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No.10

Navn Klasse Dato

Mark Rothko, No.10 (1950). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Mark Rothko topimpressionists.com/no/artists/mark-rothko_no/
Kunstnerens levetid
1903 – 1970
Malt
1950
Medium
Oil On Canvas
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Artistic style
Color Field
Influences
Hans Hoffman
Notable elements or techniques
Color field painting; Large rectangular regions of color.
Subject or theme
Emotion; Abstract Composition

I sammenheng med

No.10 — Mark Rothko

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 67 ved død.

Malt da kunstneren var 47. Kunstneren ble 67 år gammel. 93 av de 168 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Mark Rothko (1903–1970) ▲ dette verket, 1950 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1945 Hovedvirksomhetsår: 1945–1958 Senere verk: fra 1958

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

  • Hvit Senter, 1950 topimpressionists.com/no/art/mark-rothko-hvit-senter-8BWUHU-no/
  • Ingen.1 topimpressionists.com/no/art/mark-rothko-ingen-1-8XYHLG-no/
  • Orang og gul, 1956 topimpressionists.com/no/art/mark-rothko-orang-og-gul-8BWU9S-no/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/mark-rothko-no-10-8XYHKU-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Bronze #bc9f0f

    Katalogisert palett

    • #BC9F0F
    • #9FB5A1
    • #636B6E
    • #154D90

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Bronze
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Mark Rothko i løpet av de siste tolv månedene — totalt 46 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 32.6%
    2. 2 Italy 17.9%
    3. 3 United States of America 7.7%
    4. 4 Brazil 5.3%
    5. 5 France 4.7%
    6. 6 Germany 4.1%
    7. 7 Greece 3.7%
    8. 8 Netherlands 3.0%
    9. 9 Spain 2.2%
    10. 10 Storbritannia 1.8%
    11. · 36 andre land 17.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Mark Rothko

    1. 1 Hvit Senter, 1950 7.8%
    2. 2 Nr. 61 (Rust og blå), 1953 6.9%
    3. 3 Ingen.1 3.2%
    4. 4 Rød og Orange 3.2%
    5. 5 Orang og gul, 1956 3.1%
    6. 6 Three 3.0%
    7. 7 AUTUMN 2.8%
    8. 8 No. 5/No. 22 2.5%
    9. 9 Uten tittel, 1970 2.0%
    10. 10 Nr. 13 (Hvit, rød på gul), 1958 2.0%
    11. 11 Violet, Black, Orange, Yellow on White and Red, 1949 2.0%
    12. 12 Abstrakt maleri 2.0%
    13. 13 Orange and Red on Red 1.7%
    14. 14 Blå og grått, 1970 1.6%
    15. 15 No.8, 1952 1.5%
    16. 16 Fire Mørke i Rød, 1958 1.3%
    17. 17 Entré til Subway 1.3%
    18. 18 Slow Swirl at the Edge of the Sea, 1944 1.3%
    19. 19 Uten tittel, 1964 1.3%
    20. 50 No.10, 1950 dette maleriet 0.4%

    Sammen utgjør disse verkene 50.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 460 verk av denne kunstneren, hvorav 271 ble sett på minst én gang. Dette maleriet rangerer som nummer 50 av dem, med 0.4% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    No.10 — Mark Rothko

    No.10 by Mark Rothko

    Mark Rothko’s No. 10 stands as an emblem of Color Field painting, encapsulating the artist's profound philosophical stance and masterful execution. Created in 1950 during a pivotal moment in Abstract Expressionism, this artwork transcends mere visual representation; it strives to evoke emotion and contemplation through its deceptively simple forms—large rectangular blocks of color juxtaposed against each other. As evidenced on AllPaintingsStore.com, the painting’s luminous hues and subtle textures resonate with a timeless beauty that continues to captivate audiences today.

    Artistic Style and Technique

    Rothko's distinctive approach—characterized by monumental canvases dominated by amorphous color fields—was rooted in his belief that art should bypass intellect and speak directly to the viewer’s subconscious. He meticulously applied layers of pigment, achieving a velvety surface quality known as “burnishing,” which intensified the colors and created an illusion of depth. This technique, championed by luminaries like Josef Albers and Hans Hofmann, aimed to immerse the observer in a sensory experience akin to meditation. The No. 10 painting exemplifies this ethos perfectly, mirroring Rothko’s conviction that color alone could convey profound emotional truths. As elaborated in Mastering the Art of Oil Painting Reproductions, Rothko’s meticulous layering process ensured that each brushstroke contributed to the overall luminosity and textural richness of the composition.

    Key Features of No. 10 include:

    A dominant yellow background subtly interwoven with horizontal blue stripes—a deliberate contrast designed to stimulate visual perception and evoke feelings of serenity and melancholy.

    The expansive rectangular planes of color, positioned close together, create a sense of intimacy and envelop the viewer in their radiant glow.

    Rothko’s masterful use of pigment—primarily cadmium yellow hue and ultramarine blue—captures the essence of Color Field painting's expressive power.

    The painting’s genesis lies within Rothko’s exploration of existential themes, reflecting his preoccupation with mortality and spirituality. Influenced by thinkers like Søren Kierkegaard and Friedrich Nietzsche, Rothko sought to express profound emotions—such as grief, joy, and awe—without resorting to figurative imagery.

    Historical Context

    No. 10 emerged during the Second World War, a period marked by anxiety and uncertainty. Rothko’s artistic response mirrored the broader cultural mood of disillusionment, rejecting traditional representational art in favor of abstract forms that prioritized feeling over factual accuracy. This decision aligns with the broader trajectory of Abstract Expressionism—a movement that sought to liberate painting from constraints imposed by Western European tradition.

    As documented in Wikipedia, Rothko’s work has been subjected to extensive scholarly debate and interpretation. Critics have analyzed the painting's chromatic harmonies, compositional structure, and psychological impact—attempting to decipher its hidden meanings and unlock its emotional resonance.

    Conclusion

    No. 10 remains a testament to Mark Rothko’s artistic vision—a masterpiece of Color Field painting that continues to inspire admiration and contemplation. Its luminous hues, expansive planes of color, and understated elegance encapsulate the core tenets of Rothko's aesthetic philosophy. As showcased on AllPaintingsStore.com, meticulously crafted oil painting reproductions of No. 10 are available for purchase—allowing art enthusiasts to experience the transformative power of Rothko’s iconic artwork firsthand.

    For deeper insights into Mark Rothko's life and artistic journey, consult Tate Gallery or explore his biography on Wikipedia.

    Kunstner og museum

    Kunstner

    Mark Rothko

    Født i Dvinsk, Latvia

    Early Life and the Seeds of Artistic Vision

    Mark Rothko, born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia, in 1903, carried within him from the outset a sense of displacement that would profoundly shape his artistic journey. His early years were marked by the anxieties of a Jewish family living within the Pale of Settlement, shadowed by pogroms and political unrest. This atmosphere instilled a deep sensitivity to human suffering, a theme that would resonate throughout his oeuvre. The 1913 immigration to Portland, Oregon, represented not just a geographical shift but a cultural upheaval for the young Rothko. While his father, a pharmacist and intellectual with socialist leanings, fostered a home filled with debate and learning, the loss of Jacob Rothkowitz shortly after their arrival cast a long shadow. This early experience of loss, coupled with the challenges of assimilation, fueled a lifelong exploration of existential themes – mortality, trauma, and the search for meaning in a chaotic world. Though he excelled academically at Yale University, Rothko found himself drawn more to the vibrant energy of New York City, abandoning formal studies to pursue his passion for art at the Art Students League. These formative years laid the groundwork for an artistic vision that would ultimately challenge conventional notions of painting and redefine the emotional power of color.

    From Figurative Beginnings to Abstract Expressionism

    Rothko’s initial artistic explorations were firmly rooted in realism, depicting urban scenes and portraits with a keen eye for detail. However, these early works already hinted at the psychological depth that would become his hallmark. As the 1940s unfolded, and the world grappled with the horrors of World War II, Rothko’s art underwent a dramatic transformation. Influenced by Surrealism and mythology, he began to move away from representational imagery, seeking instead to express universal human emotions through symbolic forms. This period saw the emergence of multi-form paintings – canvases populated by ambiguous, biomorphic shapes that seemed to hover between figuration and abstraction. These works were not merely experiments in form; they were deeply felt responses to the anxieties and uncertainties of a world at war. By the late 1940s, Rothko had arrived at his signature style: large-scale canvases featuring rectangular blocks of color that appeared to float and resonate with one another. He stripped away all vestiges of recognizable imagery, focusing instead on the pure emotional impact of color and form. This marked a pivotal moment in the development of Abstract Expressionism, and established Rothko as a leading figure in this groundbreaking movement.

    The Color Field and the Pursuit of Transcendence

    Rothko’s mature work is defined by what came to be known as “Color Field” painting – vast expanses of luminous color that envelop the viewer in an immersive experience. These paintings are not about what they depict, but rather how they make you feel. Rothko believed that art should engage the viewer viscerally, bypassing intellectual analysis and speaking directly to the emotions. He meticulously layered thin washes of paint, creating subtle variations in tone and texture that seemed to emanate from within the canvas. The edges of his rectangular forms are often blurred, allowing them to blend and interact with one another, creating a sense of depth and movement. Rothko deliberately avoided titles beyond numbers – “No. 1,” “No. 6” – encouraging viewers to confront the paintings without preconceived notions and allow their own emotional responses to guide their experience. He sought to create a space for contemplation, a sanctuary where viewers could connect with something larger than themselves. His ambition was nothing less than to evoke profound spiritual experiences through the language of color.

    Major Achievements and Lasting Legacy

    Among Rothko’s most significant achievements are “No. 10 (1950),” a pivotal work that exemplifies his evolving style, and the Seagram Murals (1958). Commissioned for the Four Seasons Restaurant in New York City, these murals were ultimately rejected by Rothko, who felt they would be compromised by their intended environment. He instead donated them to the Tate Gallery in London, where they continue to inspire awe and contemplation. Perhaps his most ambitious project was the Rothko Chapel (1971) in Houston, Texas – a non-denominational sanctuary housing fourteen of his paintings. Designed as a space for quiet reflection, the chapel is considered a sacred place by many, embodying Rothko’s belief in the spiritual power of art. Rothko's influence on subsequent generations of artists has been immense. He paved the way for Minimalist art and continues to inspire contemporary painters who explore the emotional possibilities of abstraction. Despite struggling with depression throughout his life, culminating in his tragic suicide in 1970, Mark Rothko remains one of the most important and influential artists of the 20th century – a master of color whose work continues to resonate with audiences around the world.

    ## The Enduring Power of Emotional Resonance

    Rothko’s paintings are celebrated for their ability to convey universal human emotions—tragedy, ecstasy, despair, and hope.

    His exploration of color as a vehicle for emotional expression revolutionized abstract painting.

    The Rothko Chapel stands as a testament to his belief in the spiritual power of art.

    He remains a pivotal figure in Abstract Expressionism and a major influence on contemporary artists.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for No.10

    topimpressionists.com/no/art/download/mark-rothko-no-10-8XYHKU-en/

    Kildehenvisning for dette kunstverket

    MLA
    Rothko, Mark. No.10. 1950, https://topimpressionists.com/no/art/mark-rothko-no-10-8XYHKU-en/
    APA
    Rothko, Mark (1950). No.10 [Painting]. https://topimpressionists.com/no/art/mark-rothko-no-10-8XYHKU-en/
    Chicago
    Mark Rothko. No.10. 1950. https://topimpressionists.com/no/art/mark-rothko-no-10-8XYHKU-en/
    Harvard
    Rothko, Mark (1950) No.10. Available at: https://topimpressionists.com/no/art/mark-rothko-no-10-8XYHKU-en/

    Se nærmere på

    No.10 — Mark Rothko

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: color field painting, geometric abstraction, rothko style. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Hvit Senter (1950), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    No.10 — Mark Rothko

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What artistic movement is Mark Rothko’s ‘No.10’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Abstract Expressionism
    2. 2. In what year was ‘No.10’ created?

      • A 1925
      • B 1940
      • C 1950
    3. 3. What is the dominant color scheme of ‘No.10’?

      • A Red and Yellow
      • B Green and Blue
      • C Yellow and Blue
    4. 4. ‘No.10’ exemplifies Rothko's technique of applying paint to achieve what effect?

      • A Detailed realism
      • B Layered textures
      • C Depth and luminosity
    5. 5. Where was ‘No.10’ exhibited initially?

      • A The Louvre
      • B MoMA
      • C Tate Modern

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1C · 2C · 3C · 4C · 5B

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Er "No.10" tilgjengelig som et kunsttrykk?

    For å bestille et trykk av "No.10" av Mark Rothko, kan du enkelt gjøre det på siden for Kunsttrykk i høy kvalitet: et kunsttrykk på bomullslerret eller arkivbestandig lerretspapir.

    Hvilken fargetone dominerer i "No.10"?

    Den dominerende fargen i "No.10" av Mark Rothko er Green to Violet Spectrum. Denne fargen utgjør den underliggende tonen i paletten.

    Hvilken teknikk ble brukt for "No.10", og når ble den laget?

    "No.10" ble skapt i 1950 med teknikken Oil On Canvas. Materiale og dato beskriver hvordan og når originalen ble laget.