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Veiledning for studentkunst

Philip Meyer

Navn Klasse Dato

William Yellowlees, Philip Meyer (1824), Enfield Museum Service. Fri for opphavsrett. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Yellowlees topimpressionists.com/no/artists/william-yellowlees/
Kunstnerens levetid
1796 – 1855
Malt
1824
Opprinnelig størrelse
29 x 24 cm
Arrangert på
Enfield Museum Service topimpressionists.com/no/museums/enfield-museum-service-london/

I sammenheng med

Philip Meyer — William Yellowlees

Dimensjoner

Originalen måler 29 × 24 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 59 ved død.

Malt da kunstneren var 28. Kunstneren ble 59 år gammel. 1 av de 3 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Yellowlees (1796–1855) ▲ dette verket, 1824 hvert daterte maleri, tiår for tiår

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: topimpressionists.com/no/art/similar/william-yellowlees-philip-meyer-AS7VVZ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Phthalo Green #2b291d

    Lagret palett

    • #2B291D
    • #CBA37D
    • #4F3F27
    • #816842

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Phthalo Green
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av William Yellowlees i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 1 mest viste verkene av William Yellowlees

    1. 1 Philip Meyer, 1824 dette maleriet 100.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 7 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet rangerer som nummer 1 av dem, med 100.0% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    William Yellowlees

    William Yellowlees: The Little Raeburn and the Dawn of Victorian Portraiture

    William Yellowlees, a name perhaps less familiar than those of his contemporaries, nevertheless holds a significant place in the history of 19th-century British art. Born in Mellerstain, Berwickshire, in 1796, Yellowlees’s career unfolded against the backdrop of rapid social and artistic change, ultimately establishing him as a prominent portrait painter known for his intimate depictions of individuals and his subtle yet powerful engagement with Victorian society. His journey from a small Scottish village to London's art scene is a testament to his talent and dedication, marked by both quiet success and enduring influence.

    Yellowlees’s artistic training began under the tutelage of William Shiels, a celebrated animal painter who had gained renown for his dramatic depictions of wildlife. This early exposure to Shiels's style—characterized by bold brushwork and a focus on capturing the essence of his subjects— undoubtedly shaped Yellowlees’s approach to portraiture. However, it was Yellowlees’s own distinctive sensibility that would ultimately define his artistic legacy. He quickly developed a reputation for producing remarkably small-scale portraits, earning him the affectionate sobriquet “the Little Raeburn,” a comparison referencing the renowned Scottish painter Henry Raeburn and acknowledging the miniature size of Yellowlees's works alongside their exceptional quality.

    Early Years and Edinburgh’s Artistic Circle

    Following his training with Shiels, Yellowlees established himself as a portrait painter in Edinburgh during the 1820s. This period coincided with a flourishing artistic community in the city, attracting artists from across Britain and Europe. Yellowlees quickly integrated into this vibrant scene, establishing connections with other prominent figures such as Sir Walter Scott and Prince Albert. His ability to capture not only physical likeness but also subtle nuances of personality made him a sought-after artist among the wealthy elite of Edinburgh.

    Yellowlees’s style during his time in Edinburgh was characterized by a refined elegance and a meticulous attention to detail. He favored a muted palette, employing delicate washes of color to create a sense of atmosphere and depth. His portraits often featured subjects posed in comfortable domestic settings, reflecting the prevailing trends of Victorian portraiture. Notably, he contributed twenty portraits to the Royal Academy between 1829 and 1845, demonstrating his growing recognition within the established art world.

    London and a Patron’s Favor

    In the late 1830s, Yellowlees moved to London, seeking new opportunities and a wider audience. His relocation proved fortuitous, as he quickly gained the patronage of Prince Albert, who recognized his talent and commissioned numerous portraits of members of the royal family and other prominent figures. This association significantly elevated Yellowlees’s status within the art world and provided him with access to influential circles.

    During his time in London, Yellowlees continued to refine his artistic style, experimenting with new techniques and approaches. He developed a particular skill for capturing the fleeting expressions of his subjects, imbuing his portraits with a sense of immediacy and intimacy. His work during this period is often characterized by a subtle psychological depth, revealing not only the outward appearance but also the inner thoughts and emotions of those he depicted.

    A Legacy of Intimacy and Observation

    William Yellowlees’s artistic legacy extends beyond his individual portraits. He was a keen observer of human nature, capturing the essence of Victorian society through his intimate depictions of individuals. His small-scale works, often executed with remarkable delicacy and precision, offer a unique window into the lives and personalities of those who inhabited Britain during the 19th century.

    Yellowlees’s influence on subsequent generations of portrait painters is also noteworthy. His emphasis on capturing psychological depth and his innovative use of color and light paved the way for new approaches to portraiture, contributing to the development of a more nuanced and expressive art form. Though he may not be as widely celebrated as some of his contemporaries, William Yellowlees remains a significant figure in British art history—a testament to the power of observation, skill, and quiet artistic vision.

    Museum

    Enfield Museum Service

    Utstilt på London, United Kingdom

    A Tapestry of Time: The Quiet Grandeur of Enfield Museum Service

    Nestled within the vibrant pulse of North London, the Enfield Museum Service offers an experience that transcends the typical museum visit. It is not a place of overwhelming spectacle or monumental masterpieces designed to intimidate, but rather a sanctuary for contemplation and discovery. The architecture itself, part of the Dugdale Arts Centre, invites visitors into a serene environment where the unassuming façade belies the profound depth of the stories held within. Here, history is not presented as a distant, unreachable concept, but as an intimate narrative woven from the very fabric of local life.

    Echoes of Antiquity and Industrial Ingenuity

    To wander through the museum's galleries is to embark on a journey across millennia. The collection serves as a poignant bridge between the primordial past and the technological present. One cannot help but feel a sense of awe when encountering the

    colossal mammoth bones

    unearthed from Tatem Park, relics that evoke a landscape dominated by magnificent, prehistoric giants. This sense of ancient wonder continues with the museum’s Roman treasures, most notably an

    extraordinary lead coffin

    that serves as a silent, tangible link to the individuals who once inhabited this region, prompting deep reflections on mortality and the enduring legacy of ancient civilizations.

    Yet, the narrative does not rest in antiquity. The museum masterfully transitions into the era of human progress, showcasing the transformative power of the Industrial Revolution. Through a curated selection of artifacts—ranging from early firearms to the nostalgic glow of early televisions and vintage household appliances—the collection celebrates the relentless pursuit of innovation. These objects are more than mere relics; they are symbols of evolving domestic routines and the technological heartbeat that shaped Enfield’s manufacturing identity.

    A Living Connection to Community and Nature

    What truly distinguishes the Enfield Museum Service is its role as a vital cultural hub, where the boundaries between the past and the present are perpetually blurred. The museum’s vast collection of over 20,000 objects is thoughtfully organized into themes that resonate with the human experience:

    Nature:

    Exploring the biological heritage and prehistoric wonders of the region.

    Home:

    Delving into the evolution of domestic life and personal belongings.

    Production:

    Honoring the industrial spirit and technological milestones.

    People:

    Celebrating the stories of notable residents and the community's shared history.

    Through interactive elements like QR codes and rotating exhibitions that often feature local contributions, the museum fosters an active sense of participation. It is a place where every visitor, whether an art lover, a historian, or a designer seeking inspiration in texture and form, can find a personal connection to the enduring spirit of Enfield.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Philip Meyer

    topimpressionists.com/no/art/download/william-yellowlees-philip-meyer-AS7VVZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Yellowlees, William. Philip Meyer. 1824, Enfield Museum Service. https://topimpressionists.com/no/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    APA
    Yellowlees, William (1824). Philip Meyer [Painting]. Enfield Museum Service. https://topimpressionists.com/no/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    Chicago
    William Yellowlees. Philip Meyer. 1824. Enfield Museum Service. https://topimpressionists.com/no/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    Harvard
    Yellowlees, William (1824) Philip Meyer. Enfield Museum Service. Available at: https://topimpressionists.com/no/art/william-yellowlees-philip-meyer-AS7VVZ-en/

    Se nærmere etter

    Philip Meyer — William Yellowlees

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Sir William Wightman (1784–1863), Honorary Fellow (1859) (1841), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. William Yellowlees var omtrent 28 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken fargeharmoni utviser "Philip Meyer" av William Yellowlees?

    "Philip Meyer" av William Yellowlees viser en Strong Color Unity fargeharmoni.

    Hvilken palett og hvilken hovedfarge definerer "Philip Meyer"?

    Fargeidentiteten til "Philip Meyer" av William Yellowlees: en Earthy-palett, dominert av Phthalo Green (#2b291d).

    Hvordan kan jeg forhåndsvise en reproduksjon av "Philip Meyer" av William Yellowlees?

    En forhåndsvisning av "Philip Meyer" av William Yellowlees er tilgjengelig på kunstverkets Forhåndsvisning-side.