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St Ninian's Treasure

Navn Klasse Dato

Michele David, St Ninian's Treasure (1992), Shetland Arts. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Michele David topimpressionists.com/no/artists/michele-david/
Kunstnerens levetid
1968 –
Malt
1992
Opprinnelig størrelse
122 x 153 cm
Arrangert på
Shetland Arts topimpressionists.com/no/museums/shetland-arts-kirkwall/

I sammenheng med

St Ninian's Treasure — Michele David

Hvor stort er det?

Originalen måler 122 × 153 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 24. 0 av de 5 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1992 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/michele-david-st-ninian-s-treasure-ARALZG-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #c8c7b8

    Katalogisert palett

    • #C8C7B8
    • #26241E
    • #635A4B
    • #979383

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Putty
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Michele David i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 4 mest viste verkene av Michele David

    1. 1 Mystical Cove, 1992 33.3%
    2. 2 Mystic Spring, 1998 33.3%
    3. 3 Boulder, Fumarole, 1998 33.3%
    4. — St Ninian's Treasure, 1992 dette maleriet 0.0%

    Sammen utgjør disse verkene 99.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 6 verk av denne kunstneren, hvorav 3 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    St Ninian's Treasure — Michele David

    The artwork St Ninian's Treasure by Michele David is a captivating oil on canvas piece that invites viewers to unravel its secrets. Created in 1992, this large-scale painting measures 122 x 153 cm and is currently housed at the Shetland Arts in Lerwick, United Kingdom. The composition features a person lying down in the foreground, while two other figures are visible in the background, set against a backdrop of rocks that evokes an outdoor setting.

    The Artistic Context

    Michele David's St Ninian's Treasure is part of the collection at Shetland Arts, which is dedicated to preserving and promoting the rich cultural heritage of the Shetland Islands. This institution houses a diverse range of artworks, including pieces by other notable artists such as Richard Paul Wemyss and Edmund Miller. For instance, Edmund Miller's Rivals in the North is a stunning oil on canvas artwork that showcases the artist's skill and attention to detail. More information about these artworks can be found at /art/list/?Filter=AR2CJS-Richard-Paul-Wemyss-Peerie-Willie-Johnson-(1920-2007) and /art/list/?Filter=AR2AMJ-Edmund-Miller-Rivals-in-the-North.

    The use of oil on canvas in St Ninian's Treasure adds depth and texture to the painting, making it a visually striking piece.

    The composition of the artwork creates a sense of intrigue, drawing the viewer's eye from the foreground to the background.

    The setting of the painting, with its backdrop of rocks, suggests an outdoor or natural environment that adds to the mystique of the scene.

    Key aspects of Michele David's style include the use of bold colors and the creation of complex compositions that invite interpretation. More information about the artist's technique and style can be found at /art/list/?Filter=michele+david,michele,david&.

    The Shetland Arts museum provides a unique context for viewing St Ninian's Treasure, with its focus on the cultural heritage of the Shetland Islands. Visitors can explore the museum's collection, which includes artworks by local and international artists, to gain a deeper understanding of the region's rich artistic history. For more information about the museum and its collection, visit /art/list/?Filter=A@D3BELZ-Discovering-the-Artworks-of-Shetland-Arts-Lerwick-United-Kingdom.

    Kunstner og museum

    Kunstner

    Michele David

    Michele David: Weaver of Mystical Landscapes

    Michele David, born in 1968 in Scotland, is an artist whose work transcends the boundaries of traditional landscape painting. Her canvases are not merely representations of nature; they’re immersive portals into a world where geological formations whisper secrets and pools shimmer with an almost otherworldly luminescence. David's art isn't about replicating reality; it’s about distilling its essence – its mood, its texture, its inherent magic – onto the surface of the canvas. Her paintings are deeply rooted in her upbringing in the rugged Scottish Highlands, a region that has profoundly shaped her artistic vision and provided an endless source of inspiration.

    David's early life was steeped in the natural world. Growing up amidst the dramatic landscapes of Scotland – the towering mountains, the windswept moors, the shimmering lochs – instilled within her a profound respect for the power and beauty of the environment. This connection to nature is palpable in her work; she seems to have an almost intuitive understanding of how light interacts with rock, water, and vegetation, capturing fleeting moments of atmospheric drama with remarkable precision. Her artistic journey began formally at Glasgow School of Art, where she honed her technical skills while simultaneously developing a unique and deeply personal style.

    A key element in David’s distinctive approach is her fascination with the liminal spaces – the edges between land and water, the shadowed recesses beneath rock formations, the pools reflecting the sky. These are places of quiet contemplation, where the veil between worlds feels thin, and where the viewer is invited to lose themselves in a sense of mystery and wonder. Her use of color is particularly noteworthy; she favors muted tones – blues, greens, greys, ochres – that evoke the subtle shifts in light and shadow found in natural landscapes. She often incorporates textural elements into her paintings, using techniques such as dry brushing and layering to create a tactile surface that invites close inspection.

    The Influence of Geology and Myth

    David’s work is not simply an aesthetic celebration of the landscape; it's also deeply informed by geological principles. She meticulously studies rock formations, examining their textures, colors, and patterns, translating these observations into her paintings with remarkable accuracy. Her depictions of geological features – basalt columns, limestone caves, sandstone cliffs – are both scientifically precise and poetically evocative. It’s as if she's attempting to capture the very heartbeat of the earth beneath her brush.

    Beyond geology, David draws inspiration from folklore and mythology. Many of her paintings feature pools and coves that resemble ancient Celtic sacred sites—places where rituals were once performed and where the boundaries between the earthly and spiritual realms blurred. The presence of submerged rock formations and the play of light on water evoke a sense of timelessness and mystery, suggesting that these landscapes hold secrets from long-forgotten times. The title "Rock Pool Salt Flowers" perfectly encapsulates this duality – the tangible beauty of the natural world juxtaposed with an underlying sense of enchantment and the suggestion of hidden realms.

    Residencies and Recognition

    David’s artistic practice has been enriched by a series of prestigious residencies, which have provided her with opportunities to immerse herself in diverse landscapes and engage with local communities. She spent time as an artist-in-residence at Shetland Isles, working alongside the Scottish Arts Council, and later at James Cook University in Queensland, Australia, and School of Art, Hobart, Tasmania. These experiences broadened her artistic horizons and exposed her to new techniques and perspectives.

    Her work has been exhibited widely, both in Scotland and internationally. She’s received numerous awards, including the Alastair Salvesen Trust Art Scholarship, recognizing her exceptional talent and commitment to her craft. David's paintings have been featured in art publications such as Art UK and The Independent, solidifying her reputation as a significant contemporary artist.

    Key Works and Artistic Style

    Several of David’s paintings stand out for their evocative power and technical mastery. “St Ninian's Treasure,” depicting the submerged remains of a Roman-era treasure hoard, is a particularly striking example of her ability to capture both geological detail and atmospheric drama. “Boulder, Fumarole” showcases her fascination with volcanic landscapes, while "michele david" demonstrates her skill in portraying the delicate beauty of rock pools. Her series of paintings based on the Scottish coastline—particularly those depicting the intricate patterns of seaweed and the shifting light on water—are among her most celebrated works.

    David’s artistic style is characterized by a combination of realism, abstraction, and symbolism. She employs a loose, expressive brushstroke to create a sense of movement and texture, while simultaneously paying close attention to detail in her rendering of geological features. Her paintings are not simply representations of the landscape; they're invitations to engage with its mysteries and contemplate its profound beauty. Her work continues to evolve as she explores new landscapes and pushes the boundaries of her artistic vision.

    Museum

    Shetland Arts

    Utstilt i Kirkwall, United Kingdom

    A Sanctuary of Salt and Soul

    Where the North Sea whispers against the rugged edges of the Shetland archipelago, there exists a sanctuary that transcends the traditional boundaries of a museum. Located at the historic Hay's Dock in Lerwick, the Shetland Museum & Archives serves as more than a mere repository for artifacts; it is a visceral window into the very soul of this remote Scottish landscape. The architecture itself is a profound dialogue with the environment, a modern silhouette designed to mirror the dramatic coastline and rolling hills that define the islands. For the discerning visitor or the interior designer seeking a sense of place, the building offers a masterclass in contextual design, blending seamlessly into the harbor front while providing a contemporary stage for the enduring stories of the North.

    The collection is a breathtaking tapestry of maritime history and atmospheric landscape art, curated to evoke the raw, untamed spirit of the islands. One cannot wander through these halls without being arrested by the dramatic realism of

    Richard Harry Carter

    . His 1891 masterpiece,

    Driving Bottle Nosed Whales

    , stands as a powerful testament to Shetland’s whaling heritage, capturing the kinetic energy and high stakes of a historic hunt with masterful composition. This sense of movement is balanced by the serene, almost ethereal landscapes of

    Louis Bosworth Hurt

    , whose work

    North Sound In Noss

    invites a moment of quiet contemplation, reflecting the idyllic beauty of the Shetland countryside.

    The Art of Connection and Craft

    Beyond the grand maritime narratives, the museum offers an intimate exploration of the textures that define Shetland life. For collectors of fine art and lovers of delicate craftsmanship, the textile exhibits are nothing shortient to less than extraordinary. The museum houses a world-renowned collection of

    Shetland textiles

    , where the intricate patterns of traditional knitting serve as a canvas of cultural identity. These threads of tradition are woven into the broader archaeological narrative, which unearths the ancient roots of the islands—from the enigmatic carvings of the Pictish people to the profound Norse influence left by Viking explorers.

    The artistic journey continues through the more impressionistic and personal lenses of local masters. The works of

    Lesley Burr

    provide a gentle invitation into the heart of the archipelago; her 1981 oil painting,

    The Hermits’ Houses

    , captures the quiet observation of Shetland crofts with a sensitivity that resonates deeply with those who appreciate art rooted in place and memory. This collection is not merely about looking at the past, but about feeling the pulse of a living culture.

    Maritime Mastery:

    Dramatic oil paintings capturing the intensity of the whaling industry and the rhythms of the sea.

    Landscape & Light:

    A curated selection of works that explore the ever-changing skies and rugged terrains of the North.

    Cultural Heritage:

    An immersive look at Neolithic, Viking, and Pictish legacies through archaeology and fine craft.

    Textile Artistry:

    Showcasing the world-famous Shetland wool industry and its intricate, hand-knitted patterns.

    To visit Shetland Arts is to embark on a journey through time and element. It is a destination where history, art, and nature converge, offering an unparalleled experience for anyone seeking to understand the profound connection between a people and their landscape.

    Les mer her

    • Kunstneren Michele David topimpressionists.com/no/artists/michele-david/
    • Museet Shetland Arts topimpressionists.com/no/museums/shetland-arts-kirkwall/
    • Lignende verk Flere verk å sammenligne med topimpressionists.com/no/art/similar/michele-david-st-ninian-s-treasure-ARALZG-en/

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for St Ninian's Treasure

    topimpressionists.com/no/art/download/michele-david-st-ninian-s-treasure-ARALZG-en/

    Kildehenvisning for dette kunstverket

    MLA
    David, Michele. St Ninian's Treasure. 1992, Shetland Arts. https://topimpressionists.com/no/art/michele-david-st-ninian-s-treasure-ARALZG-en/
    APA
    David, Michele (1992). St Ninian's Treasure [Painting]. Shetland Arts. https://topimpressionists.com/no/art/michele-david-st-ninian-s-treasure-ARALZG-en/
    Chicago
    Michele David. St Ninian's Treasure. 1992. Shetland Arts. https://topimpressionists.com/no/art/michele-david-st-ninian-s-treasure-ARALZG-en/
    Harvard
    David, Michele (1992) St Ninian's Treasure. Shetland Arts. Available at: https://topimpressionists.com/no/art/michele-david-st-ninian-s-treasure-ARALZG-en/

    Se nærmere på

    St Ninian's Treasure — Michele David

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Mystic Spring (1998), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Michele David var omtrent 24 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Er "St Ninian's Treasure" av Michele David et lyst eller mørkt kunstverk?

    Den oppfattede lysstyrken til "St Ninian's Treasure" av Michele David er bright, og den kan tilpasses lysforholdene i det tiltenkte rommet.

    Hvor kan jeg se en forhåndsvisning av "St Ninian's Treasure"?

    På Se kunstverket i et rom-siden for "St Ninian's Treasure" kan du forhåndsvise kunstverket før du bestiller.

    Hvilken fargetone dominerer i "St Ninian's Treasure"?

    "St Ninian's Treasure" har en tendens til en Green to Violet Spectrum tone.