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Veiledning for studentkunst

Landscape and Cattle

Navn Klasse Dato

John H (Jock) Wilson, Landscape and Cattle. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
John H (Jock) Wilson topimpressionists.com/no/artists/john-h-jock-wilson/
Kunstnerens levetid
1774 – 1855
Opprinnelig størrelse
20 x 36 cm
Bevegelse
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

I sammenheng med

Landscape and Cattle — John H (Jock) Wilson

Dimensjoner

Originalen måler 20 × 36 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 81 ved død.

Skyggelagt: livsløpet til John H (Jock) Wilson (1774–1855) hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/john-h-jock-wilson-landscape-and-cattle-AS7RW5-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Khaki #d0c990

    Lagret palett

    • #D0C990
    • #342B11
    • #706327
    • #979467

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Khaki
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av John H (Jock) Wilson i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 8 mest viste verkene av John H (Jock) Wilson

    1. 1 A Coastal Scene Between Nieuport and Ostend, 1816 14.3%
    2. 2 St Mary Redcliffe from the Floating Harbour 14.3%
    3. 3 Approaching Storm, Entrance to the Firth of Forth 14.3%
    4. 4 Port Scene, 1855 14.3%
    5. 5 Shipping off the Coast 14.3%
    6. 6 Coast Scene, Stormy Effect 14.3%
    7. 7 On the Scheldt 14.3%
    8. — Landscape and Cattle dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 20 verk av denne kunstneren, hvorav 7 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    John H (Jock) Wilson

    Early Life and Artistic Beginnings

    John H. “Old Jock” Wilson, born in Ayr, Scotland, in 1774, emerged from a background steeped in the practicalities of maritime life—his father was a merchant sea captain. This early connection to the ocean would profoundly shape his artistic trajectory, imbuing his later works with an authenticity and emotional resonance rarely found in purely academic landscapes. Initially destined for a trade, Wilson’s path took an unexpected turn when he apprenticed as a house painter in Edinburgh at the young age of thirteen. However, it was under the tutelage of Alexander Nasmyth, a prominent Scottish landscape artist, that his true vocation began to blossom. For two years, Wilson honed his skills in Montrose, painting evocative scenes and sharing his burgeoning talent by teaching drawing—a testament to his natural inclination for both creation and instruction.

    London and the Rise to Prominence

    The allure of London beckoned in 1798, a city brimming with artistic opportunity. Wilson initially found work as a scenery painter for Astley’s Amphitheatre and other theatres, a demanding role that nevertheless sharpened his observational skills and mastery of atmospheric perspective. This period proved crucial in developing his ability to capture dramatic light and movement—qualities that would become hallmarks of his mature style. From 1807 onwards, Wilson consistently exhibited at the Royal Academy, showcasing seventy-six paintings over the course of four decades. He also maintained a prolific presence at the British Institution between 1813 and 1854 with an impressive one hundred and forty-four exhibits. His dedication to exhibiting established him within the London art world, garnering recognition for his increasingly sophisticated depictions of coastal scenes and landscapes.

    A Master of Marine Painting

    Wilson’s artistic focus centered on the raw beauty and untamed power of the sea. He wasn't merely documenting coastlines; he was capturing a feeling—the chill spray of waves, the brooding presence of storm clouds, the delicate interplay of light on water. His paintings often featured small ships battling choppy seas, evoking both the vulnerability and resilience of human endeavor against the forces of nature. This realism, combined with a romantic sensibility, resonated deeply with audiences. In 1825, he received a prestigious premium from the British Institution for The Battle of Trafalgar, a work that was subsequently acquired by Lord Northwick—a clear indication of his growing reputation and artistic merit. The painting’s eventual allocation to East Ayrshire Council in 2010 ensured its continued public accessibility, allowing future generations to appreciate Wilson's skill.

    Founding the Society of British Artists

    Wilson wasn’t content simply to exhibit within established institutions; he actively sought to create new avenues for artistic expression. He was a founding member of the Society of British Artists in 1823, an organization dedicated to promoting the work of British artists independent of the Royal Academy's often-conservative standards. His commitment to this society culminated in his presidency in 1827—a testament to his leadership and influence within the artistic community. Simultaneously, he was elected as an honorary member of the Scottish Academy, further solidifying his position as a respected figure on both sides of the border.

    A Legacy Continued Through Generations

    John Wilson’s impact extended beyond his own prolific output; he fostered a family tradition of artistic excellence. His son, John James Wilson (known as “Young Jock”), followed in his father's footsteps and became a painter himself. Even further down the line, his grandson, William John Wilson, continued the lineage as a theatre scene painter and manager—a direct continuation of the profession that had launched his grandfather’s career. This multi-generational dedication speaks volumes about Wilson’s enduring influence and the profound impact he had on those around him. His works continue to captivate viewers with their evocative power, offering a glimpse into the beauty and drama of 19th-century coastal life—a legacy that endures through time.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Landscape and Cattle

    topimpressionists.com/no/art/download/john-h-jock-wilson-landscape-and-cattle-AS7RW5-en/

    Kildehenvisning for dette kunstverket

    MLA
    Wilson, John H (Jock). Landscape and Cattle. n.d., https://topimpressionists.com/no/art/john-h-jock-wilson-landscape-and-cattle-AS7RW5-en/
    APA
    Wilson, John H (Jock) (n.d.). Landscape and Cattle [Painting]. https://topimpressionists.com/no/art/john-h-jock-wilson-landscape-and-cattle-AS7RW5-en/
    Chicago
    John H (Jock) Wilson. Landscape and Cattle. n.d. https://topimpressionists.com/no/art/john-h-jock-wilson-landscape-and-cattle-AS7RW5-en/
    Harvard
    Wilson, John H (Jock) (n.d.) Landscape and Cattle. Available at: https://topimpressionists.com/no/art/john-h-jock-wilson-landscape-and-cattle-AS7RW5-en/

    Se nærmere etter

    Landscape and Cattle — John H (Jock) Wilson

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 1 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: scottish landscape, cattle painting, rural scenery. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Fair on the Town Moor, Newcastle (1810), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er "Landscape and Cattle" av John H (Jock) Wilson et lyst eller mørkt kunstverk?

    "Landscape and Cattle" har en samlet lysstyrke på bright, og luminansen er Gentle Luminance.

    Hvor intense er fargene i "Landscape and Cattle" av John H (Jock) Wilson?

    "Landscape and Cattle" av John H (Jock) Wilson viser en Vivid fargeintensitet.

    Hvordan relaterer stilen til "Landscape and Cattle" seg til skaperens epoke?

    "Landscape and Cattle" av John H (Jock) Wilson tilhører Romanticism-retningen, innenfor skaperens 19th Century-epoke.