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The Arrest of Joan of Arc
Håndmalt oljereproduksjon fra $253 27 × 36 cm
Samme størrelse som originalen $512 85 × 112 cm Bestill i original størrelse →
Adèle Martin, 1801 – 1875
1 av Adèle Martins mest kjente malerier
The Arrest of Joan of Arc (1835) er maleriet Adèle Martin er mest kjent for. Vår katalog inneholder 1 verk av Adèle Martin. Her er de 1 mest kjente, med årstall, museum og historien bak hvert lerret.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.
- Født · død
- 1801 – 1875, Dijon
- Verker i vår katalog
- 1
- Mest kjente
- The Arrest of Joan of Arc (1835)
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De daterte lerretene til Adèle Martin på denne siden tilhører alle 1835: her er de, i rekkefølge etter berømmelse.
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The Arrest of Joan of Arc
Adèle Martins lerreter, spørsmål for spørsmål
Hvilket maleri er Adèle Martin mest kjent for?Les svaret
The Arrest of Joan of Arc (1835)
The Arrest of Joan of Arc: hvor gammel var Adèle Martin da det ble malt?Les svaret
Adèle Martin, født i 1801, var 34 år gammel: The Arrest of Joan of Arc er fra 1835.
Hvor mange malerier har Adèle Martin skapt?Les svaret
1 verk av Adèle Martin finnes i vår katalog.
Hvor kan jeg kjøpe en reproduksjon av et maleri av Adèle Martin?Les svaret
Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.
Møt maleren: Adèle Martin
A Life in Color and Shadow
Born in Dijon, France, in 1801, Joséphine Adèle Marie Martin lived a life that saw her move from the quietude of her birthplace to the bustling energy of Paris. Known to many as Adèle Martin or Adèle Dugied, she was a woman who found her voice through the brush. Her presence in the art world was most felt between 1831 and 1847, a period when she established herself as a painter capable of capturing both the dignity of a sitter and the weight of a historical moment.
Her marriage to Pierre Dugied in 1837 marked a chapter in her personal life, yet her identity remained deeply tied to her craft. She navigated the social and professional landscapes of mid-nineteenth-century France, leaving behind works that reflect the era's preoccupation with character and narrative. Her legacy is preserved in collections such as Le musée Magnin de Dijon, where her hand remains visible to those who seek the stories of the past.
The Subjects of Her Brush
Adèle Martin’s work moved between the intimate and the dramatic. She possessed the ability to focus on the subtle nuances of a person's face or the tension of a historical scene. Her repertoire included:
- Portrait de madame Philippon-Magnin
- The Arrest of Joan of Arc
In her portraits, there is a sense of the individual, a way of freezing a moment of quietude or social standing. When she turned her attention to history, as seen in her depiction of Joan of Arc, the scale of her ambition shifted. She sought to translate the gravity of legend into a visual language that her contemporaries could recognize and feel.
A Quiet Legacy
Though her active years as a painter were concentrated in a specific window of time, the impact of her work endured. She died in Dijon in 1875, leaving behind a body of work that speaks to the skill of a woman who carved out a space for herself in a demanding profession. Her paintings remain as physical traces of her life, offering a window into the visual culture of nineteenth-century France.