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Ink: work

Navn Klasse Dato

Mcarthur Binion, Ink: work (2018), THAT'S CONTEMPORARY. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Mcarthur Binion topimpressionists.com/no/artists/mcarthur-binion/
Kunstnerens levetid
1946 –
Malt
2018
Opprinnelig størrelse
101 x 61 cm
Arrangert på
THAT'S CONTEMPORARY topimpressionists.com/no/museums/that-s-contemporary-milan/

I sammenheng med

Ink: work — Mcarthur Binion

Dimensjoner

Originalen måler 101 × 61 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 72. 1 av de 9 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 2018 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/mcarthur-binion-ink-work-D73UYZ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #21142f

    Lagret palett

    • #21142F
    • #F0F1F4
    • #43306F
    • #2E1E4C

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Phthalo Green
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Mcarthur Binion i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 3 mest viste verkene av Mcarthur Binion

    1. 1 Ink: Work (Verde/Violetta), 2018 66.7%
    2. 2 Ink: Work (Blanco/Cobalto), 2018 33.3%
    3. Ink: work, 2018 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 9 verk av denne kunstneren, hvorav 2 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Mcarthur Binion

    Født i Macon, United States of America

    The Soul in the Surface: The Abstract Journey of Mcarthur Binion

    In the quiet, textured depths of contemporary American abstraction, the work of Mcarthur Binion emerges as a profound meditation on the unseen. Born in 1946 in Macon, Mississippi, Binion’s artistic lineage is rooted in the rich, soulful traditions of the American South, yet his visual language speaks a universal dialect of emotion and form. His formal education provided the rigorous scaffolding necessary for his later explorations; after earning his bachelor’s degree from Wayne State University in Detroit in 1971, he moved to the prestigious Cranbrook Academy of Art in Bloomfield Hills, Michigan, to complete his master's degree. This academic journey through the heart of the American industrial and artistic landscape allowed him to synthesize a technical mastery of medium with a deep, philosophical inquiry into the nature of perception.

    Binion’s practice is far from a mere exercise in decoration; it is an intentional descent into the psychological. Eschewing the literalism of representational art, he embraces the tenets of Abstract Expressionism to map the contours of the human spirit. His preferred medium—ink on canvas—allows for a unique interplay of transparency and density. Through meticulous mixed-media techniques, Bin ar creates surfaces that possess a physical weight, where layers of pigment and texture invite the viewer to linger. In works such as Ink: Work (Verde/Violetta), one encounters vibrant, clashing hues of green and purple that do not simply sit upon the canvas but seem to pulse with an internal life, capturing what the artist describes as deep emotional landscapes.

    Memory, Identity, and the Grid

    A defining characteristic of Binion’s oeuvre is his ability to transform abstract geometry into deeply personal narratives. He is perhaps most renowned for his "family portraits," a series that challenges the very definition of portraiture. Rather than rendering recognizable features, Binion utilizes textured grids and deliberate voids to evoke the essence of familial connection and the fragmented nature of memory. These pieces function as emotional blueprints, where the space between lines represents the unspoken bonds and the silences that define our closest relationships. This approach finds a parallel in his "interior landscapes," where color palettes are chosen not for their descriptive accuracy, but for their ability to evoke specific moods and atmospheric pressures of the inner self.

    The structural integrity of his work often draws from the minimalist traditions of Josef Albers and Barnett Newman. By adopting a reductive aesthetic, Binion strips away the superfluous to focus on the fundamental elements of color, line, and space. This is strikingly evident in pieces like Ink: Work (Blanco/Cobalto), where the use of white space and structured grids creates a sense of profound stillness. In these moments, the artist achieves a delicate balance between the tension of the composition and the serenity of the void, proving that abstraction can be as much about what is withheld as what is presented.

    Legacy and Contemporary Resonance

    As a figure within the landscape of contemporary American art, Mcarthur Binion occupies a space where history meets introspection. His significance lies in his ability to bridge the gap between the monumental scale of mid-century Color Field Painting and the intimate, often fragmented experience of modern identity. His work serves as a reminder that abstraction is not an escape from reality, but a deeper immersion into it. Through his mastery of texture and his fearless use of color, Binion continues to push the boundaries of how we perceive the intersection of personal history and universal emotion, leaving behind a body of work that remains as vital and evocative as the landscapes of the mind themselves.

    Museum

    THAT'S CONTEMPORARY

    Utstilt på Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Ink: work

    topimpressionists.com/no/art/download/mcarthur-binion-ink-work-D73UYZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Binion, Mcarthur. Ink: work. 2018, THAT'S CONTEMPORARY. https://topimpressionists.com/no/art/mcarthur-binion-ink-work-D73UYZ-en/
    APA
    Binion, Mcarthur (2018). Ink: work [Painting]. THAT'S CONTEMPORARY. https://topimpressionists.com/no/art/mcarthur-binion-ink-work-D73UYZ-en/
    Chicago
    Mcarthur Binion. Ink: work. 2018. THAT'S CONTEMPORARY. https://topimpressionists.com/no/art/mcarthur-binion-ink-work-D73UYZ-en/
    Harvard
    Binion, Mcarthur (2018) Ink: work. THAT'S CONTEMPORARY. Available at: https://topimpressionists.com/no/art/mcarthur-binion-ink-work-D73UYZ-en/

    Se nærmere etter

    Ink: work — Mcarthur Binion

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Ink: Work (Verde/Violetta) (2018), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Mcarthur Binion var omtrent 72 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor gammel var Mcarthur Binion da "Ink: work" ble skapt?

    Da "Ink: work" ble skapt i 2018, var Mcarthur Binion – født i 1946 – 72 år gammel.

    Hvor kan jeg se originalen av "Ink: work" av Mcarthur Binion?

    Originalen av "Ink: work" av Mcarthur Binion oppbevares i THAT'S CONTEMPORARY, Milan, Italy. En reproduksjon gjør det mulig å stille ut verket i eget hjem.

    Hvilken farge skiller seg mest ut i "Ink: work"?

    Den dominerende fargen i "Ink: work" av Mcarthur Binion er Phthalo Green (#21142f).