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Coast Scene with a Lighthouse

Navn Klasse Dato

Rowland Suddaby, Coast Scene with a Lighthouse, Ferens Art Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Rowland Suddaby topimpressionists.com/no/artists/rowland-suddaby/
Kunstnerens levetid
1912 – 1972
Opprinnelig størrelse
76 x 83 cm
Bevegelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Arrangert på
Ferens Art Gallery topimpressionists.com/no/museums/ferens-art-gallery-hull_no/

I sammenheng med

Coast Scene with a Lighthouse — Rowland Suddaby

Hvor stort er det?

Originalen måler 76 × 83 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 60 ved død.

Skyggelagt: livsløpet til Rowland Suddaby (1912–1972) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1937 Hovedvirksomhetsår: 1937–1941 Senere verk: fra 1941

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #98a2a8

    Katalogisert palett

    • #98A2A8
    • #646F67
    • #C4CAD6
    • #27302A

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Rowland Suddaby i løpet av de siste tolv månedene — totalt 3 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 66.7%
    2. 2 Storbritannia 27.8%
    3. 3 United States of America 5.6%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 14 mest viste verkene av Rowland Suddaby

    1. 1 Floods, 1938 15.8%
    2. 2 Fishing Village, 1931 15.8%
    3. 3 Paddock at Stoke by Nayland, Essex 10.5%
    4. 4 Winter Landscape, near Lavenham, 1942 5.3%
    5. 5 Fishing Boats at Staithes, Yorkshire, 1938 5.3%
    6. 6 Spring Landscape, 1940 5.3%
    7. 7 Still Life, 1936 5.3%
    8. 8 Landscape in Suffolk (Stoke by Nayland, Suffolk) 5.3%
    9. 9 Coast Scene with a Lighthouse dette maleriet 5.3%
    10. 10 Sunflowers and Fruit 5.3%
    11. 11 Stour Valley, Suffolk 5.3%
    12. 12 Berkshire Landscape 5.3%
    13. 13 Landscape 5.3%
    14. 14 Coast Scene near the Stour Estuary, Suffolk, 1946 5.3%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 26 verk av denne kunstneren, hvorav 14 ble sett på minst én gang. Dette maleriet rangerer som nummer 9 av dem, med 5.3% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Rowland Suddaby

    A Quiet Observer of Rural England

    Rowland Suddaby (1912–1972) remains a poignant voice in the history of British mid-century art, serving as a dedicated chronicler of the English landscape. Born in Kimberworth, Yorkshire, his artistic sensibilities were forged through a rigorous academic journey that began with a prestigious scholarship to the Sheffield College of Art in 1926. This foundational period provided him with the technical precision that would later allow him to capture the subtle nuances of light and atmosphere. His subsequent training at the Royal College of Art further refined his craft, placing him within a lineage of artists who sought to balance formal excellence with an intimate connection to the natural world. Suddaby’s early life was not merely a period of study but a deep immersion into the textures of the British countryside, a theme that would resonate through every canvas he produced.

    The transition to London in 1931 acted as a catalyst for his professional evolution, thrusting him into the vibrant heart of the nation's artistic commerce. During this era, Suddaby demonstrated a remarkable versatility, securing work designing film titles for the studios of Wardour Street—a role that required a keen eye for composition and visual storytelling. This commercial success provided a stable foundation for his more personal explorations in fine art. His emergence into the prestigious London gallery scene, with exhibitions at the Wertheim Gallery and the Redfern Gallery, signaled his arrival as a significant talent. Through these venues, he engaged with the contemporary dialogues of his time, often finding himself aligned with the sensibilities of the New English Art Club, where the pursuit of capturing fleeting moments through light and color was paramount.

    The Poetics of Landscape and Still Life

    Suddaby’s oeuvre is characterized by a profound ability to elevate the mundane into the monumental. Whether he was painting the rolling hills of Yorkshire or the serene vistas of Suffolk, his work possessed an evocative quality that transcended simple topography. His landscapes often feel like quiet meditations; in works such as Winter Landscape, near Lavenham, one can sense the stillness of a frost-covered morning, where the weight of the atmosphere is rendered with masterful sensitivity. His technique frequently leaned toward an Impressionistic approach, utilizing loose, visible brushstrokes to prioritize the emotional resonance of a scene over rigid realism. This method allowed him to capture the diffused light and soft shadows that define the English countryside, creating a sense of warmth and abundance even in more somber settings.

    Beyond the expansive horizon, Suddaby found equal inspiration in the intimate arrangements of his still lifes. In masterpieces like Still Life with Fruit and Flowers, he utilized a vibrant palette of reds, blues, and yellows to breathe life into inanimate objects. These compositions were far more than mere studies of form; they were celebrations of texture and light. The contrast between the smooth surface of a vase and the rough skin of ripening fruit served to ground his more expressive brushwork in a tangible reality. This duality—the ability to move seamlessly from the sweeping vistas of Scholes, Yorkshire to the delicate intimacy of a tabletop arrangement—demonstrates a technical breadth that made him a truly versatile observer of the world around him.

    Legacy and Historical Significance

    The later years of Suddaby’s life saw him returning to the very landscapes that had shaped his soul. Moving near Sudbury, Suffolk, during the onset of World War II, he found a sanctuary in the rural landscape alongside his family. This period of relative seclusion allowed for a deepening of his connection to the land, a sentiment reflected in his involvement with the Recording Britain project commissioned by Sir Kenneth Clarke. This monumental effort to document the changing face of the British landscape ensured that Suddaby’s vision was woven into the historical fabric of the nation. His later appointment as the curator of Gainsborough's House in Sudbury from 1968 until his death in 1972 further solidified his role as a custodian of British artistic heritage.

    Today, the significance of Rowland Suddaby’s work is preserved within the collections of numerous esteemed institutions, including the Victoria and Albert Museum and the Government Art Collection. His legacy is defined by several key contributions to British art:

    Documentary Value: His meticulous yet emotive depictions provide a vital visual record of mid-century English rural life and landscapes that have since been altered by time.

    Technical Mastery: He successfully bridged the gap between commercial graphic design and fine art, bringing a unique sense of composition to both mediums.

    Emotional Depth: Through his use of light and color, he moved beyond mere representation to capture the "feeling" of the English atmosphere, making his work timelessly relatable.

    Suddaby remains a celebrated figure for those who seek beauty in the quiet corners of the world, reminding us that there is profound art to be found in the simple observation of nature's enduring rhythms.

    Museum

    Ferens Art Gallery

    Utstilt i Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Coast Scene with a Lighthouse

    topimpressionists.com/no/art/download/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/

    Kildehenvisning for dette kunstverket

    MLA
    Suddaby, Rowland. Coast Scene with a Lighthouse. n.d., Ferens Art Gallery. https://topimpressionists.com/no/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/
    APA
    Suddaby, Rowland (n.d.). Coast Scene with a Lighthouse [Painting]. Ferens Art Gallery. https://topimpressionists.com/no/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/
    Chicago
    Rowland Suddaby. Coast Scene with a Lighthouse. n.d. Ferens Art Gallery. https://topimpressionists.com/no/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/
    Harvard
    Suddaby, Rowland (n.d.) Coast Scene with a Lighthouse. Ferens Art Gallery. Available at: https://topimpressionists.com/no/art/rowland-suddaby-coast-scene-with-a-lighthouse-AQVCAP-en/

    Se nærmere på

    Coast Scene with a Lighthouse — Rowland Suddaby

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: coastal scene, lighthouse view, ocean landscape. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Winter Landscape, near Lavenham (1942), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvordan passer "Coast Scene with a Lighthouse" inn i Rowland Suddaby sin tematikk og stil?

    I Rowland Suddaby sitt kunstnerskap befinner "Coast Scene with a Lighthouse" seg innenfor Impressionism-stilen, sammen med temaene impressionist light & color, coastal serenity, escape, romantic landscape views, symbol of guidance/hope, reflects nature's beauty", classic coastal imagery.

    Kan "Coast Scene with a Lighthouse" forhåndsvises i utvidet virkelighet (AR)?

    "Coast Scene with a Lighthouse" av Rowland Suddaby kan forhåndsvises på din egen vegg via kunstverkets Se i AR-side ved bruk av utvidet virkelighet (AR) på en kompatibel enhet.

    Er fargene i "Coast Scene with a Lighthouse" sterke eller dempede?

    Fargene i "Coast Scene with a Lighthouse" av Rowland Suddaby har en Muted metning med en Balanced intensitet.