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The Tinker

Navn Klasse Dato

James Peel, The Tinker (1842), Darlington Library. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
James Peel topimpressionists.com/no/artists/james-peel/
Kunstnerens levetid
1811 – 1906
Malt
1842
Opprinnelig størrelse
35 x 31 cm
Arrangert på
Darlington Library topimpressionists.com/no/museums/darlington-library-darlington/

I sammenheng med

The Tinker — James Peel

Dimensjoner

Originalen måler 35 × 31 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 95 ved død.

Malt da kunstneren var 31. Kunstneren ble 95 år gammel. 0 av de 14 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til James Peel (1811–1906) ▲ dette verket, 1842 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1865 Hovedvirksomhetsår: 1865–1877 Senere verk: fra 1877

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/james-peel-the-tinker-AQTS34-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Quinacridone Magenta #7a5c48

    Lagret palett

    • #7A5C48
    • #A17E63
    • #523E38
    • #C4AE9D

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Quinacridone Magenta
    Metning
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av James Peel i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 90.9%
    2. 2 Storbritannia 9.1%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 11 mest viste verkene av James Peel

    1. 1 Roke Farm, Witley, Surrey 16.7%
    2. 2 Borrowdale, Cumbria 16.7%
    3. 3 Church Field at Edmonton, 1869 8.3%
    4. 4 Landscape with a River, 1877 8.3%
    5. 5 Totteridge, near Hampstead, 1900 8.3%
    6. 6 Near Rosthwaite 8.3%
    7. 7 The Head of Loch Lomond 8.3%
    8. 8 The Reaper 8.3%
    9. 9 Cotherstone, Yorkshire 8.3%
    10. 10 Landscape with Cows 8.3%
    11. — The Tinker, 1842 dette maleriet 0.0%

    Sammen utgjør disse verkene 99.8% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 41 verk av denne kunstneren, hvorav 10 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    James Peel

    James Peel: A Painter of Northern Light

    Born in Newcastle upon Tyne in 1811, James Peel’s life and artistic journey were inextricably linked to the rugged beauty of northern England – specifically, Northumberland, Yorkshire, and Wales. His early years, steeped in the industrial heritage of his father's woollen drapery business, provided a grounding in observation and an appreciation for the changing landscapes around him. Unlike many artists of his era who sought grand, idealized vistas, Peel’s work possessed a remarkable intimacy, capturing not just the scenery but also the subtle textures, atmospheric conditions, and quiet rhythms of rural life. His artistic development was nurtured by Alexander Dalziel, a skilled wood engraver, who recognized Peel's innate talent for drawing and encouraged his pursuit of painting.

    Peel’s formal training began at Bruce’s School in Newcastle, where he honed his skills alongside notable figures like Sir Charles Mark Palmer and John Collingwood Bruce. However, it was a move to London in 1840 that truly propelled his career forward. Initially drawn to portraiture – producing striking copies of works by Wilkie Collins, including ‘Blind Fiddler’ and ‘The Village Festival,’ both housed within the National Gallery – Peel soon gravitated towards landscape painting. This shift reflected a deeper connection with the natural world, an impulse he would consistently pursue throughout his career.

    A Palette of Northern Moods

    Peel's artistic style is characterized by a remarkable sensitivity to light and atmosphere. He wasn’t interested in dramatic sunsets or sweeping vistas; instead, he meticulously rendered the subtle shifts in color and tone that defined the northern skies – the bruised purples of impending rain, the hazy greys of misty mornings, and the golden hues of late afternoon. His brushwork was precise yet fluid, conveying a sense of immediacy and spontaneity. He frequently depicted scenes of everyday rural life: shepherds tending their flocks, farmers working in their fields, and villagers engaged in their routines. These weren’t romanticized depictions; they were honest portrayals of a hardworking people living in harmony with the land.

    A key element of Peel's technique was his masterful rendering of trees – an obsession that became almost synonymous with his name. He possessed an extraordinary ability to capture their intricate forms, the play of light and shadow on their bark, and the way they stood sentinel against the sky. Works like ‘A Lane in Berwickshire’ and ‘Cotherstone, Yorkshire,’ now residing in the Laing Art Gallery in Newcastle, exemplify this skill, showcasing a deep understanding of tree structure and an almost tactile quality to his brushstrokes.

    Royal Recognition and Artistic Circles

    Peel's dedication and talent quickly gained him recognition within the established art world. He began exhibiting at the Royal Academy in 1843 and subsequently joined the Royal Society of British Artists, a prestigious organization that championed English landscape painting. His work was consistently praised for its sincerity, technical skill, and evocative portrayal of northern landscapes. He wasn’t merely documenting scenery; he was conveying a feeling – a sense of quiet contemplation, rustic charm, and deep connection to the land.

    Peel's artistic circle extended beyond the Royal Academy. He actively participated in “free” exhibitions organized by figures like Ford Madox Brown and William Bell Scott, challenging the established norms of the art market and advocating for greater accessibility to art. These initiatives demonstrated his commitment to fostering a vibrant and inclusive artistic community.

    Legacy and Enduring Appeal

    James Peel died in Reading in 1906, leaving behind a substantial body of work that continues to resonate with viewers today. His paintings are not grand statements but intimate glimpses into the heart of northern England – a region he loved deeply and captured with remarkable honesty and skill. His influence can be seen in subsequent generations of landscape artists who sought to emulate his sensitivity to light, his meticulous technique, and his profound appreciation for the beauty of the natural world.

    Peel’s legacy extends beyond his artistic achievements. He represents a pivotal moment in British art history – a time when landscape painting moved away from idealized representations and embraced a more direct and personal approach. His work serves as a reminder that true artistry lies not just in technical skill but also in the ability to capture the essence of a place and its people.

    Museum

    Darlington Library

    Utstilt på Darlington, United Kingdom

    A Tapestry of Industry and Art: Unveiling Darlington Library

    Nestled within the heart of County Durham, Darlington Library stands as a remarkably singular institution – a vibrant confluence of public library services, an engaging art gallery, and a meticulously curated local studies center. More than simply a repository for books, it’s a living testament to Darlington's rich industrial heritage and its enduring commitment to cultural preservation. The building itself, a Grade II listed Victorian structure, whispers tales of the town’s pivotal role in the rise of railways, while within its walls, an impressive collection of art, historical documents, and local treasures awaits discovery. The library’s unique integration of these elements creates a dynamic space where visitors can trace the evolution of a community, appreciate artistic expression across generations, and connect with their local roots.

    At the heart of Darlington Library lies its remarkable focus on railway history – a legacy inextricably linked to the town's identity. The ‘Whistle Stop’ exhibition is a must-see, offering a captivating journey through the lives and innovations that shaped this vital industry. Here, meticulously preserved artifacts—from original blueprints and locomotive components to passenger tickets and personal accounts—paint a vivid picture of Darlington’s role as a crucial hub in the burgeoning railway network. Beyond the locomotives themselves, the exhibition delves into the social impact of the railways, showcasing how they transformed travel, trade, and daily life for generations. Alongside this industrial narrative, the library boasts an impressive collection of portraits, many capturing notable figures from local history – industrialists, politicians, artists, and everyday citizens who shaped Darlington’s character. These paintings offer intimate glimpses into the personalities and aspirations of a bygone era.

    The Artistic Legacy of Frances Darlington

    A particularly noteworthy aspect of Darlington Library's art collection is its celebration of Frances Darlington (1865-1947), a prominent local artist whose work has been largely overlooked for far too long. Darlington, her birthplace, provided the inspiration for many of her pieces, which often depicted the rolling landscapes and charming villages of County Durham. Her sculptures, particularly those adorning public spaces within the library itself, are characterized by their elegant lines and a subtle grace that reflects the artistic sensibilities of the late Victorian and early Edwardian periods. Furthermore, Darlington’s decorative panels – intricate mosaics and painted murals – add a unique dimension to the library's interior design, transforming ordinary walls into captivating works of art. These pieces offer a rare opportunity to witness the creative spirit of a local talent whose contributions deserve greater recognition.

    A Building Steeped in History

    Darlington Library’s architectural significance is as compelling as its artistic holdings. Constructed during the Victorian era, the building stands as a proud symbol of Darlington's growth and prosperity. Its design reflects the prevailing aesthetic trends of the time – ornate detailing, soaring ceilings, and generous windows that flood the interior with natural light. The library has served as a vital community resource for over a century, adapting to changing needs while retaining its historical integrity. The careful preservation of the building’s original features—including intricate plasterwork, mahogany paneling, and stained-glass windows—provides a tangible connection to Darlington's past. A visit to the library is therefore not just an exploration of art and history; it’s also a journey through time.

    Beyond the Books: Local Studies and Community Engagement

    What truly distinguishes Darlington Library from other institutions is its seamless integration of diverse functions. The local studies center provides invaluable resources for researchers, genealogists, and anyone interested in tracing their family history or delving into the region’s past. Extensive archives, maps, photographs, and oral histories offer a rich tapestry of information about County Durham and its surrounding areas. Moreover, Darlington Library actively fosters community engagement through a range of programs and events—lectures, workshops, exhibitions, and children's activities—that cater to diverse interests and age groups. It’s a place where people can learn, connect, and celebrate their shared heritage.

    A Unique Destination

    Darlington Library is more than just a building filled with books; it’s a vibrant center for learning, discovery, and community life. Its unique combination of library services, an art gallery showcasing local talent, and a comprehensive local studies center makes it a truly exceptional destination. Whether you're a railway enthusiast, an art lover, a history buff, or simply seeking a welcoming space to explore and connect with your community, Darlington Library offers something for everyone. A visit is guaranteed to be both enlightening and inspiring.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for The Tinker

    topimpressionists.com/no/art/download/james-peel-the-tinker-AQTS34-en/

    Kildehenvisning for dette kunstverket

    MLA
    Peel, James. The Tinker. 1842, Darlington Library. https://topimpressionists.com/no/art/james-peel-the-tinker-AQTS34-en/
    APA
    Peel, James (1842). The Tinker [Painting]. Darlington Library. https://topimpressionists.com/no/art/james-peel-the-tinker-AQTS34-en/
    Chicago
    James Peel. The Tinker. 1842. Darlington Library. https://topimpressionists.com/no/art/james-peel-the-tinker-AQTS34-en/
    Harvard
    Peel, James (1842) The Tinker. Darlington Library. Available at: https://topimpressionists.com/no/art/james-peel-the-tinker-AQTS34-en/

    Se nærmere etter

    The Tinker — James Peel

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Moel Siabod, North Wales (1870), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. James Peel var omtrent 31 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken fargeharmoni utviser "The Tinker" av James Peel?

    Fargene i "The Tinker" av James Peel viser en Strong Color Unity harmoni. Harmoni beskriver hvordan fargene forholder seg til hverandre.

    Tillater opphavsretten til "The Tinker" av James Peel reproduksjoner?

    "The Tinker" av James Peel, som befinner seg i Darlington Library, er i det frie domene – opphavsretten har utløpt. Denne statusen avgjør om det er tillatt å lage reproduksjoner av bildet.

    Hvor mettet er fargepaletten i "The Tinker"?

    "The Tinker" av James Peel er gjengitt med en Subtle Color metning.