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Washington Square

Navn Klasse Dato

William James Glackens, Washington Square. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William James Glackens topimpressionists.com/no/artists/william-james-glackens_no/
Kunstnerens levetid
1870 – 1938
Medium
Oil On Canvas
Opprinnelig størrelse
46 x 61 cm
Bevegelse
Ashcan School New York painters who chose the crowded, grubby, unglamorous parts of city life as their subject.
Periode
Modern
Artistic style
Realism
Notable elements or techniques
Vibrant colors, realistic street scenes
Subject or theme
Urban life in a park setting

I sammenheng med

Washington Square — William James Glackens

Dimensjoner

Originalen måler 46 × 61 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 68 ved død.

Skyggelagt: livsløpet til William James Glackens (1870–1938) hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1906 Hovedvirksomhetsår: 1906–1918 Senere verk: fra 1918

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan være et hull i dokumentasjonen snarere enn en rolig periode. De samme årene med kunstnerens liv lagt langs dem

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/william-james-glackens-washington-square-AQQFGE-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Sea Green #387b4c

    Lagret palett

    • #387B4C
    • #364241
    • #898050
    • #C1AB6D

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Dark Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Sea Green
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av William James Glackens i løpet av de siste tolv månedene — 10 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 61.9%
    2. 2 United States of America 12.7%
    3. 3 Singapore 11.9%
    4. 4 Malaysia 5.9%
    5. 5 Hong Kong 2.5%
    6. 6 New Zealand 1.7%
    7. 7 Storbritannia 0.8%
    8. 8 Greece 0.8%
    9. 9 Sweden 0.8%
    10. 10 Türkiye 0.8%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av William James Glackens

    1. 1 The Green Bonnet, 1913 6.1%
    2. 2 Music Hall Turn (study), 1918 3.1%
    3. 3 Julia Reading, 1916 3.1%
    4. 4 The Ermine Muff, 1903 3.1%
    5. 5 Italo-American Celebration, Washington Square, 1912 2.3%
    6. 6 Mahone Bay, 1911 2.3%
    7. 7 Lenna at One Year, 1914 2.3%
    8. 8 Bathers at Play, Study 2, 1914 2.3%
    9. 9 Lake Bathers, 1920 2.3%
    10. 10 Treading Calms, Wickford, 1909 2.3%
    11. 11 Lenna with Rabbit Hound, 1922 2.3%
    12. 12 Girl with Fox Furs, 1909 2.3%
    13. 13 Park on the River, 1902 2.3%
    14. 14 Bathing at Bellport, Long Island, 1912 2.3%
    15. 15 L'Apertif, 1926 2.3%
    16. 16 Château-Thierry, 1906 2.3%
    17. 17 The Conservatory (also known as Lenna and Her Mother in the Conservatory), 1917 1.5%
    18. 18 The Shoppers, 1907 1.5%
    19. 19 Cape Code Pier, 1908 1.5%
    20. — Washington Square dette maleriet 0.0%

    Sammen utgjør disse verkene 47.5% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 182 verk av denne kunstneren, hvorav 77 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Om dette kunstverket

    Washington Square — William James Glackens

    A Window into Urban Vitality

    In the heart of William James Glackens' Washington Square, we find ourselves transported to a bygone era of metropolitan splendor, where the pulse of the city beats through the simple, rhythmic movements of its inhabitants. This captivating scene serves as more than just a depiction of a park; it is a vibrant tapestry of human connection and urban motion. As your eyes wander across the canvas, you encounter a diverse cast of characters—individuals lost in thought, travelers carrying the weight of their journeys in suitcases, and passersby adorned with the modest accessories of early 20th-century life. The presence of a stray handbag or a traveler's backpack adds a profound layer of realism, grounding the painting in a tangible, lived-in reality that invites the viewer to step directly into the frame.

    The composition breathes with an organic energy, masterfully balancing the structured greenery of the park's trees with the spontaneous flow of pedestrian life. Glackens utilizes a technique that captures the fleeting nature of a moment, much like a snapshot frozen in time, yet imbued with the warmth and depth of fine oil painting. The interplay of light and shadow across the figures creates a sense of three-dimensional space, drawing the observer deeper into the lush, natural atmosphere of the park setting. For the discerning collector or interior designer, this piece offers a sophisticated focal point that brings both movement and tranquility to any curated space.

    The Legacy of the Ashcan School

    To truly appreciate this work, one must understand Glackens' pivotal role as a pioneer of the Ashcan School. Moving away from the polished, idealized subjects of traditional academic art, Glackens sought beauty in the gritty, unvarnished realities of New York life. This painting exemplifies that revolutionary spirit; it does not seek to present a sanitized version of the world, but rather celebrates the authentic, everyday encounters that define the human experience. His ability to blend the raw, observational style of his contemporaries with a later, more luminous influence—reminiscent of Renoir’s light-drenched canvases—results in a work that is both emotionally resonant and visually dazzling.

    The historical context of Washington Square provides a nostalgic window into pre-WWI America, a period of rapid urban evolution and social shifting. Through his brushstrokes, Glackens captures the essence of a city in transition, where the natural world of the park meets the encroaching energy of the modern metropolis. This duality makes the artwork an exceptional choice for those looking to add a sense of historical depth and intellectual intrigue to their decor. It is not merely a decoration, but a conversation piece that speaks to the enduring allure of the urban landscape and the timeless beauty found in the most ordinary of moments.

    Kunstner og museum

    Kunstner

    William James Glackens

    Født i Philadelphia, USA

    A Pioneer of Ashcan Realism

    William James Glackens (1870 – 1938) stands as a cornerstone figure in American art, indelibly shaping the landscape of realism during the early twentieth century. Born in Philadelphia on March 13th, 1870, to Elizabeth Finn Glackens and Samuel Glackens—a clerk for the Pennsylvania Railroad—his artistic journey began with an innate fascination for drawing, a passion nurtured by his formative years. This inclination propelled him towards enrollment at the Pennsylvania Academy of Fine Arts, where he honed his skills under the guidance of Thomas Anshutz, a celebrated realist who profoundly influenced Glackens’ stylistic approach.

    The Ashcan School and Its Vision

    Glackens' artistic trajectory coincided with the emergence of the Ashcan School—a movement that fiercely rejected the prevailing aesthetic conventions of its time. Rejecting idealized beauty and grandeur, the Ashcan School championed a gritty portrayal of urban life in New York City, mirroring the realities faced by ordinary people. Alongside Louis Glackens, his brother, Glackens established this influential group, determined to depict the everyday struggles and triumphs of working-class communities with uncompromising honesty. This commitment to realism distinguished him from many of his contemporaries and cemented his place within art history.

    Glackens’ Artistic Style: Detail and Atmosphere

    Glackens' paintings are characterized by their masterful execution—particularly in capturing atmosphere and detail. He favored dark hues, skillfully blending them to create immersive environments that conveyed the palpable energy of city streets. His technique involved meticulous observation and painstaking brushwork, resulting in canvases brimming with texture and nuance. Notably, Glackens’ artistic sensibilities were shaped by the Impressionist painter Pierre Auguste Renoir, whose influence can be discerned in his later works—characterized by a brighter palette and an emphasis on capturing fleeting moments of beauty amidst urban bustle.

    Illustrative Career and Patronage

    Beyond his studio practice, Glackens cultivated a prolific career as an illustrator for newspapers and magazines based in Philadelphia and New York City. This engagement with journalistic illustration honed his visual storytelling abilities and broadened his artistic repertoire. Furthermore, Glackens played a crucial role in bolstering American art heritage by collaborating with Albert C. Barnes—a wealthy philanthropist—to acquire European paintings for the Barnes Foundation in Philadelphia. This ambitious undertaking significantly enriched the foundation’s collection and solidified Glackens' reputation as an advocate for artistic excellence.

    Notable Works and Legacy

    Glackens’ artistic legacy extends beyond his individual creations. His masterpiece, “The Shoppers,” exemplifies his ability to distill complex urban narratives into evocative visual representations—now housed in the New Realism Collection at AllPaintingsStore.com. Similarly, “View of Haarlem with Bleaching Grounds,” a painting by Jacob Isaakszoon van Ruysdael (ruysdael), showcases Glackens’ dedication to replicating the meticulous detail and craftsmanship of Dutch masters. His enduring influence continues to inspire artists today, securing his place as one of America's foremost realist painters—a testament to his unwavering commitment to portraying the human experience with profound sensitivity and artistic integrity.

    Her kan du lese mer

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    QR-kode som lenker til nedlastingssiden for Washington Square

    topimpressionists.com/no/art/download/william-james-glackens-washington-square-AQQFGE-en/

    Kildehenvisning for dette kunstverket

    MLA
    Glackens, William James. Washington Square. n.d., https://topimpressionists.com/no/art/william-james-glackens-washington-square-AQQFGE-en/
    APA
    Glackens, William James (n.d.). Washington Square [Painting]. https://topimpressionists.com/no/art/william-james-glackens-washington-square-AQQFGE-en/
    Chicago
    William James Glackens. Washington Square. n.d. https://topimpressionists.com/no/art/william-james-glackens-washington-square-AQQFGE-en/
    Harvard
    Glackens, William James (n.d.) Washington Square. Available at: https://topimpressionists.com/no/art/william-james-glackens-washington-square-AQQFGE-en/

    Se nærmere etter

    Washington Square — William James Glackens

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: people, trees, park setting. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Family group (1911), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Ashcan School: New York painters who chose the crowded, grubby, unglamorous parts of city life as their subject. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvor kan jeg finne kunstverk som ligner på "Washington Square" av William James Glackens?

    Kunstverk som ligner på "Washington Square" av William James Glackens er samlet på verkets Lignende verk-side.

    Bruker "Washington Square" av William James Glackens sterke kontraster eller myke harmonier?

    Fargeanalysen av "Washington Square" av William James Glackens viser en Gentle kontrast og en Softly Mixed Palette harmoni.

    Hvor lys eller mørk oppleves "Washington Square" av William James Glackens som?

    Alt i alt er "Washington Square" registrert som bright. Oppfattet lysstyrke beskriver hvor lyst eller mørkt verket fremstår.