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simon callery, Archive (1996). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
simon callery topimpressionists.com/no/artists/simon-callery/
Kunstnerens levetid
1960 – ?
Malt
1996
Opprinnelig størrelse
254 x 360 cm

I sammenheng med

Archive — simon callery

Dimensjoner

Originalen måler 254 × 360 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde. Verket er for stort til å vises i riktig skala på denne siden.

Når ble dette malt?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Skyggelagt: livsløpet til simon callery (1960–?) ▲ dette verket, 1996

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/simon-callery-archive-ARD6U9-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Rosy Brown #b6aea5

    Lagret palett

    • #B6AEA5
    • #A19D97
    • #919190
    • #ABA59F
    Palett
    Monochrome Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Rosy Brown
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    simon callery

    Simon Callery: Mapping the Urban Landscape Through Abstract Vision

    Simon Callery (born 1960) is an English artist whose distinctive approach to painting—characterized by fragmented, layered textures and evocative depictions of urban environments—has cemented his place as a pivotal figure within the Young British Artists movement and established him as one of Britain’s most respected contemporary painters. His work transcends mere representation; instead, it delves into psychological landscapes, exploring themes of memory, perception, and the elusive nature of experience.

    Born in London, Callery pursued formal artistic training at Cardiff College of Art, where he honed his skills in oil painting and developed a fascination with architectural forms and textures—influences that would profoundly shape his subsequent artistic endeavors. Early exhibitions showcased his burgeoning talent, establishing him within the vibrant milieu of British art during the nineties, alongside contemporaries like Liam Gilliland and Rachel Harrison. This period marked an initial foray into abstraction, where Callery began to dismantle recognizable imagery, prioritizing surface qualities and tonal harmonies over narrative content.

    Callery’s artistic trajectory gained considerable momentum with his inclusion in “Young British Artists III” at Saatchi Gallery (1994), a landmark exhibition that propelled him onto the international stage. This collective showcased a bold rejection of traditional art conventions, embracing experimentation and challenging viewers to reconsider established aesthetic boundaries. Subsequent projects—including collaborations with architects on the Segsbury Project—further solidified his commitment to exploring spatial relationships and materiality. The Segsbury project involved creating sculptural installations alongside archeologists at two significant sites in Wiltshire and Oxfordshire, reflecting Callery’s interest in engaging with history and uncovering hidden narratives within familiar landscapes.

    His work has been exhibited extensively across Europe and North America, garnering critical acclaim for its conceptual depth and visual impact. Notably, his paintings reside in the Tate Collection, a testament to their enduring artistic merit and contribution to British art history. Callery’s distinctive style—characterized by meticulous layering of pigment and textured surfaces—employs techniques reminiscent of Venetian Renaissance masters like Titian and Tintoretto, subtly referencing traditions of illusionistic painting while simultaneously forging an entirely original visual language. Through his exploration of urban spaces and psychological states, Simon Callery continues to provoke contemplation and inspire dialogue about the complexities of human perception and experience.

    Notable Exhibitions: Young British Artists III (1994), Art Now at Tate Britain (2002), Galerie Philippe Casini, Paris (2002)

    Collection Holdings: Tate Collection

    Influences: Venetian Renaissance Masters (Titian & Tintoretto); Architectural Forms and Textures

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    QR-kode som lenker til nedlastingssiden for Archive

    topimpressionists.com/no/art/download/simon-callery-archive-ARD6U9-en/

    Kildehenvisning for dette kunstverket

    MLA
    callery, simon. Archive. 1996, https://topimpressionists.com/no/art/simon-callery-archive-ARD6U9-en/
    APA
    callery, simon (1996). Archive [Painting]. https://topimpressionists.com/no/art/simon-callery-archive-ARD6U9-en/
    Chicago
    simon callery. Archive. 1996. https://topimpressionists.com/no/art/simon-callery-archive-ARD6U9-en/
    Harvard
    callery, simon (1996) Archive. Available at: https://topimpressionists.com/no/art/simon-callery-archive-ARD6U9-en/

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    Archive — simon callery

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Borough and Trinity (1993), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. simon callery var omtrent 36 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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