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Veiledning for studentkunst

Fox and Duck

Navn Klasse Dato

Sr John E Ferneley, Fox and Duck (1813), Sizergh Castle. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Sr John E Ferneley topimpressionists.com/no/artists/sr-john-e-ferneley/
Kunstnerens levetid
1782 – 1860
Malt
1813
Bevegelse
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Arrangert på
Sizergh Castle topimpressionists.com/no/museums/sizergh-castle-kendal/

I sammenheng med

Fox and Duck — Sr John E Ferneley

Når ble dette malt?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 78 ved død.

Malt da kunstneren var 31. Kunstneren ble 78 år gammel. 0 av de 72 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Sr John E Ferneley (1782–1860) ▲ dette verket, 1813 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1823 Hovedvirksomhetsår: 1823–1840 Senere verk: fra 1840

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Espresso #58341b

    Katalogisert palett

    • #58341B
    • #956432
    • #BFA373
    • #2B1812

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Espresso
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Sr John E Ferneley i løpet av de siste tolv månedene — totalt 3 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 78.6%1100 visits
    2. 2 United States of America 14.3%200 visits
    3. 3 Syria 7.1%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 15 mest viste verkene av Sr John E Ferneley

    1. 1 A Strawberry Roan Mule and Two Lurchers in a Stable, and a Stable Lad, 1850 11.8%200 visits
    2. 2 Mr Powell and his Son, with Norton, a Grey Hunter, 1816 11.8%200 visits
    3. 3 The Quorn at Quenby (sketch), 1823 11.8%200 visits
    4. 4 Chestnut Hunter before a Stable, 1825 5.9%100 visits
    5. 5 Two Greyhounds and a Dead Hare, 1824 5.9%100 visits
    6. 6 Major Healey, Wearing Raby Hunt Uniform, Riding with the Sedgefield Hunt, 1833 5.9%100 visits
    7. 7 'Orion', a Chestnut Hunter Outside a Stable, 1831 5.9%100 visits
    8. 8 Longford Lass and the Jew, 1853 5.9%100 visits
    9. 9 Major Healey, Wearing Raby Hunt Uniform, Riding with the Sedgefield Hunt, 1833 5.9%100 visits
    10. 10 Melton Mowbray Horse Fair 5.9%100 visits
    11. 11 A Man in Hunt Uniform 5.9%100 visits
    12. 12 A Gentleman Holding Dangerous, the Winner of the 1833 Derby 5.9%100 visits
    13. 13 A Jockey On A Chestnut Hunter 5.9%100 visits
    14. 14 firebird and policy 5.9%100 visits
    15. — Fox and Duck, 1813 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 90 verk av denne kunstneren, hvorav 14 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Sr John E Ferneley

    The Master of the English Hunt

    In the golden age of British sporting art, few names evoke the thundering hooves and spirited pursuits of the Regency era quite like John Ferneley I. Born in 1782 in the quiet village of Thrussington, Leicestershire, Ferneley would grow to become a definitive chronicler of the English countryside. His life’s work serves as a vibrant window into a vanished world of aristocratic leisure, where the rhythm of rural life was dictated by the seasons and the exhilarating chase of the fox hunt. To study a Ferneley canvas is to step into the mist of an English morning, feeling the dampness of the dew and the palpable tension of the hounds in pursuit.

    Ferneley’s artistic identity was forged through a profound connection to the landscape and the animals that inhabited it. His early training under the esteemed Benjamin Marshall provided him with more than just technical proficiency; it bestowed upon him a specialized vocabulary of movement. Under Marshall's mentorship, Ferneley learned to translate the raw energy of a galloping horse and the subtle shifts in a rider's posture onto canvas. This foundation allowed him to transition from a student of sporting art to a master of its most complex nuances, eventually leading him to the prestigious Royal Academy School where his talent was refined for the grandest stages of British society.

    A Legacy of Motion and Detail

    The true brilliance of Ferneley’s oeuvre lies in his ability to balance meticulous realism with an almost breathless sense of motion. His compositions are rarely static; instead, they pulse with the vitality of the hunt. He possessed a rare, anatomical understanding of equine musculature, allowing him to depict the strain of a horse in full stride or the sudden halt of a startled beast with startling accuracy. This dedication to detail extended to the human element as well, capturing the varied expressions of hunters—from the focused intensity of the seasoned rider to the breathless excitement of the spectator.

    Throughout his prolific career, Ferneley secured the patronage of the highest echelons of British nobility. His studio in Melton Mowbray became a sanctuary for those seeking to immortalize their sporting triumphs. His catalog of work is vast, yet it maintains a consistent emotional resonance. Some of his most enduring contributions to the art world include:

    The Melton Mowbray Hunt: A sweeping tribute to the very heart of Leicestershire’s hunting traditions.

    Lord Henry Bentinck’s Chestnut Hunter ‘Firebird’: A masterful study in equine portraiture and individual character.

    St John’s Co-Cathedral: Demonstrating his ability to pivot from the kinetic energy of the hunt to more serene, architectural subjects.

    Historical Significance and Enduring Influence

    Beyond the mere documentation of social customs, Ferneley’s work holds a significant place in the evolution of British painting. While often categorized strictly within the genre of sporting art, his approach to light and atmosphere hinted at the burgeoning shifts in artistic thought that would later define the Impressionist movement. He did not merely paint horses; he painted the atmosphere in which they moved, capturing the fleeting qualities of light filtering through autumn leaves or the heavy gloom of a winter afternoon.

    As we look back upon his life, which concluded in 1860, we see an artist who successfully bridged the gap between traditional sporting portraiture and a more expressive, atmospheric style. His legacy remains etched in the annals of art history, serving as a vital link to the traditions of the English landed gentry and providing a timeless celebration of the bond between man, horse, and the natural world. Today, his works continue to captivate collectors and historians alike, standing as enduring monuments to the elegance and vigor of a bygone era.

    Museum

    Sizergh Castle

    Utstilt i Kendal, Indonesia

    A Journey Through Centuries at Sizergh Castle

    Nestled within the breathtaking landscapes of Cumbria, England, Sizergh Castle stands as a remarkable testament to eight centuries of family history, architectural evolution, and artistic patronage. More than just a stately home, it’s a living chronicle of the Strickland family – their triumphs, tribulations, and enduring legacy woven into every stone and painted panel. Originally a simple pele tower dating back to the 14th or 15th century, Sizergh has undergone dramatic transformations, reflecting the changing tastes and fortunes of its custodians. Today, it’s cared for by the National Trust, offering visitors an unparalleled opportunity to step back in time and experience the grandeur and intimacy of a truly exceptional estate.

    The castle's story is inextricably linked with the Jacobite movement. The Strickland family, staunch supporters of King James II, found themselves exiled after the Glorious Revolution, their home becoming a haven for loyalists. This turbulent period left an indelible mark on Sizergh, evidenced by the collection of portraits and artifacts documenting the family’s connection to the Stuart court. Beyond this dramatic history, however, lies a fascinating blend of architectural styles – from the sturdy medieval core to the opulent Elizabethan additions, each layer contributing to the castle's unique character. The Inlaid Chamber, in particular, is a masterpiece, showcasing rare heraldic stained-glass windows and intricately inlaid panelling that speaks volumes about the wealth and ambition of its Tudor patrons.

    A Treasury of Artistic Treasures

    Sizergh’s collection is remarkably diverse, offering glimpses into various artistic movements and periods. The Elizabethan artistry is immediately apparent throughout the castle's interiors – a testament to the era’s meticulous craftsmanship and love for detail. The return of the Inlaid Chamber panelling in 1999, after a long-term loan, was a pivotal moment, allowing visitors to fully appreciate the skill and artistry involved in its creation. Beyond this centerpiece, the castle houses a significant collection of portraits, including works by George Romney, a leading portrait painter of his time, capturing generations of Strickland family members with remarkable sensitivity. Notably, several Jacobite-era portraits depict members of the royal Stuart family, offering poignant reminders of the family’s political affiliations and exile.

    However, Sizergh's artistic treasures extend beyond paintings. The recently restored tapestry depicting ‘The Meeting of Antony and Cleopatra’ is a breathtaking achievement – a vibrant narrative woven with rich colors and intricate detail. This magnificent work, once faded and neglected, now dominates the Great Hall, serving as a focal point for admiration and historical reflection. Furthermore, the castle's collection includes rare Ferns, a nationally recognized collection housed in the gardens, showcasing the family’s dedication to botany and natural history.

    Gardens of Enduring Beauty

    Sizergh Castle is inseparable from its surrounding gardens – a sprawling landscape that has evolved over centuries. The gardens are not merely decorative; they represent a carefully curated ecosystem, reflecting changing horticultural trends and the family’s personal tastes. From the formal Dutch gardens to the wilder rock garden and stumpery, each area offers a unique experience for visitors. The extensive collection of hardy ferns, particularly within the rock garden, is a particular highlight – a testament to the Strickland family's passion for botany and a haven for botanical enthusiasts.

    The estate’s wider landscape also contributes significantly to its appeal. Breathtaking views of the Lakeland Fells, the Pennines, and Morecambe Bay provide a stunning backdrop to the castle and gardens, creating an immersive sensory experience. The recent restoration of Cecilia's Ramp, built to aid a Strickland family member with mobility issues, demonstrates the estate’s commitment to accessibility and inclusivity – a thoughtful addition that enhances the visitor experience for all.

    A Legacy Preserved

    What truly distinguishes Sizergh Castle is its remarkable preservation—a seamless blend of history, architecture, and artistic expression. The castle's eight-century family history provides an unparalleled context for understanding the evolution of English society and culture. The dedication to preserving rare botanical collections further underscores the estate’s commitment to safeguarding heritage for future generations. Sizergh Castle is more than just a museum; it’s a living, breathing testament to the enduring power of family, artistry, and landscape – an experience that captivates and inspires.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Fox and Duck

    topimpressionists.com/no/art/download/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/

    Kildehenvisning for dette kunstverket

    MLA
    Ferneley, Sr John E. Fox and Duck. 1813, Sizergh Castle. https://topimpressionists.com/no/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/
    APA
    Ferneley, Sr John E (1813). Fox and Duck [Painting]. Sizergh Castle. https://topimpressionists.com/no/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/
    Chicago
    Sr John E Ferneley. Fox and Duck. 1813. Sizergh Castle. https://topimpressionists.com/no/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/
    Harvard
    Ferneley, Sr John E (1813) Fox and Duck. Sizergh Castle. Available at: https://topimpressionists.com/no/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/

    Se nærmere på

    Fox and Duck — Sr John E Ferneley

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: predatory wildlife, fox hunting scene, natural landscape. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på A Saddled Grey Hunter in a Loose Box (1854), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken palett og hvilken dominerende farge definerer "Fox and Duck"?

    "Fox and Duck" er definert av en Earthy-palett med Espresso (#58341b) som den dominerende fargen.

    Hvem skapte "Fox and Duck", og i hvilket år?

    Sr John E Ferneley skapte "Fox and Duck" i 1813.

    Hvor mettet er fargepaletten i "Fox and Duck"?

    Fargepaletten i "Fox and Duck" har Balanced Soft i metning.