured by the delicate brushstrokes of his mother and the rigorous academic training he received under Karl Hofer at the Berlin University of the Arts. His youth, however, was not merely one of quiet study; the shadows of World War I loomed large as he served on the Russian front, an experience that would forever color his understanding of human resilience and the fragility of existence. In the vibrant, pre-war atmosphere of Germany and later Paris, Feibusch absorbed the rhythmic energy of Expressionism and the daring palettes of Fauvism, honing a style that balanced meticulous realism with a profound, emotive intensity.

    From Exile to the Sacred Walls of England

    The ascent of Nazism in 1933 forced a dramatic and painful redirection of Feibusch’s destiny. Driven by the necessity to protect his family, he fled Germany for England, carrying with him the weight of displacement and the richness of his Jewish heritage. It was within this new, often uncertain landscape that Feibusch found his most enduring calling: the transformation of Anglican sacred spaces. He did not merely decorate; he breathed life into stone and mortar. Through a series of monumental murals spanning nearly thirty churches across England, he wove together themes of faith, suffering, and transcendence. His work in places like Ely Cathedral stands as a testament to an artist who could bridge the gap between his ancestral traditions and the liturgical heart of the Church of England, creating a visual language that was both deeply personal and universally spiritual.

    The Eternal Dance of Color and Spirit

    Feibusch’s oeuvre is characterized by a breathtaking vitality, where color serves as a primary vessel for emotion. Whether capturing the sun-drenched landscapes of Sicily in Taormina, Sicily or the rhythmic ecstasy of human connection in his 1950 masterpiece The Dance, his brushwork remains unapologetically expressive. His mastery lies in the ability to evoke the sublime through several key elements:

    Bold Chromaticism: The use of vibrant, often clashing hues that command attention and stir the soul.

    Dynamic Motion: A sense of rhythmic vitality that makes even a static mural feel alive with movement.

    Symbolic Depth: An intricate layering of Jewish cultural motifs and Christian iconography.

    As we look back upon his century-long journey, Feibusch remains a singular figure—a painter who turned the trauma of exile into a legacy of light, leaving behind a trail of sacred beauty that continues to inspire awe in all who enter his painted sanctuaries.

    Museum

    Pallant House Gallery

    Utstilt i Chichester, United Kingdom

    A Sanctuary for British Modernism

    Nestled in the heart of Chichester, a city steeped in Roman and Anglo-Saxon heritage,

    Pallant House Gallery

    serves as both a custodian of Britain’s vibrant artistic past and a beacon illuminating its contemporary expressions. More than just a destination for art lovers, it offers an immersive experience—a journey through the evolution of British art from the early 20th century to the present day. All these treasures are housed within the elegant embrace of a beautifully restored Queen Anne townhouse, where the very stones whisper stories of centuries past. This historic setting provides a striking and harmonious counterpoint to the often-challenging and innovative artworks contained within its walls, creating a space where walking through the rooms feels akin to stepping into a profound dialogue between history and modernity, tradition and rebellion.

    The soul of the gallery resides in its extraordinary collection, which traces the pulse of British creativity. The story begins with the remarkable vision of Walter Hussey, who in 1977 left a foundational bequest that established the gallery's core identity. This initial gift brought luminaries such as

    Barbara Hepworth

    ,

    Henry Moore

    ,

    John Piper

    ,

    Ceri Richards

    , and

    Graham Sutherland

    into the light of public appreciation. Over the decades, this landscape of expression has been enriched by generous donations from figures like Charles Kearley and Sir Colin St John Wilson, adding layers of complexity that bridge the gap between national identity and international movements. Visitors may find themselves captivated by the rhythmic abstractions of

    Ben Nicholson

    or drawn into the visceral, human depths of works by

    Lucian Freud

    and

    Richard Hamilton

    .

    Architectural Dialogue and Living Culture

    The architectural experience of Pallant House Gallery is a masterclass in the interplay between old and new. While the original Queen Anne townhouse exudes a timeless, stately elegance, the addition of the contemporary wing, designed by Long & Associates, demonstrates a bold embrace of the future. This extension is far more than a mere structural addition; it is a carefully considered architectural dialogue. The way light and shadow dance within the modern wing enhances the viewing experience, drawing the eye to the intricate textures and emotional resonance of each piece on display. For the art lover or interior designer, this juxtaposition of classical grace and avant-garde geometry offers a profound lesson in how space can elevate subject matter.

    Beyond its permanent treasures, Pallant House Gallery distinguishes itself as a living cultural hub through a vibrant program of temporary exhibitions that consistently introduce fresh perspectives. By showcasing both established masters and emerging voices, the gallery ensures that its narrative remains dynamic and ever-evolving. This commitment to engagement extends into the digital realm through

    Perspectives

    , the gallery’s insightful blog, which offers behind-the-scenes glimpses into the creative process. Whether one is a seasoned collector seeking depth or a curious wanderer looking for inspiration, Pallant House Gallery offers a sanctuary where the legacy of British Modernism can be felt, seen, and deeply understood.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Narcissus

    topimpressionists.com/no/art/download/hans-feibusch-narcissus-AQS6AL-en/

    Kildehenvisning for dette kunstverket

    MLA
    Feibusch, Hans. Narcissus. 1946, Pallant House Gallery. https://topimpressionists.com/no/art/hans-feibusch-narcissus-AQS6AL-en/
    APA
    Feibusch, Hans (1946). Narcissus [Painting]. Pallant House Gallery. https://topimpressionists.com/no/art/hans-feibusch-narcissus-AQS6AL-en/
    Chicago
    Hans Feibusch. Narcissus. 1946. Pallant House Gallery. https://topimpressionists.com/no/art/hans-feibusch-narcissus-AQS6AL-en/
    Harvard
    Feibusch, Hans (1946) Narcissus. Pallant House Gallery. Available at: https://topimpressionists.com/no/art/hans-feibusch-narcissus-AQS6AL-en/

    Se nærmere på

    Narcissus — Hans Feibusch

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: flowers. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på The Dance (1950), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Hans Feibusch var omtrent 48 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor kan jeg kjøpe et digitalt bilde av "Narcissus" av Hans Feibusch?

    For å få en digital fil av "Narcissus" av Hans Feibusch, kan du bestille nedlasting av et digitalt bilde i høy oppløsning på siden Digitalt kunstverk.

    Hva er målene på det originale verket "Narcissus"?

    Det originale verket "Narcissus" av Hans Feibusch måler 61 x 92 cm.

    Hvordan kan jeg forhåndsvise en reproduksjon av "Narcissus" av Hans Feibusch?

    En forhåndsvisning av "Narcissus" av Hans Feibusch er tilgjengelig på kunstverkets Se kunstverket i et rom-side.