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Landscape IV

Navn Klasse Dato

John Virtue, Landscape IV, University of Plymouth. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
John Virtue topimpressionists.com/no/artists/john-virtue/
Kunstnerens levetid
1947 –
Opprinnelig størrelse
168 x 167 cm
Bevegelse
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Arrangert på
University of Plymouth topimpressionists.com/no/museums/university-of-plymouth-plymouth/

I sammenheng med

Landscape IV — John Virtue

Dimensjoner

Originalen måler 168 × 167 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/john-virtue-landscape-iv-AQSNQZ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Putty #c1c2c4

    Lagret palett

    • #C1C2C4
    • #1D1D1B
    • #4C4C4B
    • #86847D

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Putty
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av John Virtue i løpet av de siste tolv månedene — 2 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 Storbritannia 60.0%
    2. 2 China 40.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 5 mest viste verkene av John Virtue

    1. 1 Landscape No.664, 2003 55.6%
    2. 2 Landscape No.739, 2004 22.2%
    3. 3 Landscape No.662, 2003 11.1%
    4. 4 Landscape 715, 2004 11.1%
    5. Landscape IV dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 10 verk av denne kunstneren, hvorav 4 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    John Virtue

    Født i Accrington, United Kingdom

    The Monochrome Vision of John Virtue

    In the vast landscape of contemporary British art, few voices resonate with as much atmospheric intensity as John Virtue. Born in Accrington, United Kingdom, in 1947, Virtue has carved out a singular niche through his mastery of monochrome landscapes. His work does not merely depict scenery; it evokes a profound sense of solitude and urban beauty, stripping away the distractions of color to reveal the raw, structural essence of the world around him. By viewing color as an unnecessary distraction, he focuses the viewer's gaze on the interplay of light, shadow, and form, creating a visual language that is both hauntingly beautiful and deeply meditative.

    Virtue’s artistic journey is one of remarkable evolution and dedication. After training at the Slade School of Fine Art in London between 1965 and 1969, his early years were marked by a transition from traditional painting to a more intricate, linear approach. Following a period in Green Haworth, near Oswaldtwistle, he experimented with pen and ink drawings characterized by dense networks of lines, a style reminiscent of the intricate work of Samuel Palmer. This period of intense study and observation laid the groundwork for his later, more monumental achievements, where the fine line meets the expansive canvas.

    Technique and the Essence of Monochrome

    The technical brilliance of Virtue’s work lies in his ability to create immense depth using a restricted palette. Utilizing shellac black ink and white paint, he constructs landscapes that feel as though they are emerging from a mist or a memory. His process often involves textured impasto and expressive brushwork, particularly evident in his oil on canvas pieces, which lend a tactile quality to the monochromatic surfaces. This method allows him to capture the vitality of a scene—whether it be the ruggedness of an estuary or the sprawling complexity of a metropolis—through purely tonal contrasts.

    His most celebrated period as an Associate Artist at London's National Gallery from 2003 to 2005 brought his "London Paintings" to international prominence. In these works, Virtue provided a new vision of the capital, transforming recognizable landmarks such as St. Paul's Cathedral, the Gherkin, and the NatWest Tower into abstract, atmospheric patterns. By working directly at significant sites, including the rooftops of Somerset House and the National Gallery itself, he captured the topographical relationships and the very soul of the city, presenting a London that is simultaneously familiar and otherworldly.

    Legacy and Artistic Significance

    Beyond his technical prowess, John Virtue’s significance lies in his ability to connect the traditions of the Old Masters with contemporary abstraction. His work has been recognized through numerous prestigious accolades, including the Arts Council Major Award and being named the Best Visual Artist in the South Bank Awards. His dedication to his craft is further evidenced by his role as an honorary Professor of Fine Art at the University of Plymouth.

    Today, the enduring impact of his vision can be found in the esteemed collections of some of the world's most renowned institutions, ensuring that his monochrome explorations continue to inspire future generations. His contributions to the art world include:

    The National Gallery, London: Showcasing his monumental works as an Associate Artist.

    TATE, London: Housing his significant contributions to British landscape art.

    British Museum and Victoria and Albert Museum: Preserving his intricate drawings and historical perspectives.

    Yale Center for British Art: Featuring his profound explorations of urban topography.

    Museum

    University of Plymouth

    Utstilt på Plymouth, United Kingdom

    Plymouth’s Artistic Heartbeat: Exploring The Box

    Nestled in the revitalized heart of Plymouth, England, The Box stands as a testament to civic pride and a beacon for cultural enrichment. More than just a museum, it's an immersive experience—a convergence of artistic vision, scholarly exploration, and community engagement that captures the spirit of Devon’s coastal city.

    Founded in 2015, The Box emerged from the ambitious redevelopment of Plymouth Docklands, transforming a former industrial site into a vibrant cultural destination. Its architectural design cleverly integrates historic buildings—primarily Rolle College and Seale-Hayne College—with striking contemporary structures conceived by Sauerbruch Architekten, creating a dialogue between past and present.

    A Diverse Collection: From Maritime Heritage to Fine Arts

    The Box’s collection is remarkably varied, reflecting Plymouth's multifaceted heritage. Visitors can delve into the captivating narratives of Devonport’s seafaring history through exhibits showcasing maritime artifacts and artworks inspired by the ocean—including stunning pieces by Stephen Wheeler, whose whimsical realism style beautifully captures the essence of coastal landscapes.

    Local History:

    Explore Plymouth's rich past, from its role in naval prowess to the stories of influential figures who shaped the city’s identity.

    Art Gallery:

    Admire a curated selection of modern and contemporary artworks, featuring prominent artists like Kehinde Wiley, known for his bold portraits that challenge perspectives on representation.

    Maritime Heritage:

    Discover Plymouth's deep connection to the sea through interactive displays and meticulously preserved vessels—a journey back to Britain’s maritime golden age.

    The Mayflower 400 Anniversary:

    Commemorate the pivotal voyage of the Mayflower, examining its impact on American history and exploring exhibitions that celebrate Plymouth’s role as a cradle of liberty.

    Decorative & Fine Arts:

    Immerse yourself in collections encompassing sculpture, ceramics, silver, and other decorative arts—each piece offering insights into artistic styles and cultural traditions across time periods.

    The Cottonian Collection: A Window to Natural History

    Alongside its art gallery offerings, The Box houses a significant collection of natural history specimens and antiquities—the Cottonian Collection—representing centuries of scientific curiosity and artistic patronage. These treasures provide invaluable context for understanding Plymouth’s cultural landscape and fostering appreciation for the interconnectedness between art and science.

    A Hub for Creativity and Engagement

    What truly distinguishes The Box is its commitment to fostering creativity and community connection. Regular events, workshops, and collaborative projects invite visitors of all ages to engage with artistic ideas and contribute to Plymouth’s cultural vitality. Furthermore, admission to many exhibits is free, ensuring that this extraordinary institution remains accessible to everyone—a cornerstone of Plymouth's educational landscape.

    Located at

    https://www.theboxplymouth.com/

    , The Box stands as a symbol of Plymouth’s ambition and its dedication to preserving artistic heritage for generations to come.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Landscape IV

    topimpressionists.com/no/art/download/john-virtue-landscape-iv-AQSNQZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Virtue, John. Landscape IV. n.d., University of Plymouth. https://topimpressionists.com/no/art/john-virtue-landscape-iv-AQSNQZ-en/
    APA
    Virtue, John (n.d.). Landscape IV [Painting]. University of Plymouth. https://topimpressionists.com/no/art/john-virtue-landscape-iv-AQSNQZ-en/
    Chicago
    John Virtue. Landscape IV. n.d. University of Plymouth. https://topimpressionists.com/no/art/john-virtue-landscape-iv-AQSNQZ-en/
    Harvard
    Virtue, John (n.d.) Landscape IV. University of Plymouth. Available at: https://topimpressionists.com/no/art/john-virtue-landscape-iv-AQSNQZ-en/

    Se nærmere etter

    Landscape IV — John Virtue

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: monochrome, landscape, cityscape. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Landscape No.664 (2003), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken metning og intensitet har "Landscape IV" av John Virtue?

    Fargen i "Landscape IV" har en metning på Muted og en intensitet på Monochromatic.

    Kan jeg se "Landscape IV" av John Virtue på min egen vegg før jeg kjøper?

    "Landscape IV" av John Virtue kan forhåndsvises på din egen vegg med kunstverkets AR-forhåndsvisning-side, ved bruk av utvidet virkelighet (AR) på en kompatibel enhet.

    Viser "Landscape IV" sterke lys-mørke-kontraster?

    "Landscape IV" av John Virtue viser en Statement kontrast mellom de lyse og mørke partiene.