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Squall

Navn Klasse Dato

Kurt Jackson, Squall, The Met Office. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Kurt Jackson topimpressionists.com/no/artists/kurt-jackson/
Kunstnerens levetid
1961 –
Opprinnelig størrelse
122 x 122 cm
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Arrangert på
The Met Office topimpressionists.com/no/museums/the-met-office-exeter_no/

I sammenheng med

Squall — Kurt Jackson

Hvor stort er det?

Originalen måler 122 × 122 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/kurt-jackson-squall-AR2DAC-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #969ba3

    Katalogisert palett

    • #969BA3
    • #303034
    • #61656E
    • #DFE5E5

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Rosy Brown
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Kurt Jackson i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 80.0%400 besøk
    2. 2 Storbritannia 20.0%100 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 6 mest viste verkene av Kurt Jackson

    1. 1 Infant Tamar Evening Warbler Song, 2008 33.3%200 besøk
    2. 2 Several Winter Evenings Delabole 16.7%100 besøk
    3. 3 Sun and Rain, Strong Winds, Drilling Carnsew Mine, 1999 16.7%100 besøk
    4. 4 Catch the Light 16.7%100 besøk
    5. 5 Across to the Mount, 1999 16.7%100 besøk
    6. — Squall dette maleriet 0.0%0 besøk

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 9 verk av denne kunstneren, hvorav 5 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Kurt Jackson

    Kurt Jackson: Bridging Abstract Expressionism and Landscape Impression

    Kurt Jackson (b. 1961) stands as a distinctive voice within contemporary British art, blending the dynamism of Abstract Expressionism with the serene beauty of landscape painting. Born in Stoke-on-Trent, Staffordshire, his artistic journey began amidst the industrial heritage of the Potteries, fostering an early fascination with texture and materiality – influences that would permeate his subsequent work. Jackson’s distinctive style is characterized by bold color palettes juxtaposed against textured impasto surfaces, creating canvases brimming with emotion and capturing fleeting moments of natural grandeur.

    Early Influences: Jackson's formative years were shaped by the gritty landscapes of Stoke-upon-Trent and a deep appreciation for the expressive techniques pioneered by artists like Willem de Kooning and Franz Kline. These encounters instilled in him a conviction that abstraction could serve as a conduit for conveying profound feelings about the natural world.

    Technique & Material Exploration: Jackson’s artistic process is marked by meticulous experimentation with various mediums, including watercolor, acrylics, oil paints, and mixed media. He frequently incorporates found objects – stones, driftwood, and even soil – into his paintings, elevating them beyond mere representation to become tactile explorations of form and texture.

    Notable Works: Among Jackson’s celebrated pieces are “Across to the Mount,” a monumental watercolor depicting coastal cliffs bathed in sunlight; “Sun and Rain, Strong Winds, Drilling Carnsew Mine,” a dramatic depiction of a Cornish mine site capturing industrial energy against atmospheric conditions; and “Greece,” an impressionistic landscape portraying rural Greece with evocative color harmonies.

    Critical Recognition: Jackson’s work has garnered considerable acclaim from critics and collectors alike. He was awarded the Turner Prize in 2003, cementing his position as one of Britain's most prominent artists of his generation.

    The Legacy of Abstract Expressionism & Luminist Vision

    Jackson’s artistic vision draws heavily from the principles of Abstract Expressionism, particularly the emphasis on spontaneous gesture and emotional intensity—a reaction against the formalism prevalent in earlier art movements. However, unlike many of his contemporaries who focused solely on internal psychological landscapes, Jackson consistently returns to external observation, channeling Luminist influences into his depictions of natural environments. This dual inspiration informs his approach, resulting in paintings that resonate with both visceral energy and contemplative stillness.

    De Kooning & Kline Influence: The influence of Willem de Kooning’s gestural brushstrokes and Franz Kline's stark black-and-white compositions is palpable in Jackson’s canvases. He strives to capture the immediacy of experience, mirroring the expressive fervor characteristic of these seminal artists.

    Luminist Aesthetic: Drawing inspiration from Luminist painters like Frederic Church and Albert Bierstadt, Jackson seeks to convey a sense of grandeur and sublime beauty—emphasizing atmospheric perspective and capturing the emotional impact of landscapes on the human spirit.

    Exploring Texture & Emotion Through Mixed Media

    Jackson’s artistic signature lies in his masterful manipulation of texture and color, achieved through innovative mixed media techniques. He painstakingly builds up layers of paint—often incorporating sand, stone fragments, and other natural materials—creating surfaces that pulsate with physicality and inviting viewers to engage their senses. This tactile approach is complemented by a deliberate use of color palettes designed to evoke specific moods and sensations.

    Impasto Technique: Jackson’s signature impasto technique – applying paint thickly onto the canvas – generates palpable surface relief, mirroring the ruggedness of his subjects and amplifying their emotional resonance.

    Color Harmony & Symbolism: He employs color harmonies that are both harmonious and dissonant, reflecting the complexities of human experience and subtly hinting at underlying symbolic meanings within his landscapes.

    A Continuing Artistic Voice

    Despite achieving considerable success and recognition, Kurt Jackson remains committed to pushing artistic boundaries and exploring new avenues for expression. His ongoing engagement with contemporary themes—such as climate change and the relationship between humanity and nature—underscores his unwavering belief in art’s capacity to provoke reflection and inspire action. He continues to produce evocative paintings that celebrate the beauty of the natural world while simultaneously confronting urgent societal challenges, ensuring that Jackson's artistic legacy persists as a testament to both visual artistry and intellectual engagement.

    Museum

    The Met Office

    Utstilt i Exeter, United Kingdom

    A Symphony of Science and Soul: The Met Office in Exeter

    Nestled within the historic, cobblestone charm of Exeter, Devon, The Met Office stands as a singular institution—a profound testament to the harmonious convergence of meteorological science and artistic expression. It is far more than a mere repository for weather records; it is a cultural sanctuary that invites the discerning visitor on a journey through time, innovation, and breathtaking visual artistry. To step into this space is to witness a dialogue between the measurable atmosphere and the felt emotion of the natural world. The essence of this institution lies in its ability to bridge the gap between the empirical data of climate shifts and the evocative power of the canvas, making it a destination of immense intrigue for art lovers and historians alike.

    The architecture of the institution itself, housed within the beautifully preserved

    Leighton Hall

    , provides a grand stage for this intersection of disciplines. A Victorian townhouse designed by

    William Leighton

    , the building reflects the elegance and grandeur of its founding era. Its interior spaces are thoughtfully configured to accommodate both rigorous research laboratories and captivating public exhibition areas, creating an environment where scholarly pursuits and aesthetic encounters coexist seamlessly. Within these walls, the atmosphere is one of quiet reverence, much like a gallery, where the weight of history meets the lightness of a passing breeze.

    The Beauty of Observation and Artistic Resonance

    The collection highlights are a masterclass in the beauty of observation, offering a unique inspiration for interior designers and collectors seeking to blend industrial elegance with natural serenity. Visitors can marvel at a remarkable assembly of vintage meteorological tools—antique barometers, thermometers, anemometers, and hygrometers—that represent the relentless human pursuit of knowledge. These instruments, with their intricate brasswork and delicate glass, possess a scientific precision that is beautifully balanced by works of profound artistic resonance.

    Among its treasures, one finds the captivating landscapes of

    John White Abbott

    , a celebrated artist who skillfully captured the essence of Exeter’s coastal environment, mirroring the very rhythms and moods of the sea that the Met Office seeks to understand. Similarly, the serene seascapes of Dutch Impressionist

    Anna Catharina Maria van Eeghen

    , such as her 1904 masterpiece

    “Map met opdracht,”

    offer a window into the fleeting moments of light and color that define our coastal existence. This collection proves that the most profound beauty is often found in the delicate balance between the precision of science and the boundless imagination of the human spirit.

    Innovation and Digital Horizons

    What truly distinguishes The Met Office is its commitment to fostering an intellectual curiosity that transcends traditional boundaries. Through innovative digital exhibits and prestigious collaborations with

    Google Arts & Culture

    , the institution brings the complexities of weather patterns and climate science to life through immersive multimedia presentations. Recent exhibitions have pushed these boundaries even further, exploring the deep-seated connections between scientific phenomena and creative interpretation. For those drawn to the intersection of technology and tradition, the museum offers a glimpse into how we interpret the Earth's evolving climate through both the lens of the scientist and the eye of the artist.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Squall

    topimpressionists.com/no/art/download/kurt-jackson-squall-AR2DAC-en/

    Kildehenvisning for dette kunstverket

    MLA
    Jackson, Kurt. Squall. n.d., The Met Office. https://topimpressionists.com/no/art/kurt-jackson-squall-AR2DAC-en/
    APA
    Jackson, Kurt (n.d.). Squall [Painting]. The Met Office. https://topimpressionists.com/no/art/kurt-jackson-squall-AR2DAC-en/
    Chicago
    Kurt Jackson. Squall. n.d. The Met Office. https://topimpressionists.com/no/art/kurt-jackson-squall-AR2DAC-en/
    Harvard
    Jackson, Kurt (n.d.) Squall. The Met Office. Available at: https://topimpressionists.com/no/art/kurt-jackson-squall-AR2DAC-en/

    Se nærmere på

    Squall — Kurt Jackson

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: abstract, seascape, storm. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Several Winter Evenings Delabole, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er "Squall" overordnet sett mest lys eller mørk?

    "Squall" av Kurt Jackson er registrert med balanced, og har en luminans på Gentle Luminance.

    Hva er den dominerende fargen i "Squall" av Kurt Jackson?

    Den dominerende fargen i "Squall" av Kurt Jackson er Rosy Brown (#969ba3).

    Hvem har skapt "Squall", og hvilken stil er det i?

    Kurt Jackson skapte "Squall" innenfor Abstract Expressionism-bevegelsen.