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River Landscape

Navn Klasse Dato

Thomas Gainsborough, River Landscape (1768), Philadelphia Art Museum. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Thomas Gainsborough topimpressionists.com/no/artists/thomas-gainsborough_no/
Kunstnerens levetid
1727 – 1788
Malt
1768
Opprinnelig størrelse
119 x 168 cm
Bevegelse
Rococo Style
Arrangert på
Philadelphia Art Museum topimpressionists.com/no/museums/philadelphia-art-museum-philadelphia_no-1/
Artistic style
Elegant; Lightness; Exuberance
Influences
British landscape painting
Notable elements or techniques
Loose brushstrokes; Balanced composition
Subject or theme
Landscape; Pastoral scene

I sammenheng med

River Landscape — Thomas Gainsborough

Dimensjoner

Originalen måler 119 × 168 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 61 ved død.

Malt da kunstneren var 41. Kunstneren ble 61 år gammel. 169 av de 496 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Thomas Gainsborough (1727–1788) ▲ dette verket, 1768 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1763 Hovedvirksomhetsår: 1763–1782 Senere verk: fra 1782

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/thomas-gainsborough-river-landscape-8Y3AFB-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Rosy Brown #a49e7a

    Lagret palett

    • #A49E7A
    • #2E2724
    • #E5DFD6
    • #615B4A

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Rosy Brown
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Thomas Gainsborough i løpet av de siste tolv månedene — 43 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 48.4%
    2. 2 United States of America 9.7%
    3. 3 France 9.0%
    4. 4 Singapore 6.3%
    5. 5 Hong Kong 4.6%
    6. 6 Romania 2.8%
    7. 7 Storbritannia 2.6%
    8. 8 Italy 2.3%
    9. 9 Spain 1.5%
    10. 10 Germany 1.2%
    11. · 33 andre land 11.6%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Thomas Gainsborough

    1. 1 Den blå gutten (Jonathan Buttall) 13.4%
    2. 2 Conversation in a Park, 1740 7.0%
    3. 3 Mr og Mrs Andrews, 1748 2.3%
    4. 4 Conversation in a Park, 1740 1.6%
    5. 5 Gainsboroughs skog (Cornard Wood), 1746 1.3%
    6. 6 Mr. and Mrs. Andrews, 1749 1.2%
    7. 7 Imaginary Landscape (reworked by a 19th century English follower), 1920 1.2%
    8. 8 The Mall in St. James, 1783 1.0%
    9. 9 Mrs Graham, 1777 1.0%
    10. 10 Lambe Barry, 1759 0.9%
    11. 11 The Gravenor Family, 1752 0.8%
    12. 12 CONVERSATION DANS UN PARC 0.8%
    13. 13 Mountain Landscape with Peasants Crossing a Bridge, 1784 0.8%
    14. 14 Pomeranian Bitch og Puppy, 1777 0.8%
    15. 15 Portrait of a Lady in Blue, 1779 0.7%
    16. 16 The Woodcutters' Return, 1772 0.7%
    17. 17 Mrs Mary Cobbold with Her Daughter Anne, 1752 0.7%
    18. 18 Letitia Leigh (1746–1838), Mrs Townley Balfour, 1771 0.7%
    19. 19 Lady Alston, 1767 0.7%
    20. 132 River Landscape, 1768 dette maleriet 0.2%

    Sammen utgjør disse verkene 37.8% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 623 verk av denne kunstneren, hvorav 293 ble sett på minst én gang. Dette maleriet rangerer som nummer 132 av dem, med 0.2% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    River Landscape — Thomas Gainsborough

    The River Landscape by Thomas Gainsborough is a captivating oil on canvas painting that embodies the essence of the Rococo style. Created in 1768, this masterpiece measures 119 x 168 cm and showcases the artist's ability to balance nature and humanity. The painting is currently located at the Museum of Art in Philadelphia, United States.

    Composition and Style

    The composition of the painting is balanced, with the river serving as a central element that draws the viewer's eye through the landscape. The use of light and shadow creates a sense of three-dimensionality, making the figures and trees appear almost tangible. The River Landscape is characterized by its lightness, elegance, and exuberance, which are all hallmarks of the Rococo style. Key Features of the painting include:

    The tranquil river landscape scene, complete with figures engaged in various activities

    The loose brushstrokes that give the painting a sense of movement and life

    The balanced composition, which creates a sense of harmony and serenity

    Artist and Historical Context

    Thomas Gainsborough was a prominent British artist known for his landscapes, portraits, and genre paintings. He was a master of capturing the essence of the natural world and the people in it. The River Landscape is just one example of his work, which can be found at /art/list/?Filter=8Y3AFB-Thomas-Gainsborough-River-Landscape. For more information on the artist, visit https://AllPaintingsStore.com/@/Imitator-Of-Thomas-Gainsborough-Ra-1727-1788-British. BR> The River Landscape is a testament to Gainsborough's skill and artistry, and it continues to be celebrated as one of his most beautiful works. To learn more about the painting and the artist, visit /en/art/show/art-8y3afb-en/.

    Kunstner og museum

    Kunstner

    Thomas Gainsborough

    Født i Sudbury, Storbritannia

    A Suffolk Beginning: The Early Life and Artistic Awakening

    The story of Thomas Gainsborough, one of Britain’s most celebrated artists, unfolds not within the confines of a grand academy or bustling metropolis, but in the tranquil market town of Sudbury, Suffolk. Born in 1727, the youngest son of John Gainsborough, a weaver and wool merchant, young Thomas displayed an innate artistic sensibility from a remarkably early age. While his siblings pursued more conventional paths, Thomas’s world rapidly became consumed by drawing and painting – miniature self-portraits and delicate landscapes blossoming from his hand even before he reached ten years old. This precocious talent wasn't merely a childhood pastime; it was the burgeoning of a vision that would reshape British art. His father, recognizing this unique gift, encouraged its development, setting young Thomas on a path diverging sharply from the family trade. The Suffolk countryside itself became his first studio, imbuing his later works with a deep and abiding love for the natural world – a characteristic that would distinguish him throughout his career. This early immersion in landscape wasn’t simply about replicating what he saw; it was about feeling the essence of the English countryside, an emotional resonance that would permeate his canvases for decades to come.

    London and the Shaping of a Style: Influences and Early Commissions

    In 1740, at the age of thirteen, Gainsborough journeyed to London, embarking on formal artistic training under Hubert Gravelot, a French engraver renowned for his elegant rococo style. This exposure proved pivotal, introducing him to refined techniques and fashionable aesthetics. However, it was his association with William Hogarth and the St Martin’s Lane Academy that truly began to mold his artistic identity. Initially influenced by Hogarth's narrative approach – often depicting moral tales through crowded scenes – Gainsborough soon charted his own course, developing a distinctive style characterized by its lightness of touch, fluid brushwork, and subtle color palettes. He absorbed lessons from various masters, including the Dutch landscape painters whose emphasis on light and atmosphere deeply resonated with him. Returning to Sudbury after marrying Margaret Burr in 1746, Gainsborough established himself as a portraitist for the local gentry and mercantile classes. This period honed his skills in capturing likenesses and character, but it was during his subsequent move to Ipswich, and later Bath, that he began attracting a more sophisticated clientele – individuals who appreciated not just accurate representation, but also artistic flair and emotional depth.

    Bath and Beyond: Portraiture, Landscape, and Royal Patronage

    The years spent in Bath (1759-1774) marked a significant turning point in Gainsborough’s career. The city was a hub of fashionable society, providing him with ample opportunities to paint portraits of the wealthy and influential. He quickly gained renown for his ability to capture not only physical resemblance but also the personality and social standing of his sitters. His portraits weren't merely depictions; they were statements about identity and status. He experimented with new techniques, incorporating elements of Rococo and Neo-classical styles, while retaining his own unique sensibility. However, even amidst the demands of portraiture, Gainsborough never abandoned his passion for landscape painting. In fact, he often seamlessly integrated landscapes into his portraits, creating compositions that celebrated both human subjects and the beauty of the natural world. This innovative approach – a hallmark of his style – set him apart from many of his contemporaries. The culmination of his success came with his move to London in 1774, where he established a studio on Pall Mall and became a founding member of the Royal Academy. He also secured royal patronage, becoming a favourite painter of King George III and Queen Charlotte, further solidifying his position as one of Britain’s leading artists. *Mrs. Thomas Gainsborough*, painted in 1785, exemplifies this period – an elegant portrait showcasing rococo style and muted tones.

    A Legacy of Innovation: Enduring Appeal and Influence

    Thomas Gainsborough died in 1788, leaving behind a body of work that continues to captivate audiences today. His influence on subsequent generations of British artists is undeniable. He liberated portraiture from rigid formality, infusing it with spontaneity and emotional resonance. His loose brushwork and atmospheric effects paved the way for the Impressionists, while his lyrical landscapes inspired artists like John Constable, who deeply admired Gainsborough’s ability to capture the spirit of the English countryside. Gainsborough's legacy extends beyond technique; it lies in his profound understanding of human character and his unwavering commitment to artistic expression. He wasn’t simply a painter of portraits or landscapes; he was a storyteller, a poet of light and color, and a visionary who transformed British art. His paintings are a testament to the power of observation, imagination, and the enduring allure of the English landscape.

    Exploring Gainsborough's World Today

    Fortunately, the opportunity to experience Gainsborough’s genius firsthand remains readily available. Gainsborough’s House, in his birthplace of Sudbury, stands as a testament to his life and work, offering visitors an intimate glimpse into his early influences and artistic development. Christchurch Mansion in Ipswich houses a significant collection of Gainsborough paintings alongside works by Constable and other masters. Numerous museums across the United Kingdom and internationally display his masterpieces, including the National Gallery in London and the Metropolitan Museum of Art in New York. His work continues to be studied, analyzed, and celebrated, ensuring that his artistic vision will endure for generations to come. The enduring appeal of Gainsborough’s art lies not only in its technical brilliance but also in its timeless beauty and emotional depth – qualities that resonate with viewers across centuries.

    Museum

    Philadelphia Art Museum

    Utstilt på Philadelphia, USA

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled high on Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is more than just a building filled with art; it’s an immersive experience, a profound reflection of American culture and a testament to centuries of human creativity. From its origins as a showcase for the Centennial Exposition to its current status as one of the nation's premier art institutions, the museum has consistently evolved while remaining deeply rooted in its rich history – a history interwoven with architectural grandeur, artistic innovation, and a commitment to making art accessible to all.

    The story begins with an ambitious vision for the 1876 Centennial Exposition. Initially conceived as a celebration of applied arts and sciences—a vibrant display of industry and ingenuity—the exhibition quickly blossomed into something far more expansive: a dedicated institution devoted to preserving, exhibiting, and understanding art from across the globe. The building itself, spearheaded by the visionary architects Horace Trumbauer and brought to life through the meticulous details of Julian Abele – Philadelphia’s first African-American graduate of the University of Pennsylvania's Department of Architecture – is an artwork in its own right. Constructed from imposing Minnesota dolomite, the museum exudes a sense of dignified elegance and timeless beauty, a physical embodiment of artistic ideals that extends far beyond mere functionality. Abele’s painstaking attention to detail—the delicate carvings adorning the façade, the precisely placed columns lending strength and grace, the subtle variations in stone texture creating an almost tactile richness – elevates the entire structure into a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum’s collection boasts over 240,000 objects, encompassing a breathtaking diversity of artistic mediums and historical periods. While European paintings understandably dominate the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli's ethereal Venus, a study in delicate color and idealized beauty; Rembrandt’s dramatic lighting capturing both the grandeur and vulnerability of human experience; the Impressionists—Monet’s shimmering water lilies evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings brimming with life and the celebration of everyday moments – to limit the museum to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor's eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. Here, you’ll discover works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism—a technique so convincing that it appears to leap off the canvas, blurring the line between art and reality; and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to view art; it’s a space designed to foster engagement, inspire creativity, and spark dialogue. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These carefully curated displays ensure that the museum remains a dynamic cultural hub, constantly evolving and adapting to the needs of its community. Beyond these temporary exhibitions, the museum offers a wealth of educational programs tailored for audiences of all ages—from family workshops and school tours designed to spark curiosity in young minds, to lectures and artist talks offering insights into the creative process, making art accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations. The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist’s work – a powerful meditation on contemplation and humanity's inner struggles; and more recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has demonstrated a commitment to growth and innovation. The museum's dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcome and valued. The Core Project, completed in 2021, represents a monumental investment in the museum’s future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. “Rocky Steps” themselves are more than just a visual landmark; they’re a symbol of determination and achievement, attracting visitors from around the globe who come to reenact the iconic scene and connect with the spirit of perseverance. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

    Her kan du lese mer

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    QR-kode som lenker til nedlastingssiden for River Landscape

    topimpressionists.com/no/art/download/thomas-gainsborough-river-landscape-8Y3AFB-en/

    Kildehenvisning for dette kunstverket

    MLA
    Gainsborough, Thomas. River Landscape. 1768, Philadelphia Art Museum. https://topimpressionists.com/no/art/thomas-gainsborough-river-landscape-8Y3AFB-en/
    APA
    Gainsborough, Thomas (1768). River Landscape [Painting]. Philadelphia Art Museum. https://topimpressionists.com/no/art/thomas-gainsborough-river-landscape-8Y3AFB-en/
    Chicago
    Thomas Gainsborough. River Landscape. 1768. Philadelphia Art Museum. https://topimpressionists.com/no/art/thomas-gainsborough-river-landscape-8Y3AFB-en/
    Harvard
    Gainsborough, Thomas (1768) River Landscape. Philadelphia Art Museum. Available at: https://topimpressionists.com/no/art/thomas-gainsborough-river-landscape-8Y3AFB-en/

    Se nærmere etter

    River Landscape — Thomas Gainsborough

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: landscape, river scene, pastoralism. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Den blå gutten (Jonathan Buttall), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Thomas Gainsborough var omtrent 41 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilket kontrastnivå viser "River Landscape" av Thomas Gainsborough?

    Lys-mørke-kontrasten i "River Landscape" er registrert som Statement. Kontrast beskriver hvor sterkt lyse og mørke områder skiller seg fra hverandre.

    Hvordan er fargekomposisjonen i "River Landscape" av Thomas Gainsborough bygget opp?

    I "River Landscape" blir en Statement kontrast parret med en Strong Color Unity harmoni.

    Hvem er opphavspersonen til "River Landscape", og i hvilken retning?

    "River Landscape" ble skapt av Thomas Gainsborough i Rococo Style-stil. Kunstneren og stilen identifiserer verkets tradisjon.