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Self Portrait

Navn Klasse Dato

Isaac Rosenberg, Self Portrait (1911). Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Isaac Rosenberg topimpressionists.com/no/artists/isaac-rosenberg/
Kunstnerens levetid
1890 – 1918
Malt
1911
Opprinnelig størrelse
50 x 39 cm
Bevegelse
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

I sammenheng med

Self Portrait — Isaac Rosenberg

Dimensjoner

Originalen måler 50 × 39 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 28 ved død.

Malt da kunstneren var 21. Kunstneren ble 28 år gammel. 1 av de 12 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Isaac Rosenberg (1890–1918) ▲ dette verket, 1911 hvert daterte maleri, tiår for tiår

Lignende verk

  • Sonia, 1915 topimpressionists.com/no/art/isaac-rosenberg-sonia-AQSF4U-en/
  • Isaac Rosenberg, 1915 topimpressionists.com/no/art/isaac-rosenberg-isaac-rosenberg-AQSF58-en/
  • The Fountain, 1911 topimpressionists.com/no/art/isaac-rosenberg-the-fountain-AQSF4Y-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/isaac-rosenberg-self-portrait-AQSF56-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Espresso #4d4d39

    Lagret palett

    • #4D4D39
    • #404232
    • #2B332B
    • #987040

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Espresso
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Isaac Rosenberg i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 4 mest viste verkene av Isaac Rosenberg

    1. 1 Sonia, 1915 50.0%
    2. 2 The Fountain, 1911 25.0%
    3. 3 Letter by Isaac Rosenberg To Gordon Bottomley / Daughters of War, 1916 25.0%
    4. — Self Portrait, 1911 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 12 verk av denne kunstneren, hvorav 3 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Isaac Rosenberg

    The Soul of the Trenches: The Dual Legacy of Isaac Rosenberg

    To understand the profound, haunting resonance of Isaac Rosenberg is to encounter a spirit caught between the delicate precision of an engraver’s tool and the visceral, mud-soaked reality of the Great War. Born in Bristol in 1890 to Lithuanian Jewish immigrants, Rosenberg’s early life was defined by a relentless pursuit of beauty amidst the grit of London's East End. His journey from a young apprentice in a Fleet Street engraving studio to the prestigious halls of the Slade School of Fine Art is a testament to a raw, unyielding talent. At the Slade, he moved within a constellation of burgeoning modernists, sharing studios and ideas with figures such as David Bomberg, Mark Gertler, and Stanley Spencer. This period of intense artistic formation instilled in him a visual literacy that would later bleed into his most famous literary achievements, allowing him to "paint" with words a landscape of human suffering and resilience.

    Rosenberg’s artistry was never a singular pursuit; rather, it was a symbiotic dialogue between the eye and the pen. While he sought to establish himself as a painter, exhibiting works at the Whitechapel Gallery, it was his poetic voice that would ultimately capture the historical consciousness of an era. His early collections, such as Night and Day, hinted at a burgeoning mastery of rhythm and imagery, but it was the onset of the First World War that thrust his talent into the crucible of history. Unlike many of his contemporaries who approached the conflict through a lens of patriotic fervor, Rosenberg’s work was marked by a profound, often agonizing realism. He viewed the war not as a glorious crusade, but as a devastating force that threatened to extinguish the very essence of human creativity.

    A Vision Forged in Conflict

    The transition from the tranquil studies of art school to the harrowing existence of the trenches transformed Rosenberg’s creative output into something uniquely visceral. As a soldier in the King’s Own Royal Lancaster Regiment, he lived the very horrors he described, and this proximity to death lent his verse an unparalleled authenticity. His Poems from the Trenches stand as some of the most significant literary artifacts of the twentieth century. In these works, the boundaries between his training as a visual artist and his vocation as a poet dissolve; one can almost see the heavy textures of the earth, the stark shadows of No Man's Land, and the fractured light of artillery fire through his meticulously crafted metaphors.

    His development as an artist was characterized by a refusal to let the devastation of war master his "poeting." Even as he faced chronic ill-health and the constant threat of violence, he maintained a commitment to exploring complex themes of identity, social injustice, and the psychological toll of combat. His ability to capture the minute, often overlooked details of soldier life—the shared moments of humanity amidst the chaos—provided a necessary counterpoint to the grand, sweeping narratives of war propaganda. This unflinching gaze at the reality of the front lines ensured that his work remained deeply grounded in the human condition, making it as much a psychological study as a historical record.

    Historical Significance and Eternal Resonance

    The tragic death of Isaac Rosenberg on the French front in 1918, only months before the Armistice, robbed the world of an artist who was just beginning to reach his zenith. Yet, his impact remains indelible. He occupies a singular space in the canon of Great War poets, bridging the gap between the traditional lyricism of the past and the fragmented, modernist sensibilities of the future. His legacy is not merely found in the printed word, but in the way he taught subsequent generations to witness history through a lens of empathy and uncompromising truth.

    Today, we remember Rosenberg as a figure of immense cultural importance, whose life and work serve as a poignant reminder of the fragility of art in the face of destruction. His achievements include:

    The integration of visual and literary arts: Utilizing his training at the Slade School to bring a unique, painterly depth to war poetry.

    A pioneering voice of realism: Moving away from romanticized depictions of battle toward an honest, often brutal portrayal of trench life.

    Enduring literary influence: Establishing a body of work that continues to be studied for its profound exploration of identity and the human spirit during times of crisis.

    Her kan du lese mer

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    QR-kode som lenker til nedlastingssiden for Self Portrait

    topimpressionists.com/no/art/download/isaac-rosenberg-self-portrait-AQSF56-en/

    Kildehenvisning for dette kunstverket

    MLA
    Rosenberg, Isaac. Self Portrait. 1911, https://topimpressionists.com/no/art/isaac-rosenberg-self-portrait-AQSF56-en/
    APA
    Rosenberg, Isaac (1911). Self Portrait [Painting]. https://topimpressionists.com/no/art/isaac-rosenberg-self-portrait-AQSF56-en/
    Chicago
    Isaac Rosenberg. Self Portrait. 1911. https://topimpressionists.com/no/art/isaac-rosenberg-self-portrait-AQSF56-en/
    Harvard
    Rosenberg, Isaac (1911) Self Portrait. Available at: https://topimpressionists.com/no/art/isaac-rosenberg-self-portrait-AQSF56-en/

    Se nærmere etter

    Self Portrait — Isaac Rosenberg

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: portrait, self-reflection, introspection. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Sonia (1915), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem skapte "Self Portrait", og når?

    Isaac Rosenberg laget "Self Portrait" i 1911.

    Er "Self Portrait" typisk for det Isaac Rosenberg vanligvis skapte?

    Blant Isaac Rosenberg sine dokumenterte temaer – expressionist portraiture, wwi trauma & loss, lithuanian jewish identity, poet's inner turmoil", early 20th century modernism, fragmented self-image", reflecting war's impact" – retter "Self Portrait" sitt eget fokus mot portrait, self-reflection, introspection, wwi, expressionism, anguish, melancholy, geometric forms.

    Hva har "Self Portrait" til felles med resten av Isaac Rosenberg sin produksjon?

    "Self Portrait" deler med Isaac Rosenbergs andre verk sin Expressionism-stil og de gjentakende temaene: expressionist portraiture, wwi trauma & loss, lithuanian jewish identity, poet's inner turmoil", early 20th century modernism, fragmented self-image", reflecting war's impact".