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      Adèle Romany, 1769 – 1846

      37 av Adèle Romanys mest kjente malerier

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) er maleriet Adèle Romany er mest kjent for; det tilhører National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804) fullfører trioen av de mest elskede maleriene. Vår katalog inneholder 39 verk av Adèle Romany. Her er de 37 mest kjente, med årstall, museum og historien bak hvert lerret.

      Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon på linlerret, eller som et kunsttrykk i ønsket størrelse.

      Portrett av Adèle Romany
      Adèle Romany · 1769 – 1846
      Født · død
      1769 – 1846, Paris
      Bevegelse
      Neoclassicism
      Verker i vår katalog
      39
      Mest kjente
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Flest verk hos
      Library-museum of the Comédie-Française

      De ti mest kjente maleriene av Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) av Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Håndmalt oljereproduksjon fra $178 27 × 36 cm Samme størrelse som originalen $522 97 × 128 cm Bestill i original størrelse →
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      Madame Coury, Duhamel Widow (1811) av Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Håndmalt oljereproduksjon fra $178 28 × 36 cm Samme størrelse som originalen $467 90 × 117 cm Bestill i original størrelse →
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      Portrait of a Young Woman (1804) av Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Paris

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Håndmalt oljereproduksjon fra $178 29 × 35 cm Samme størrelse som originalen $242 51 × 61 cm Bestill i original størrelse →
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      Portrait of Julie Candeille (1791) av Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Håndmalt oljereproduksjon fra $178 29 × 34 cm
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      Portrait of a Young Harpist (1795) av Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Håndmalt oljereproduksjon fra $178 28 × 35 cm Samme størrelse som originalen $351 73 × 92 cm Bestill i original størrelse →
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      Portrait of a woman (1795) av Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Paris

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Håndmalt oljereproduksjon fra $178 29 × 35 cm Samme størrelse som originalen $291 62 × 76 cm Bestill i original størrelse →
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      Portrait of Amélie-Justine Pontois (1795) av Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Håndmalt oljereproduksjon fra $178 28 × 36 cm Samme størrelse som originalen $240 49 × 61 cm Bestill i original størrelse →
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      Charles-Antoine d'Artenay (1792) av Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versailles

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

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      Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) av Adèle Romany
      9

      Portrait of Amélie-Justine and Charles-Édouard Pontois

      1800 · Oil

      The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

      Håndmalt oljereproduksjon fra $203 28 × 35 cm Samme størrelse som originalen $377 73 × 92 cm Bestill i original størrelse →
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      A young person hesitating to play the piano in front of her family (1804) av Adèle Romany
      10

      A young person hesitating to play the piano in front of her family

      1804 · Oil On Canvas · Frances Lehman Loeb Art Center

      The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

      Håndmalt oljereproduksjon fra $278 36 × 28 cm Samme størrelse som originalen $746 146 × 113 cm Bestill i original størrelse →
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      Adèle Romany: lerreter 11 til 37 på rangeringen

      Portrait of Emilie Leverd (1808) av Adèle Romany
      #21

      Portrait of Emilie Leverd

      1808 · Library-museum of the Comédie-Française

      Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…

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      Portrait of Fleury (1818) av Adèle Romany
      #28

      Portrait of Fleury

      1818 · Library-museum of the Comédie-Française

      A middle-aged man sits in a three-quarter length pose, his presence defined by a sense of intellectual weight and social standing. He is positioned slightly off-center, a composition…

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      Baptiste cadet (1832) av Adèle Romany
      #36

      Baptiste cadet

      1832 · Library-museum of the Comédie-Française

      The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

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      Adèle Romanys lerreter, periode for periode

      Early Period

      1791 – 1798 · 7 verk i denne listen
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

      Mature Period

      1799 – 1833 · 28 verk i denne listen
      Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

      Hva Adèle Romany malte mest av

      De fire motivene som går igjen oftest på disse lerretene, hver med sitt mest kjente eksempel.

      Woman 24 verk

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

      Man 14 verk

      Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

      White dress 6 verk

      Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

      White cravat 6 verk

      Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Museum of Fine Arts Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Château de Versailles Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

      Der Adèle Romany sine lerreter henger

      De 8 museene som innehar flest av maleriene på denne siden.

      Museum By Verker av Adèle Romany Malerier fra denne listen
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

      Adèle Romanys mest kjente lerreter, tiår etter tiår

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) av Adèle Romany
        3 av 37

        Portrait of a Young Woman

        Alder 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) av Adèle Romany
        Lerret 2 av 37

        Madame Coury, Duhamel Widow

        Alder 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s
        Portrait de Zoé Prévost, de l'Opéra-Comique (1830) av Adèle Romany
        Rangert som 32 av 37

        Portrait de Zoé Prévost, de l'Opéra-Comique

        Alder 61 – 70 · Musée Magnin

        The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

      Adèle Romanys lerreter, spørsmål for spørsmål

      Hvilket maleri er Adèle Romany mest kjent for?Les svaret

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804) følger.

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: hvor gammel var Adèle Romany da det ble malt?Les svaret

      Adèle Romany, født i 1769, var 26 år gammel: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou er fra 1795.

      Hva er de ti mest kjente maleriene til Adèle Romany?Les svaret

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois og A young person hesitating to play the piano in front of her family. Hvert lerret i rangeringen ovenfor er oppgitt med årstall og museum.

      Hvor mange malerier har Adèle Romany skapt?Les svaret

      39 verk av Adèle Romany finnes i vår katalog, datert fra 1791 til 1836.

      Hvor henger Adèle Romanys mest kjente malerier i dag?Les svaret

      Hovedsakelig i Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) og Museum of Fine Arts (Boston); listen ovenfor navngir hvert museum og deres lerreter.

      Når malte Adèle Romany sine mest kjente lerreter?Les svaret

      I 1800s, som utgjorde 13 av de 37 verkene på denne siden, var Portrait of a Young Woman blant dem.

      Hvilket berømt lerret av Adèle Romany kom først, og hvilket kom sist?Les svaret

      Det eldste lerretet her er fra Portrait of Julie Candeille (1791); det nyeste er fra Portrait of Voltaire (1836).

      Hvilke motiver malte Adèle Romany mest av?Les svaret

      Woman (24), Man (14) og White dress (6), fordelt på 37 verk på denne siden.

      Hvilket medium er mest fremtredende i Adèle Romany sine malerier?Les svaret

      Oil On Canvas, brukt i 29 av de 37 verkene på denne siden.

      Hvilken kunstretning er Adèle Romany tilknyttet?Les svaret

      Neoclassicism, som lerretet på denne siden viser.

      Hvilke malerier av Adèle Romany er i Library-museum of the Comédie-Française sin samling?Les svaret

      Library-museum of the Comédie-Française, Paris har 5 av verkene på denne siden, inkludert Portrait of Emilie Leverd, Mlle Raucourt as Agrippine og Portrait of Fleury.

      Hvor kan jeg kjøpe en reproduksjon av et maleri av Adèle Romany?Les svaret

      Ja. Hvert maleri på denne siden kan bestilles fra sin egen side som en håndmalt oljereproduksjon, eller som et kunsttrykk i den størrelsen du velger.

      Møt maleren: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

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