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Untitled 13

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Jackson Pollock, Untitled 13. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Jackson Pollock topimpressionists.com/no/artists/jackson-pollock_no/
Kunstnerens levetid
1912 – 1956
Medium
Painting
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Artistic style
Monochromatic
Influences
Regionalism
Notable elements or techniques
Drip painting
Subject or theme
Abstraction

I sammenheng med

Untitled 13 — Jackson Pollock

Når kan dette ha blitt malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 44 ved død.

Skyggelagt: livsløpet til Jackson Pollock (1912–1956) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1941 Hovedvirksomhetsår: 1941–1948 Senere verk: fra 1948

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/paul-jackson-pollock-untitled-13-8EWJYZ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Celadon #c1c1c1

    Lagret palett

    • #C1C1C1
    • #070707
    • #515151
    • #929292

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Navn på hovedfarge
    Celadon
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Jackson Pollock i løpet av de siste tolv månedene — 69 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 19.1%
    2. 2 France 8.2%
    3. 3 United States of America 7.4%
    4. 4 Germany 7.1%
    5. 5 Japan 5.8%
    6. 6 Spain 5.6%
    7. 7 Italy 5.3%
    8. 8 Brazil 3.2%
    9. 9 Singapore 2.7%
    10. 10 Mexico 2.6%
    11. · 59 andre land 33.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 36.2%
    2. 2 Høstrytme. Nummer 30, 1950 7.1%
    3. 3 One. Number 31, 1950 5.9%
    4. 4 Konvergens 5.2%
    5. 5 Number 5, 1948 3.1%
    6. 6 Hvit Lys, 1954 2.3%
    7. 7 Number 5, 1948 2.0%
    8. 8 Tall nummer 1A 1.8%
    9. 9 Number 10, 1949 1.8%
    10. 10 Number 3, 1948 1.6%
    11. 11 Number 1, 1948 1.3%
    12. 12 Number 6, 1949 1.3%
    13. 13 Number 3, 1949 1.2%
    14. 14 Number 8 1.0%
    15. 15 Number 2, 1951 0.9%
    16. 16 Saint 0.9%
    17. 17 Out of the Web. Number 7 0.8%
    18. 18 Cathedral 0.8%
    19. 19 Lavender Mist_Number 1 0.7%
    20. 123 Untitled 13 dette maleriet 0.1%

    Sammen utgjør disse verkene 76.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 176 verk av denne kunstneren, hvorav 124 ble sett på minst én gang. Dette maleriet rangerer som nummer 123 av dem, med 0.1% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Untitled 13 — Jackson Pollock

    A Symphony of Chaos: The Raw Energy of Untitled 13

    In the pantheon of twentieth-century art, few names command as much visceral respect and intrigue as Jackson Pollock. His work Untitled 13 serves as a profound testament to the era of Abstract Expressionism, acting not merely as a painting, but as a recorded performance of movement and instinct. Created during the transformative period between 1948 and 1950, this monochrome masterpiece eschews the traditional boundaries of subject matter. There is no horizon to ground the eye, no figure to anchor the soul; instead, the viewer is met with an immersive, all-over composition that demands a complete surrender to its rhythmic complexity. It is a work that does not ask to be looked at, but rather to be experienced, pulling the observer into a swirling vortex of black and white energy.

    The brilliance of Untitled 13 lies in its radical departure from the brush. Pollock famously abandoned the easel, opting instead to lay his canvas directly onto the floor—a method that allowed him to approach the work from all sides, literally entering the space of the creation. Through his legendary drip technique, he utilized sticks, knives, and even the direct pouring of enamel to fling pigment across the surface. This process, often referred to as action painting, transformed the canvas into a topographical map of his own physical gestures. Every splatter, every thin trail of ink, and every dense cluster of pigment represents a moment in time, a frozen heartbeat of spontaneous motion that creates a textured, granular landscape of pure emotion.

    The Poetics of Monochrome and Motion

    While many associate Pollock with vibrant, chaotic color, the stark, monochromatic palette of Untitled 13 offers a different kind of intensity. By stripping away the distraction of hue, Pollock forces us to confront the raw materiality of the paint itself. The high contrast between the dark, sweeping arcs and the lighter background emphasizes the structural tension within the work. It creates a sense of depth that is paradoxically flat; while there is no traditional perspective, the overlapping layers of drips create a labyrinthine web that feels infinitely deep. This lack of a focal point ensures that the eye never rests, constantly dancing across the canvas in search of an end to the movement, much like the restless spirit of the artist himself.

    For the discerning collector or interior designer, this piece offers a sophisticated anchor for modern spaces. Its ability to evoke both tension and tranquility makes it a versatile centerpiece for high-end environments seeking a touch of avant-garde prestige. The artwork carries an inherent emotional weight—it can mirror the frenetic energy of a contemporary urban loft or provide a contemplative, monochromatic focal point in a minimalist gallery setting. To possess a reproduction of Untitled 13 is to invite the spirit of mid-century rebellion and the profound beauty of controlled chaos into one's personal sanctuary, celebrating a moment in history when art broke free from the constraints of representation to find truth in the very act of creation.

    Kunstner og museum

    Kunstner

    Jackson Pollock

    Født i Cody, USA

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the youngest of five children, born into a family struggling financially but filled with a strong work ethic and a love for art. His mother, Stella May McClure Pollock, recognized his artistic potential and fostered it through encouragement and support.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences—the rugged beauty of the West, the traditions of Native American art, and the dramatic narratives of Benton and the murals of Mexico – laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. The technique was revolutionary, rejecting traditional notions of brushstrokes and composition.

    He used a variety of materials: oil paints, house paints, inks, and even tar.

    His movements were often described as dance-like or ecstatic.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Critics initially struggled to understand or appreciate this new approach, but over time, Pollock's work gained recognition as a groundbreaking contribution to modern art.

    His style transcends mere aesthetics; it’s an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies. The paintings are often interpreted as reflections of the artist’s inner turmoil and spiritual quest.

    Influence and Historical Significance

    Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was a key figure in the rise of Abstract Expressionism, alongside artists like Mark Rothko and Willem de Kooning. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Despite facing initial criticism and skepticism, Pollock’s legacy has solidified over time. He is now considered one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring presence in the art world for generations to come.

    Further Exploration

    Key Resources:

    Jackson Pollock - Wikipedia:

    Smithsonian American Art Museum:

    National Gallery of Art:

    Her kan du lese mer

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    QR-kode som lenker til nedlastingssiden for Untitled 13

    topimpressionists.com/no/art/download/paul-jackson-pollock-untitled-13-8EWJYZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Pollock, Jackson. Untitled 13. n.d., https://topimpressionists.com/no/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/
    APA
    Pollock, Jackson (n.d.). Untitled 13 [Painting]. https://topimpressionists.com/no/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/
    Chicago
    Jackson Pollock. Untitled 13. n.d. https://topimpressionists.com/no/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/
    Harvard
    Pollock, Jackson (n.d.) Untitled 13. Available at: https://topimpressionists.com/no/art/paul-jackson-pollock-untitled-13-8EWJYZ-en/

    Se nærmere etter

    Untitled 13 — Jackson Pollock

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: drip painting, pollock style, monochrome palette. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Nummer 1, 1949 (1950), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem er "Untitled 13" foreslått som gave til, og til hvilket bruk?

    "Untitled 13" anbefales som en gave til Corporate Gift, med Accent i tankene.

    Hvilken historisk periode stammer "Untitled 13" av Jackson Pollock fra?

    "Untitled 13" av Jackson Pollock stammer fra Modern-perioden. Denne perioden gir verkets historiske kontekst.

    Kan jeg se "Untitled 13" av Jackson Pollock på min egen vegg før jeg kjøper?

    Siden for AR-forhåndsvisning av "Untitled 13" av Jackson Pollock bruker utvidet virkelighet (AR) for å vise kunstverket i ditt eget rom, på en kompatibel enhet.