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Veiledning for studentkunst

David Alan Pyke (1921–2001)

Navn Klasse Dato

Susan Ryder, David Alan Pyke (1921–2001) (1993). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Susan Ryder topimpressionists.com/no/artists/susan-ryder/
Kunstnerens levetid
1944 –
Malt
1993
Opprinnelig størrelse
75 x 90 cm

I sammenheng med

David Alan Pyke (1921–2001) — Susan Ryder

Hvor stort er det?

Originalen måler 75 × 90 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 49. 1 av de 6 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1993 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #9e827b

    Katalogisert palett

    • #9E827B
    • #CCAE9C
    • #6D5357
    • #3A2735

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Gray
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Susan Ryder i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 2 mest viste verkene av Susan Ryder

    1. 1 Sir Michael Scholar, 2010 100.0%100 visits
    2. — David Alan Pyke (1921–2001), 1993 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 10 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Susan Ryder

    The Enduring Light of Susan Ryder

    Susan Ryder, a name synonymous with evocative portraiture and the masterful rendering of interior space, stands as one of Britain’s most respected artists of the late 20th and early 21st centuries. Born in Windsor in 1944, her artistic journey was profoundly shaped by a childhood steeped in the legacy of her father, Robert Ryder VC – an amateur painter whose passion ignited within young Susan a lifelong love for capturing light, shadow, and the essence of human experience. This formative influence, coupled with the guidance of influential teachers like Bernard Dunstan RA, instilled in her a deep appreciation for the Impressionist masters, particularly Vuillard, who became a cornerstone of her artistic vocabulary – a fascination with fleeting moments, subtle color shifts, and the intimate details that reveal character.

    Ryder’s early career was marked by a dedication to honing her craft through rigorous study at the Byam Shaw School of Painting in London. She quickly established herself as a talented artist, gaining recognition for her ability to translate complex emotions onto canvas. Her artistic development wasn't solely focused on portraiture; she also explored landscape painting, earning an early award that demonstrated her versatility and technical skill. This dual focus – the intimate portrayal of individuals alongside the exploration of atmospheric interiors – would become a defining characteristic of her work, reflecting a broader interest in capturing the interplay between subject and setting.

    A Soldier’s Shadow and the Birth of a Charitable Legacy

    Ryder's wartime service with the First Aid Nursing Yeomanry (FANY) proved to be a pivotal experience, profoundly shaping both her artistic perspective and her commitment to humanitarian causes. Her assignment to the Polish section of the Special Operations Executive (SOE) during World War II exposed her to the harrowing realities of conflict and the resilience of those caught in its crossfire. This period instilled within her a deep empathy for the marginalized and forgotten – a sentiment that would later manifest in the establishment of the Sue Ryder Foundation, initially known as the Forgotten Allies Trust.

    Following the war, Ryder dedicated herself to assisting displaced individuals, particularly Polish refugees struggling to rebuild their lives after years of persecution. Her tireless efforts involved visiting prisoners in German prisons, advocating for their release, and providing them with essential support. This work, often undertaken at great personal risk, cemented her reputation as a compassionate humanitarian and inspired her to create a lasting legacy through the foundation she established – a testament to her belief that even amidst darkness, kindness and hope could prevail. The stories of these ‘Bods,’ as she affectionately called them, became central to her artistic vision, informing many of her later portraits and underscoring themes of resilience, compassion, and the enduring power of human connection.

    The Language of Light: Technique and Style

    Ryder’s distinctive style is immediately recognizable for its masterful manipulation of light and shadow. She eschewed photographic realism in favor of a more subjective approach, prioritizing the emotional impact of her paintings over strict adherence to detail. Her use of lamplight – often depicted as pools of warm, diffused illumination – became a signature element, creating an atmosphere of intimacy and introspection within her portraits and interiors. She employed a layered technique, building up color gradually through multiple glazes, achieving remarkable depth and luminosity.

    Her compositions are typically carefully considered, with a deliberate emphasis on spatial relationships. She frequently utilized techniques borrowed from the Old Masters – particularly Van Dyck and Cézanne – to create a sense of perspective and atmosphere. Ryder’s portraits aren't merely representations of her subjects; they are windows into their souls, capturing not just their physical appearance but also their inner lives and experiences. The interiors she paints are equally compelling, offering glimpses into private worlds filled with character and emotion.

    Notable Works and Lasting Influence

    Among Ryder’s most celebrated works is “The Council Chamber, Royal Hospital Chelsea,” a monumental painting that captures the grandeur and serenity of this historic landmark. Her portrait of Sir Michael Scholar exemplifies her ability to convey both dignity and vulnerability in her subjects. Her depiction of The Queen, commissioned for the Platinum Jubilee, stands as a testament to her skill and her deep understanding of royal protocol and symbolism.

    Ryder’s influence extends far beyond her own artistic achievements. She is remembered not only as a gifted painter but also as a compassionate humanitarian who dedicated her life to helping those in need. Her work continues to inspire artists and viewers alike, reminding us of the power of art to illuminate the human condition and foster empathy and understanding. Her legacy endures through the Sue Ryder Foundation, which remains committed to providing care and support for people living with serious illnesses.

    Les mer her

    • Kunstneren Susan Ryder topimpressionists.com/no/artists/susan-ryder/
    • Lignende verk Flere verk å sammenligne med topimpressionists.com/no/art/similar/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for David Alan Pyke (1921–2001)

    topimpressionists.com/no/art/download/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/

    Kildehenvisning for dette kunstverket

    MLA
    Ryder, Susan. David Alan Pyke (1921–2001). 1993, https://topimpressionists.com/no/art/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/
    APA
    Ryder, Susan (1993). David Alan Pyke (1921–2001) [Painting]. https://topimpressionists.com/no/art/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/
    Chicago
    Susan Ryder. David Alan Pyke (1921–2001). 1993. https://topimpressionists.com/no/art/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/
    Harvard
    Ryder, Susan (1993) David Alan Pyke (1921–2001). Available at: https://topimpressionists.com/no/art/susan-ryder-david-alan-pyke-1921-2001-AR2CVY-en/

    Se nærmere på

    David Alan Pyke (1921–2001) — Susan Ryder

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Sir Michael Scholar (2010), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Susan Ryder var omtrent 49 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem skapte "David Alan Pyke (1921–2001)" og i hvilket år?

    "David Alan Pyke (1921–2001)" ble skapt av Susan Ryder i 1993.

    Hvor harmoniske er fargene i "David Alan Pyke (1921–2001)" av Susan Ryder?

    Fargeharmonien i "David Alan Pyke (1921–2001)" er beskrevet som Discordant Palette.

    Hvor intense er fargene i "David Alan Pyke (1921–2001)" av Susan Ryder?

    Fargeintensiteten i "David Alan Pyke (1921–2001)" er Balanced. Intensitet beskriver hvor sterke fargene fremstår.