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The Walnut Tree

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Sydney William Carline, The Walnut Tree (1928). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Sydney William Carline topimpressionists.com/no/artists/sydney-william-carline/
Kunstnerens levetid
1888 – 1929
Malt
1928
Opprinnelig størrelse
60 x 63 cm

I sammenheng med

The Walnut Tree — Sydney William Carline

Hvor stort er det?

Originalen måler 60 × 63 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 41 ved død.

Malt da kunstneren var 40. Kunstneren ble 41 år gammel. 29 av de 30 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Sydney William Carline (1888–1929) ▲ dette verket, 1928 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/sydney-william-carline-the-walnut-tree-AQSFND-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #848f72

    Katalogisert palett

    • #848F72
    • #707E55
    • #AFAFAA
    • #596243

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Gray
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Sydney William Carline i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 66.7%200 visits
    2. 2 United States of America 33.3%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 6 mest viste verkene av Sydney William Carline

    1. 1 A Destroyed Turkish Aerodrome at Rayak, Lebanon, 1919, 1920 42.9%300 visits
    2. 2 Over the Hills of Kurdistan Flying above Kirkuk, 1919 14.3%100 visits
    3. 3 Aerodrome with Camouflaged Hangars, 1918 14.3%100 visits
    4. 4 Italian Front, 1918 14.3%100 visits
    5. 5 The Hills of Judea, 1919 14.3%100 visits
    6. — The Walnut Tree, 1928 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 31 verk av denne kunstneren, hvorav 5 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Sydney William Carline

    The Sky as a Canvas: The Life and Legacy of Sydney William Carline

    In the annals of British art history, few figures possess a biography as visceral and daring as Sydney William Carline. A man who lived at the intersection of profound artistic sensitivity and the harrowing realities of modern warfare, Carline did not merely observe history; he flew through its most turbulent moments. Born in London on August 14, 1888, into a family where creativity was as much a part of the atmosphere as the London fog, his early life was steeped in the traditions of visual storytelling. As the son of the celebrated landscape painter George Francis Carline, Sydney was raised in an environment that nurtured a keen eye for detail and a deep respect for the natural world. This familial connection to art extended to his siblings, creating a lineage of creators that included the notable Richard Carline and even connections to the legendary Stanley Spencer, weaving him into the very fabric of early 20th-century British modernism.

    Carline’s artistic journey was one of continuous refinement and expansion. His formal training at the prestigious Slade School of Art between 1907 and 1910 provided him with a rigorous technical foundation, yet it was his time in Paris that truly ignited his creative spirit. Immersed in the intellectual ferment of the French capital, Carline absorbed the revolutionary techniques of masters such as Cézanne and Picasso. This exposure to the burgeoning Impressionist and early Cubist movements infused his work with a modern sensibility, teaching him how to manipulate light, form, and perspective to capture not just the appearance of a subject, but its very essence. Before the world descended into chaos, Carline was establishing himself as a skilled art teacher, dedicated to passing on these sophisticated European techniques to a new generation of British artists.

    Flight, Fire, and the Art of Combat

    The outbreak of World War I acted as a violent pivot in Carline’s life, transforming him from a contemplative educator into a participant in the most dangerous theater of war. Initially serving as a dispatch rider for the British Army, his destiny took an unexpected turn in 1916 when he transitioned to the cockpit of a Sopwith Camel fighter plane within the Royal Flying Corps. This period marked the birth of his most significant contribution to art: the documentation of aerial combat. Carline possessed a unique vantage point that few artists could claim, witnessing firsthand the terrifying beauty and mechanical brutality of dogfines over the Somme and the Italian Front.

    His paintings from this era are far more than mere historical records; they are emotive, kinetic experiences. In works such as "The Destruction of an Austrian Machine in the Gorge of the Brenta Valley," Carline captures the frantic energy and lethal precision of early aviation. His brushwork often mirrors the chaos of the sky, blending elements of Romanticism—in its depiction of the sublime and terrifying power of nature and machine—with a stark, unflinching Realism. He had the rare ability to convey the dizzying heights, the suddenness of an attack, and the heavy psychological weight of war, all while maintaining the structural integrity learned during his years in Paris.

    A Lasting Impression on British Modernism

    Though his life was tragically short, ending in 1929, Carline’s impact on the trajectory of British war art remains profound. He helped pioneer a specific genre of aviation art that moved away from static, heroic portraiture toward a more dynamic, atmospheric representation of conflict. His ability to find beauty within the wreckage of war—to see the "trail of war" as both a tragedy and a powerful visual phenomenon—allowed him to bridge the gap between traditional landscape painting and the modern, fragmented reality of the 20th century.

    The significance of his work can be summarized through several key contributions:

    Pioneering Aerial Perspective: He was one of the first artists to successfully translate the three-dimensional, high-velocity experience of flight onto a two-dimensional canvas.

    Synthesis of Styles: His work represents a unique fusion of British landscape traditions and the avant-garde influences of French Impressionism and Post-Impressionism.

    Historical Documentation: Through his depictions of the Royal Flying Corps and the RAF in Italy and the Middle East, he provided an invaluable visual archive of early military aviation.

    Emotional Depth: Beyond the technical mastery of combat scenes, his work captures the profound human experience of resilience and loss during a period of global upheaval.

    Today, the works of Sydney William Carline continue to resonate with viewers who find themselves moved by his ability to capture the ephemeral nature of a moment caught in flight. He remains a vital figure for anyone seeking to understand how the trauma of the Great War reshaped the eyes of the artists who lived through it.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for The Walnut Tree

    topimpressionists.com/no/art/download/sydney-william-carline-the-walnut-tree-AQSFND-en/

    Kildehenvisning for dette kunstverket

    MLA
    Carline, Sydney William. The Walnut Tree. 1928, https://topimpressionists.com/no/art/sydney-william-carline-the-walnut-tree-AQSFND-en/
    APA
    Carline, Sydney William (1928). The Walnut Tree [Painting]. https://topimpressionists.com/no/art/sydney-william-carline-the-walnut-tree-AQSFND-en/
    Chicago
    Sydney William Carline. The Walnut Tree. 1928. https://topimpressionists.com/no/art/sydney-william-carline-the-walnut-tree-AQSFND-en/
    Harvard
    Carline, Sydney William (1928) The Walnut Tree. Available at: https://topimpressionists.com/no/art/sydney-william-carline-the-walnut-tree-AQSFND-en/

    Se nærmere på

    The Walnut Tree — Sydney William Carline

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på 'Sopwith Camel' Patrol Attacking an Austrian Aerodrome near Sacile, Italy (1918), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Sydney William Carline var omtrent 40 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Når ble "The Walnut Tree" laget?

    "The Walnut Tree" av Sydney William Carline ble skapt i 1928.

    Hvor gammel var Sydney William Carline da "The Walnut Tree" ble skapt?

    Sydney William Carline laget "The Walnut Tree" i en alder av 40. Kunstneren ble født i 1888, og verket er datert 1928.

    Er fargene i "The Walnut Tree" av Sydney William Carline mettede eller dempede?

    Fargene i "The Walnut Tree" av Sydney William Carline har en Balanced Soft metning. Metning beskriver hvor levende eller dempede fargene er.