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The Hammock

Navn Klasse Dato

William James Glackens, The Hammock (1919). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William James Glackens topimpressionists.com/no/artists/william-james-glackens_no/
Kunstnerens levetid
1870 – 1938
Malt
1919
Medium
Oil On Canvas
Opprinnelig størrelse
31 x 41 cm
Bevegelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Periode
Modern
Artistic style
Impressionism
Influences
Renoir, Luminism
Notable elements or techniques
Impressionist brushstrokes, light and color
Subject or theme
Leisure and togetherness in nature

I sammenheng med

The Hammock — William James Glackens

Hvor stort er det?

Originalen måler 31 × 41 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 68 ved død.

Malt da kunstneren var 49. Kunstneren ble 68 år gammel. 122 av de 157 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William James Glackens (1870–1938) ▲ dette verket, 1919 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1906 Hovedvirksomhetsår: 1906–1918 Senere verk: fra 1918

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/william-james-glackens-the-hammock-8XXF7A-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Phthalo Green #25272a

    Katalogisert palett

    • #25272A
    • #898954
    • #CCBE4D
    • #55523E

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Phthalo Green
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William James Glackens i løpet av de siste tolv månedene — totalt 10 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 61.9%
    2. 2 United States of America 12.7%
    3. 3 Singapore 11.9%
    4. 4 Malaysia 5.9%
    5. 5 Hong Kong 2.5%
    6. 6 New Zealand 1.7%
    7. 7 Storbritannia 0.8%
    8. 8 Greece 0.8%
    9. 9 Sweden 0.8%
    10. 10 Türkiye 0.8%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av William James Glackens

    1. 1 The Green Bonnet, 1913 6.1%
    2. 2 Music Hall Turn (study), 1918 3.0%
    3. 3 Italo-American Celebration, Washington Square, 1912 3.0%
    4. 4 Julia Reading, 1916 3.0%
    5. 5 The Ermine Muff, 1903 3.0%
    6. 6 Mahone Bay, 1911 2.3%
    7. 7 Lenna at One Year, 1914 2.3%
    8. 8 Bathers at Play, Study 2, 1914 2.3%
    9. 9 Lake Bathers, 1920 2.3%
    10. 10 Treading Calms, Wickford, 1909 2.3%
    11. 11 Lenna with Rabbit Hound, 1922 2.3%
    12. 12 Girl with Fox Furs, 1909 2.3%
    13. 13 Park on the River, 1902 2.3%
    14. 14 Bathing at Bellport, Long Island, 1912 2.3%
    15. 15 L'Apertif, 1926 2.3%
    16. 16 Château-Thierry, 1906 2.3%
    17. 17 The Conservatory (also known as Lenna and Her Mother in the Conservatory), 1917 1.5%
    18. 18 The Shoppers, 1907 1.5%
    19. 19 Cape Code Pier, 1908 1.5%
    20. — The Hammock, 1919 dette maleriet 0.0%

    Sammen utgjør disse verkene 47.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 182 verk av denne kunstneren, hvorav 77 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    The Hammock — William James Glackens

    The painting The Hammock by William James Glackens is a beautiful depiction of two people in the woods, enjoying their time together while hanging from swings. Created in 1919, this oil on canvas artwork showcases the artist's ability to capture the essence of leisure and togetherness in a serene natural setting.

    Artistic Style and Influences

    William James Glackens was an American artist known for his Impressionist style, which is evident in The Hammock. His work was influenced by the Luminism Art Movement, which emphasized light and atmosphere. This style is also seen in other works by Glackens, such as Home in New Hampshire and Cape Code Pier, which are part of the collection at the Museum of Art in Fort Lauderdale, United States. Key Features of the Painting The painting features several trees surrounding the couple, with some closer to them and others further away. A woman is sitting on a swing, holding onto another swing that has a man in it. They seem to be having a great time together, possibly enjoying a picnic or simply relaxing outdoors.

    The use of light and color creates a sense of tranquility and calmness

    The natural setting and the couple's interaction evoke a feeling of intimacy and connection

    The artist's brushstrokes and technique add to the overall sense of serenity and peacefulness

    BR For those interested in learning more about William James Glackens and his work, visit https://AllPaintingsStore.com to explore his paintings, including The Hammock, Home in New Hampshire, and Cape Code Pier. You can also find more information about the Luminism Art Movement and other American artists, such as Julian Alden Weir and Frederick Childe Hassam, on Wikipedia: https://en.wikipedia.org/wiki/William_James_Glackens.

    Kunstner og museum

    Kunstner

    William James Glackens

    Født i Philadelphia, USA

    A Pioneer of Ashcan Realism

    William James Glackens (1870 – 1938) stands as a cornerstone figure in American art, indelibly shaping the landscape of realism during the early twentieth century. Born in Philadelphia on March 13th, 1870, to Elizabeth Finn Glackens and Samuel Glackens—a clerk for the Pennsylvania Railroad—his artistic journey began with an innate fascination for drawing, a passion nurtured by his formative years. This inclination propelled him towards enrollment at the Pennsylvania Academy of Fine Arts, where he honed his skills under the guidance of Thomas Anshutz, a celebrated realist who profoundly influenced Glackens’ stylistic approach.

    The Ashcan School and Its Vision

    Glackens' artistic trajectory coincided with the emergence of the Ashcan School—a movement that fiercely rejected the prevailing aesthetic conventions of its time. Rejecting idealized beauty and grandeur, the Ashcan School championed a gritty portrayal of urban life in New York City, mirroring the realities faced by ordinary people. Alongside Louis Glackens, his brother, Glackens established this influential group, determined to depict the everyday struggles and triumphs of working-class communities with uncompromising honesty. This commitment to realism distinguished him from many of his contemporaries and cemented his place within art history.

    Glackens’ Artistic Style: Detail and Atmosphere

    Glackens' paintings are characterized by their masterful execution—particularly in capturing atmosphere and detail. He favored dark hues, skillfully blending them to create immersive environments that conveyed the palpable energy of city streets. His technique involved meticulous observation and painstaking brushwork, resulting in canvases brimming with texture and nuance. Notably, Glackens’ artistic sensibilities were shaped by the Impressionist painter Pierre Auguste Renoir, whose influence can be discerned in his later works—characterized by a brighter palette and an emphasis on capturing fleeting moments of beauty amidst urban bustle.

    Illustrative Career and Patronage

    Beyond his studio practice, Glackens cultivated a prolific career as an illustrator for newspapers and magazines based in Philadelphia and New York City. This engagement with journalistic illustration honed his visual storytelling abilities and broadened his artistic repertoire. Furthermore, Glackens played a crucial role in bolstering American art heritage by collaborating with Albert C. Barnes—a wealthy philanthropist—to acquire European paintings for the Barnes Foundation in Philadelphia. This ambitious undertaking significantly enriched the foundation’s collection and solidified Glackens' reputation as an advocate for artistic excellence.

    Notable Works and Legacy

    Glackens’ artistic legacy extends beyond his individual creations. His masterpiece, “The Shoppers,” exemplifies his ability to distill complex urban narratives into evocative visual representations—now housed in the New Realism Collection at AllPaintingsStore.com. Similarly, “View of Haarlem with Bleaching Grounds,” a painting by Jacob Isaakszoon van Ruysdael (ruysdael), showcases Glackens’ dedication to replicating the meticulous detail and craftsmanship of Dutch masters. His enduring influence continues to inspire artists today, securing his place as one of America's foremost realist painters—a testament to his unwavering commitment to portraying the human experience with profound sensitivity and artistic integrity.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for The Hammock

    topimpressionists.com/no/art/download/william-james-glackens-the-hammock-8XXF7A-en/

    Kildehenvisning for dette kunstverket

    MLA
    Glackens, William James. The Hammock. 1919, https://topimpressionists.com/no/art/william-james-glackens-the-hammock-8XXF7A-en/
    APA
    Glackens, William James (1919). The Hammock [Painting]. https://topimpressionists.com/no/art/william-james-glackens-the-hammock-8XXF7A-en/
    Chicago
    William James Glackens. The Hammock. 1919. https://topimpressionists.com/no/art/william-james-glackens-the-hammock-8XXF7A-en/
    Harvard
    Glackens, William James (1919) The Hammock. Available at: https://topimpressionists.com/no/art/william-james-glackens-the-hammock-8XXF7A-en/

    Se nærmere på

    The Hammock — William James Glackens

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: impressionism, nature, leisure. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Central Park in Winter (1905), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem skapte "The Hammock" og i hvilket år?

    William James Glackens skapte "The Hammock" i 1919.

    Hvor kan jeg finne kunstverk som ligner på "The Hammock" av William James Glackens?

    Finn lignende kunstverk til "The Hammock" av William James Glackens på verkets Lignende verk-side.

    Er fargene i "The Hammock" sterke eller dempede?

    "The Hammock" av William James Glackens er gjengitt med en Balanced Soft metning og en Vivid intensitet.